64 pages • 2 hours read
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Ava Matthews wakes up Shawn on a Saturday morning. Aunt Sheila asked them to buy some milk for breakfast. This is normally Ray’s job, but he likely got high and slept at Duncan’s the night before. Ava puts on Ray’s Dodger hat, and she and Shawn walk to the store. They walk past Frank’s Liquor, by habit, and go two more blocks to Figueroa Liquor Mart. When they walk in, the Korean woman behind the counter looks at them suspiciously. Mr. Han, the one usually behind the counter, would nod at them with recognition, but this woman—Jang-Ja Han—looks at them “like we’re wearing ski masks” (106).
Ava picks up one of the milk bottles, puts it in her sweater pocket, and walks to the counter. The woman behind the counter shouts at Ava, accusing her of trying to steal the milk. The bottle is not hidden, and Ava puts her hands up, but the woman reaches from behind the counter and grabs her. In self-defense, Ava punches the woman while Shawn yells at her to stop. The woman lets go of Ava, and Ava reaches for the milk—only to be shot. Milk and blood spill on the floor.
Mr. Han arrives, runs inside, and shakes his wife. He then calls 911 while Shawn watches in shock. He is told later that he fell to his knees and cried. When questioned, he tells the truth, and the video evidence backs him up: Ava wasn’t armed, and Jung-Ja Han waited until her back was turned to shoot her. But even with Shawn’s testimony and the video, the Black lawyer defending Jung-Ja Han manages to get her only 5 years of probation, 400 hours of community service, and a $500 fine for voluntary manslaughter. A week later, the same “white lady judge” sends a man to jail for 30 days for kicking a dog (110).
Grace struggles to sleep after learning her mother’s secret, drinking too much whiskey and worrying about her mother in the ICU. She watches the video footage of the murder of Ava Matthews on her phone. It is only 15 seconds long. It is grainy and hard to make out, but she can see Ava Matthews punch her mother and thinks it is self-defense. Jung-Ja Han ducks behind the counter, and Ava turns around to flee. Then, Jung-Ja Han shoots her in the back.
Grace notices that thousands of people have seen the video on YouTube, and wonders how many millions must have seen some version of the footage during her lifetime. She scrolls through the comments. She looks for support for her mother, but notices that any comments supporting her mother tend to coincide with anti-Black sentiments. There is racism toward Koreans in the comments too.
Paul arrives home at 8:00am and gets in the shower. Grace questions him and learns that Yvonne is out of surgery, but they still don’t know if she will recover. Then, Grace tells him that Miriam told her Yvonne’s secret. She starts crying again. Paul gets angry, and tells Grace that she would never understand and to not bring it up with Yvonne. Then, he goes back to the hospital.
Shawn wakes up in a daze the next morning after staying up most of the night drinking with Ray. He has many messages from friends and strangers because the news that Jung-Ja Han was shot spread overnight. Now, there is a Los Angeles Times story about the shooting at Hanin Market, reporting that the victim is in critical condition.
Shawn leaves for work, but by the time he gets to Northridge, he calls to take the day off. He drives to Hanin Market to see it for himself. The market has a Starbucks, realtor, Honey Baked Ham Company, Korean school, food court, nail salon, optometrist, dentist, and Woori Pharmacy. Shawn parks the car and walks around the market until a passerby makes him feel self-conscious. He guesses he must look suspicious because of his tattoos and skin color. Then, he sees the blood stain on the ground, and it takes his breath away. It is proof that justice has caught up with Jung-Ja Han.
Shawn then goes to visit Ava’s grave in Paradise Memorial Park in Santa Fe Springs. Ava doesn’t have a gravestone because bodies were moved around after the cemetery went out of business. Shawn doesn’t know where her body is now, but there is a mass burial site, which is marked by a tombstone. He places a succulent by the tombstone. He remembers that Ava once tricked him into high-fiving a cactus—his earliest memory—and thinks about how much he both hated and loved her growing up.
Shawn knows that Ava was not a genius. She might have graduated high school, or she might not have. She was a talented piano player, but she could never compete with the rich children who got lessons and practiced for hours every day. Ava was not a saint; Shawn is uncertain whether or not she meant to steal the bottle of milk years ago. However, he understands why his Aunt Sheila insists on keeping her memory idealized: If people started thinking of her as flawed, she would be forgotten like so many other Black girls who were wronged. Sheila calls this a “mass grave” too (123).
