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A week before Christmas, Audre falls off her work stool and her father has a stroke. Audre goes to New York City to see her family, who she has not visited for a year and a half. After Christmas, she commutes between the NYC hospital and her work. Her father dies, and she goes to stay at her mother’s house. Her mother is a wreck, and she and Helen have to handle everything. Helen is withdrawn, playing the same record over and over. Audre moves into Cora’s house, and another person has been hired to take Audre’s place.
Audre is moved into a better-paying positionthat offers bonuses, although they are almost impossible to get and require not abiding by safety regulations and exposing oneself to dangerous radiation:
Some of the women who had been at Keystone for years had perfected the motions and moved so swiftly that they were able to make from five to ten dollars some weeks in bonuses. For most of them, the tips of their fingers were permanently darkened from exposure to X ray (145).
The employers could not keep track of the crystals after they were read, but rather kept a tally of how many an employee checked out. In Audre’s first two weeks, she makes three dollars in bonuses. Ginger warns her to slow down so she doesn’t make the other workers look bad. Audre says she needs to make money, but Ginger says the harder Audre works, the more the employers will raise the rates, so they don’t have to pay her. Audre is determined: “on the horizon like a dim star, was my hope of going to Mexico” (146).
Ginger starts hanging out with a new girl, and Audre works even harder, taking in as much in bonuses as she is from her hourly wage. The forewoman checks her to make sure she isn’t cheating, but Audre hides the crystals in her socks, then goes to the bathroom, chews them up, and flushes them. Audre knows Ginger is mad at her for being disloyal, but Audre is mad, too, as Ginger is spending time with the new girl, so she doesn’t say anything to anyone. The plant fires Audre, and she moves back to NYC.
Audre becomes fixated on going to Mexico, although she doesn’t entirely understand why. She stays with friends and works in a health center, moving in with a progressive white woman named Rhea with whom she feels no emotional bond. Saving money for her escape, she becomes embroiled in the political Committee to Free the Rosenbergs. She goes to Washington to protest the Rosenbergs’ execution with Rhea. Shortly after the group returns, Eisenhower signs an “executive decree that said I could eat anything I wanted to anywhere in Washington, DC, including vanilla ice cream. It didn’t mean too much to me by then” (149). Audre and her fellow activists are terrified of the Red Scare and being labeled as communists, although Audre also feels a disconnect between herself and the other activists because she is homosexual, which is seen as being very bourgeois and making you more susceptible to the FBI. The Rosenbergs are executed, and Audre wonders if there is any place in the country that is safe for her.
Audre runs into Bea, who she had met and flirted with a year before, and who now lives in Philadelphia. Audre and Bea start dating, although Audre is upset that Bea is not responsive when Audre has sex with her. Rhea pretends not to notice their relationship. Audre finds meeting other lesbians to be difficult because she does not drink and go to bars, so her relationship with Bea arises out of loneliness. They are nothing alike: “her family was old, mainline, white, and monied” (151). Audre finds Bea’s conceptualization of sex to be the most different, as Bea enjoys it in theory but there is no passion in her love-making. Bea is beautiful, but leaves Audre wanting more. When Audre visits Bea, she makes love to her for two days while Bea sighs sadly, and then they go out to a museum or to eat: “Every Sunday night, I got on the train vowing to myself that I would never see her again” (152).
They plan to go to Mexico together, but Audre breaks it off two weeks before they are supposed to leave. Bea comes to NYC and camps outside of Audre’s apartment for two days, forcing Rhea to run interference. Audre feels terrible, but believes it is for her own good. She eventually confesses to Rhea about the affair, and Rhea says that Audre shouldn’t let other people depend on her too much even if she is strong. Audre leaves for Mexico, feeling like she is fleeing, and is surprised she got out alive.
Audre explores Mexico City with rudimentary Spanish-language skills but feels happy and at peace there: “Moving through street after street filled with people with brown faces had a profound and exhilarating effect upon me, unlike any other experience I had ever known” (154). People are friendly towards her, smiling at strangers, and Audre feels self-confident for the first time. She is asked if she is Cuban because of her hair and coloring, and people are amazed to learn she is from New York. She enjoys walking in the park called Alameda during the day, because she has been told that women should not go out by themselves at night. Instead of walking with her eyes on her feet like she did in New York, she learns to look around as she walks down the street, bolstered by the similar coloring of the people who surround her. She registers for courses at the university, in history and folklore; she looks for more permanent lodging, as eating out and living in a hotel are cutting into her funds.
Audre goes to visit a woman named Frieda, a friend of a friend who lives in Cuernavaca, because she misses conversing with people. Frieda and her twelve-year-old daughter, Tammy, are very friendly towards Audre, and introduce her to many other American expatriates who are spiritual and political refugees. Frieda convinces Audre to move to Cuernavaca, where it is quieter and cheaper, and where Audre can have a house to stay in. Frieda’s ex-lover, Jesús, helps Audre move and on the drive back, Audre admires the landscape of the country.
Many of the people in Cuernavaca are single women from California and New York who co-own stores, teach, and/or live off alimony. Many are in hiding as a result of the Red Scare: “For the American colony in Cuernavaca, the political atmosphere was one of guarded alertness. There was not the stench of terror and political repression […] But any idea that immunity from McCarthyism might be conferred by [the] border had been shattered” (159). Although welcoming, the community is cautious of newcomers. Audre is enchanted by her natural surroundings, including the birds, and she uses poetry to recreate that feeling. The women Audre meets are much older than she is; although many are bisexual, they pretend “to be straight in a way they never would have pretended to be conservative. Their political courage was far greater than their sexual openness” (160). As a result, Audre does not realize that she is amid a community of like-minded women.
