18 pages 36 minutes read

Women

Fiction | Poem | Adult | Published in 1973

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Symbols & Motifs

Starched White Shirts

In her poem, Walker refers to the women who “ironed/Starched white/Shirts” as women who could fight on the battleground and still do their simple chores (Lines 9-11). The image has a dual symbolism: confined domesticity (for the ironer) and power (for the wearer). Traditionally, women have been societally relegated to all such domestic tasks—especially Black women. The starched white shirt symbolizes success and power in a white-collar job, economically separating the wearers of the shirts from those who iron them. At the end of “Women,” Walker mentions “Desks / A place for us” (Lines 22-23), which suggests that the women one day could obtain those white-collar positions and require their own starched white shirts.

Desks

Walker acknowledges that all of the women’s hard work and labor can lead to the discovery of “books / Desks / A place for us” (Lines 21-23). The desk has multiple meanings, as it can be both a place for study and an office where a woman could apply what she studied in her books. To aspire to a secure job with its own office, including a desk and other equipment, was next on the list of jobs for Black women whose ancestors toiled on plantation fields and then as domestic servants. It was now time for Walker’s generation and the generation of Black women after her to take their places behind a desk, using their minds and making decisions rather than waiting on others to make decisions for them.

Fists

Walker mentions the “fists” (Line 5) of the women, recalling the popular image of Rosie the Riveter with her rolled-up sleeves and fist in the air, ready to take over men’s factory jobs and contribute to the World War II efforts. In “Women,” the women take over the traditional male roles of “generals” (Line 14) and fight for the Women’s Movement. A fist is both a fighting stance and a stance of physical prowess when accompanied by the owner’s bulging bicep. While feminine features and domestic activities are often synonymous with delicacy and lightness, women’s work can be physically tasking as well. Over time in order to effect change, the delicacy of a woman’s hands can become hardened into fists. For centuries, women have had to be both caretakers to spouses, children, siblings, or slaveholders while doing other chores, whether inside or outside the home or both. Walker juggled both the role of mother with her roles as activist, writer, and sometimes educator just as she watched her mother Minnie Lou juggle her working and child-rearing roles.

Booby Traps

When Walker begins to compare the women of her mother’s generation to generals, she refers to them having to cross over or create “Booby-trapped / Ditches” (Lines 17-18). The original meaning of “booby trap” from the 17th century involves a harmless prank that makes the recipient of the joke a “booby,” but by the 20th century, the meaning started to imply actual harm. In “Women,” the intended meaning could be a mixture of both. Walker wants the reader to understand the genuine risks that first-wave generation feminists and descendants of slaves endured to make way for her generation. These women took every threat as serious because they could not afford to lose the fight. At the same time, she wants to highlight that these women were innately clever in their fight for justice and were capable of anything to outwit their enemies. A supporter of Martin Luther King Jr., Walker was well aware of his stance on non-violent tactics.

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