66 pages • 2 hours read
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Ross doesn’t have a packed lunch one day, so he gets food from the cafeteria. There, he spots a flyer on a bulletin board: Sarah Kennedy needs people to join her planning committee for the talent show. Ross sees an opportunity to spend time with Sarah.
However, when Ross gathers courage to approach Sarah, he scratches his head and a clump of his hair, as well as some eye ointment, falls onto Sarah’s pizza. Ross thinks it looks “[l]ike a little hamster perched on her slice” (168), which he draws. Sarah tries to hide her disgust, but one of her friends, the unpleasant Denise, makes a loud sound of revulsion. All of the kids in the cafeteria look in his direction. Ross quickly grabs the clump, puts it in his pocket, and apologizes. He begins to explain, but he stops himself because he doesn’t want to mention anything to do with cancer.
As everyone continues to stare at him, Ross exchanges Sarah’s lunch tray for a fresh one. Unable to speak, he smiles at her, gives her two thumbs up, takes a bow, and goes back to his seat. Abby tries to break the tension with some sarcastic humor, but he’s not in the mood.
During the drive to the radiation center, Linda comments on Ross’s hair loss. He lashes out, her attempts at comforting him only increase his ire until he feels “like [his] head is full of bees” (173). At the treatment center, Jerry is in his usual spot; he asks Ross how he’s doing but gives him a moment when it becomes clear Ross is in turmoil. Once Ross is calm, Jerry mentions how upset Ross looked. Ross apologizes, which Jerry tells him isn’t necessary.
Jerry affirms that being a cancer patient, especially a very young cancer patient, is weird. Ross wants a “normal” life, but Jerry’s a proponent of “different,” which he says makes things happen. Jerry tells Ross about his unfulfilled dream of becoming a professional trumpet player. His father convinced him that “normal” people don’t play trumpet for a living, but Jerry now regrets not pursuing his unique dream.
In “Batpig vs The Hairball” (178), Batpig sees the pig symbol in the sky, so he flies to find a giant hairball rolling like a tumbleweed toward the St. Sarah Pizzeria. Batpig sprays detangler at the hairball until it lies limply on the ground. A woman tells the proud Batpig that he is her hero. Next to her is a man who asks, “Why a pig?” (178). He doesn’t get an answer.
Ross apologizes to Linda when she picks him up. She tells him not to worry and buys him “Milkshake Therapy.” At Abby’s place, Ross notices Abby is acting distant. She eventually admits to feeling anxious about the move. Ross discounts her concerns, and they argue until Ross leaves her without a word.
He fumes in his bedroom about Abby and everything that happened, illustrating his “pity party” with a paper party blower surrounded by streamers and confetti. He gives the blower a speech bubble that looks like a rain cloud and contains one word, “Waaa.” He considers changing schools, though he’s not sure the hairy pizza incident won’t spread around town.
He doesn’t want to talk about his problems when his father asks after him, but he admits he and Abby had a fight. Ross asks if he’s supposed to experience an epiphany. He’s seen ill people on talk shows claim their sickness taught them that life is precious, that people should treat each day like it’s their last, and so on. Ross says cancer has taught him that every day is long, grueling, and miserable. Ross’s father thinks this is a normal reaction.
Ross stays home the next day. Linda periodically visits him; she leaves two small Butterfingers bars next to his pillow when she thinks he’s asleep. The candy doesn’t make him feel better, even though it’s his favorite.
Ross goes to his treatment that afternoon. Frank is subdued because Jerry went to the ER the night before with pneumonia. Frank encourages optimism about Jerry’s chances at recovery. Callie observes that Ross is losing hair from his right eyebrow; Frank makes light of it, asking if Ross wants to be like everybody else. Ross does want that. Callie informs him it’s too late to be normal: He’s special. Ross still dislikes that idea.
Ross has a difficult time practicing guitar with Frank that evening. Playing guitar brings feelings to the surface that he’d rather suppress. Frank persuades him to talk, and Ross explains everything that’s bothering him: the side effects from radiation, Abby’s move, Isaac’s desertion, his humiliating experience with Sarah, the memes, and more. Ross sketches himself emitting “word barf.” Frank empathizes, offers advice about coping with the bad times, and decides Ross needs a break. Frank, Ross, and Denny take turns playing a video game.
Denny suggests Ross and Jimmy should jam sometime since Jimmy plays drums. Ross isn’t sure that’s a good idea, but Denny opines that they don’t have to like each other to play music together. He tells Ross he’ll mention the idea to his cousin, despite Ross’s protestations.
Ross’s inner conflict over his status as the “weird kid” becomes more acute as his symptoms from radiation get worse. The conflict begins to reach a crisis with the cafeteria incident. His embarrassment, frustration, and anxiety consume his attention to such an extent that he loses his patience with Linda and refuses to acknowledge the legitimacy of Abby’s problems, making assumptions about Abby’s future based on his belief that her self-confidence makes it easy for her to make friends. Ross further dismisses those problems because she looks like her normal self, whereas his difficulties are visibly changing him. For someone who values the ability to blend in, that seems more distressing than moving to Minnesota, yet Ross’s perspective is biased. The interaction suggests that Never Judge by Appearances is a principle that also applies to well-established relationships; even good friends may keep parts of their lives private.
The novel’s eye symbolism has to do with the way Ross perceives people; his view of people is often simplistic, as demonstrated in the visual art motif. His Batpig comics reflect how he wishes people would behave, as all good or all bad; real-life people are too messy. Music, like life, will show him that there are other ways to understand himself and the people close to him. Playing music imperfectly and enthusiastically will cultivate Ross’s for appreciating people for their flaws.
In the meantime, Ross cultivates Jerry and Frank as a support group. He admits his problem with being different to Jerry, who tells him that he’s in an inescapably “different” situation as a pre-adolescent cancer patient. However, Ross can choose to embrace being different, which can lead to positive outcomes and personal strength. Though Jerry is much older than Ross, the fact that he is the only character who can connect with Ross over having cancer makes him vital to Ross’s well-being. Whenever Ross needs a steady perspective from someone who knows what it’s like to be a cancer patient, Jerry is ready to listen and offer advice.
Similarly, when Ross shares his troubles at Frank’s request, Frank validates his feelings and offers some advice: “All you can do is ride it out, and maybe…focus on the things you love? The people you love? And just kind of…hang on. With both hands” (195). Along with Jerry, Frank embodies and expresses two prevalent themes of the novel: that Authentic Self-Expression Is Liberating and leads to happiness and that Connection and Communication Are Essential to Survival in times of adversity.
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