Audre and Frieda drink in celebration of Oppenheimer being fired, and then Audre sunbathes. A woman tells her to be careful and then invites Audre for coffee. Audre, who is nicknamed La Chica, recognizes the woman as La Periodista, and the woman introduces herself as Eudora. Audre immediately knows that Eudora is a lesbian, which puts her at ease. Eudora also intuits that Audre is a lesbian. Audre makes dinner and they talk. Audre is fascinated by Eudora. Eudora admits that she was lovers with Karen, with whom she co-owned a Cuernavaca bookstore, but then it became too radical for Karen and Eudora drank too much. Eventually, Karen turned the bookstore into a dress shop, Eudora had a mastectomy, and they broke up. Eudora is embarrassed about her scars. Eudora and Audre bond over a shared love of poetry.
Audre and Eudora spend time together, and Audre tells her about the previous women in her life. Eudora reciprocates. Audre appreciates Eudora and begins to fall for her. Eudora mocks Audre’s reticence about talking about some things, although Audre believes that Eudora has grief of her own that she will not talk about. One night, they tell each other that they are beautiful, and when Audre goes home she is unable to either sleep or read. She takes a shower and comes back, to Eudora’s surprise. Audre asks for more coffee. Eudora questions if this is what Audre came back for, and Audre says she wants to sleep with her. Eudora takes her to bed, and then asks repeatedly if she is sure, still sensitive about her missing breast. They disrobe, and Audre kisses Eudora’s scars. Eudora tries to turn off the light, but Audre demands it stay on.
Audre wakes in the morning next to Eudora, exhilarated. They cuddle, and then Eudora makes breakfast. Audre washes the dishes, and then Eudora takes her back to bed. Audre says she doesn’t like being made love to, and Eudora says that’s probably because no one has done it to her before. They have sex through the weekend with brief respites, to shower. For the next month, they spend many afternoons together, but there are some things Eudora is strangely secretive about. They explore Mexico in Eudora’s convertible, and Eudora explains the links between Africa, Asia, and Mexico and the genocides of Mexico’s native peoples. Eudora helps Audre plan a trip to Oaxaca and tells her many things: “It was Eudora who showed me the way to the Mexico I had been looking for, that nourishing land of light and color where I was somehow at home” (170).
Audre says she wants to come back to Mexico after she leaves, but Eudora cautions her against running from her problems. They go out to eat once, watching the bird-man, Jeroméo, the beggar-children (chamaquitos), and the mariachi. When other people see them, Eudora says that the gossip will begin. The next afternoon, after Audre takes Tammy to the market, she comes back to find Frieda and a group of women gossiping, which Frieda promptly ends. Later, Frieda warns Audre not to care about the gossip but to be careful with Eudora, because she can be trouble.
That spring, McCarthy is censured and the Supreme Court decides segregation is unequal. People are hopeful that this indicates a change in America, including Audre. Audre no longer feels invisible, both because of Mexico and because of Eudora. Audre never sees Eudora drink, but she will disappear sometimes for days, and then show back up as if nothing happened. They never discuss it. Audre’s classes end, and she realizes Eudora will not accompany her on her trip south. She frequently hears angry voices coming from Eudora’s windows. Audre prepares to spend her last evening with Eudora, but when she gets to her house, Karen storms out and Eudora is drunk. Eudora tells her to leave and when Audre resists, Eudora is cruel to her. Audre flinches, and Eudora changes her tone, saying that she doesn’t want Audre to see her like this because it will only get worse. Audre kisses Eudora goodbye and leaves.
When Audre comes back three weeks later, Eudora has moved but no one knows where. Frieda says that Karen and Eudora must have settled their business. Audre is upset but shows no emotion. Frieda tells her to go home, and Audre says that she hopes to come back some day. Audre returns to New York on July Fourth.
In the wake of her father’s death, Audre sees herself as entirely separate from her mother. Her mother becomes fully human, and Audre is free from the grip of her authority. Audre finds freedom in this maturation, and she does not seem saddened by her father’s death but rather relieved, as though her last connection to the realm of men has been severed. Similarly, Audre plots and accomplishes her escape into Mexico. As a result of never feeling like she belonged, first in New York and then in Stamford, Audre feels the need to escape from the injustices of the United States altogether. She feels trapped by her relationship with Bea and by the politicization of her sexuality within progressive circles. Because she is both black and homosexual, she does not feel as though she fits in, even with her progressive friends, such as Rhea. She never forgets that she is other, and this otherness haunts her. She realizes that relationships are not a successful way of combatting loneliness, especially if the relationship is only connected through the similarity of sexual orientation, as is the case with Bea. Instead, Audre turns to Mexico to relieve herself of the oppressing whiteness that surrounds her in the United States.
Audre finds herself surrounded by the same white faces once she leaves for Mexico. Although she repeatedly speaks to the comforting brownness of the people who surround her, she exclusively makes friends with white people, including Eudora. However, Eudora does help Audre find a home within her own identity. Eudora exposes Audre to the need for reciprocity in terms of passion, which Audre found lacking in her relationship with Bea. In Eudora and in Mexico, Audre finds hope for the progress of the United States and for the progress of her own self-actualization. However, even in the safety of Mexico, the political fear associated with the Red Scare and the danger of being female surfaces. Audre knows she should not walk alone at night, as there is always the threat of sexual violence. In this way, Audre understands that the home she has imagined is not necessarily an external home in which she feels safe, but rather a sense of security regarding her own identity.
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By Audre Lorde