Unable to cope with her father and the constant memory of her mother’s absence at home, Grace spends some time at Blake and Miriam’s place. She drives to the hospital once a day to visit Yvonne, who has been in a coma. Otherwise, she stays in Miriam’s spare bedroom, avoiding Blake and reading articles about her mother online. In the meantime, Uncle Joseph has been filling in for her at the pharmacy.
The story of Yvonne being shot blew up in the news once people realized who she was. It began trending on social media, strangers started review bombing the pharmacy, and Grace has been receiving messages from journalists (including Jules Searcey) daily. To Grace, these journalists seem like vultures. Searcey wrote an article in The New Yorker that connects Jung-Ja Han to Trevor Warren, Alfonso Curiel’s killer. The article both laments the “mounting unrest in Los Angeles” while adding fuel to the fire (126). Online, every mention of Yvonne seems to minimize her entire life as a single act of pulling the trigger (127).
To clear her head, Grace goes for a walk around the residential area of Silver Lake. During the walk, she runs into a stranger named Evan Harwood who asks if she is Grace Park. He says he works for Action Now and would like to ask her a few questions about her mother. Grace tries to get away from him, but he chases her. While trying to get away from him, she falls and cuts herself. People start to notice her, and Harwood continues to record her on his phone. Grace knows she should walk away and say nothing, but as he continues to ask her questions, she gets angrier and angrier. Finally, she loses control of her emotions and yells into Harwood’s phone. She defends her mother, noting how much bigger Ava Matthews was than her, implying that the shooting was done in self-defense. In her rant, she calls Ava “some high school Shaq” (130).
Detective Neil Maxwell visits Shawn to ask questions about the shooting. He asks if Shawn knew Jung-Ja Han was still in Los Angeles, and Shawn says he didn’t until he heard the news Friday night. Maxwell asks what time he learned the news, and Shawn marks the time with a text message, reluctantly giving up Tramell Thomas’s name as the person who texted him. The detective notes that Shawn didn’t go to work the next day and instead went to the scene of the crime, trying to get a rise out of him. Shawn admits that the news shook him up. He says he was “remembering” (135), and this is why he went to the market and then the cemetery.
Shawn is surprised when Maxwell claims that the Baring Cross Crips are taking credit for the shooting. Maxwell then presses Shawn about his past, asking whether he’s still in touch with Jaleel Prentiss, Kevin Price, and Isaac “Newt” Johnson, all gang members he used to run with before he was arrested. Shawn hasn’t been in touch with any of them, even Newt, who was once his best friend. He reflects that it was a different time and, as he’s gotten older, he hasn’t had to deal with police much either. These days, he is usually with his girlfriend or her daughter, and police are more like to find a lone Black man or a group of Black men suspicious. Shawn believes this is because cops are lazy and unimaginative, rarely thinking beyond first impressions.
Maxwell continues to question Shawn, trying to get a rise out of him. He talks about Shawn’s rap sheet and asks him about Ray Holloway, and Shawn tells him that they are in touch because they are family. Maxwell leans on the image of Shawn as a “Real OG” (136), saying he must have gotten away with murder in the past. He tells Shawn that he probably wanted revenge on Jung-Ja Han, but Shawn doesn’t take the bait. He never killed anyone and admits that while he was, is, angry, he wasn’t involved in the shooting.
The video of Grace yelling at Evan Harwood has gone viral. Feeling ashamed, Grace stops leaving Miriam’s house and stops visiting the hospital. Miriam has taken her phone and deactivated her social media accounts. Days later, Grace is feeling better, but not much better, as this is her first time feeling hated.
Miriam brings Grace some food from a new vegan restaurant nearby. The food is bad, but Miriam improves it with some kimchi from a Korean market and hot sauce. Grace interrogates Miriam about the video. She asks how many people have seen it, and if any of her friends have defended her publicly. She also asks if Miriam thinks she is racist, and why she hasn’t bothered to defend her. Grace starts to cry, and asks why she won’t defend Yvonne.
Miriam has a thoughtful response to this question, something she has been thinking about for a long time. Firstly, she argues that it is better that her friends do not engage at all, and that she does not engage either; to do so would worsen the situation. She also argues that defending terrible acts compromises your own morals. Miriam believes loving someone evil makes you evil too (144). She gives the example of Camille Cosby defending Bill Cosby after rape allegations came out, explaining that doing so contributed to the damaging myth that women go around lying about rape. She explains that defending Yvonne means they must contort themselves to justify murder (145). By cutting her mother off, Miriam believes she has become a worse person too, that they are both worse people because of what their mother did.
Grace does not entirely agree, but she and Miriam do not argue, either. At the end of the conversation, Grace is still angry. Before she goes back to sleep, Paul calls with news that Yvonne woke up from her coma.
By alternating between Shawn and Grace’s perspectives, Cha forces the reader to empathize with two different sides of the same issue. Cha asks the reader to empathize with Shawn’s anger and hatred toward Jung-Ja Han, even while the reader understands that there is more to Yvonne than just the single act of pulling a trigger. When Shawn sees Yvonne’s blood stain on the ground, the reader is not meant to blame him for recognizing the blood as a kind of justice, rather than a person’s life. Cha also asks the reader to empathize with Grace. While the reader is not meant to defend Grace’s description of Ava as large and violent, they can recognize that Grace is struggling to process her mother’s coma and shooting in 1991.
Cha illustrates systemic racial injustice on multiple levels. For instance, mirroring the true story of Latasha Harlins, Jung-Ja Han’s murder of Ava Matthews results in her earning no jail time. In fact, the sentence is identical to Soon Ja Du’s. Cha emphasizes the injustice of this sentence by comparing it to the “white lady” judge’s other decision: “[A] week later, she sent a man to jail for thirty days. He had kicked and stomped a dog” (110). Through juxtaposition, Cha implies that the judge—and thus, the court—values a dog’s life more than Ava Matthews’s and Jung-Ja Han’s life more than this “man.” Cha also demonstrates how police officers, even those who see themselves as not racist (because they “quoted Samuel L. Jackson and thought they’d like to have Morgan Freeman for an uncle”), treat Black men unfairly. They are “taught to fear black boys with tattoos and baggy pants” (131). There is a long, complicated history of police judging Black men who either do not fit their image of a “safe” Black man or do fit their image of a “dangerous” one. Cha suggests that this is because cops cannot see past the limits of their own imagination, largely due to internalized (or overt) racism.
Both Shawn and Grace’s stories deal with remembering and forgetting. The Parks are trying to forget their past, while Sheila Holloway struggles to keep hers alive. She wants to keep Ava’s memory alive and, to do so, she is willing to bend the truth. She intentionally forgets Ava’s flaws because to remember her as she was, flaws and all, would relegate her memory to “the pile of black girls no one’s ever heard of” (123). Cha illustrates this point when Shawn visits the cemetery where Ava’s body has been misplaced. As Shawn tries to pay his respects to an actual mass grave, Sheila tries to keep Ava out of a rhetorical “mass grave” where “no one’s talking about them or writing about them for any of us to hear” (123). When tragedy strikes, only a select few are deemed worthy of proper remembrance—either because their family can afford a better cemetery or because they were “saintlike” in life.
Saigu was a momentous event for the Korean community in Los Angeles. The meaning of the 1992 uprising for Korean women shopkeepers was captured by filmmaker Dai Sil Kim-Gibson in the award-winning documentary Sa-I-Gu (1993). Kim-Gibson followed up this documentary with Wet Sand (2005), which follows the mother of Edward Lee (the Korean boy who was killed during the Los Angeles uprising in 1992). The title of the film comes from one of her quotes: “Unity is like holding wet sand tightly in your hand. If you hold a fistful, it becomes one big lump. But if the sand dries, it will slip through your fingers until there’s nothing left.” Cha echoes this image of the instability of a whole when Grace thinks about the life her parents built after 1992. She reflects that “they’d built their house on sand, and the rain had come down and the waters risen, the cold swallow of the real world” (141).
While Grace is still trying to process the consequences of her mother’s actions, Miriam has had two years to think about the way trauma is passed down to future generations. In many ways, Your House Will Pay is about the way the trauma of 1991 has carried over to the modern day. Yvonne’s murder of Ava forced Miriam to turn her back on her family. It has also forced Grace to “contort” herself to justify her mother’s actions, and as Miriam says, “if you bend too much that way, you’ll become a different person” (145). Familial obligation is important to Grace, and Cha demonstrates how a generally good person like Grace can become susceptible to racist thoughts out of a warped sense of loyalty.
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