52 pages 1 hour read

White Smoke

Fiction | Novel | YA | Published in 2021

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Chapters 6-10Chapter Summaries & Analyses

Chapter 6 Summary

Content Warning: This section of the guide includes discussion of substance use, addiction, racism, and mental illness.

In bed one night, Marigold has a strange, dreamy sensation that she is paralyzed and has bedbugs crawling on her. When she manages to get up, she goes to the kitchen; it is again 3:19 am. She sees someone in a truck parked across the street. It backs away as she watches. Marigold convinces Tamara to mail marijuana seeds. On Raquel and Alec’s anniversary, Piper packs up food and Raquel’s good teacups for a tea party with Ms. Suga, whom Alec and Raquel still think is an imaginary friend. Sammy watches Reverend Clark and the testimonials from people who swear by the results of the Holy Seeds.

Marigold chooses 219 Maple, a vacant house with trees that seclude the property, for her secret marijuana garden. Her gardening activities give Marigold blisters; looking for salve, she hears Piper talking to someone. Piper acts suspiciously when Marigold asks about her chatter and then screams that Marigold is asking her for money. When Alec races upstairs, Marigold tries to explain that Piper was talking to someone, but Piper lies that it was her deceased grandmother. Alec hugs Piper in sympathy.

Chapter 7 Summary

Erika mentions that her father, brothers, Yusef’s father, and many classmates’ relatives are in the prison, Big Ville. She also claims that Marigold is the only girl Yusef has invited inside his home, so she is the talk of the school. After school, Marigold finds every kitchen item on the counters organized by size and color, but when Sammy and Raquel get home, Sammy denies doing it. 

A woman, Cheryl, and her daughter, Lacey, ring the bell. Cheryl wants Piper to stop inviting Lacey into the abandoned houses for tea parties because the homes are dangerous and have squatters. When Raquel admonishes Piper, Piper turns the blame on Marigold and accuses her of using drugs in the abandoned house. Marigold denies it and asks which house; Piper says the one next door, but Sammy points out that the house is “locked up like a fortress” (109). That night the bad smell is back; Marigold tries to burn sage, but Piper tells her Mrs. Suga does not want her selling drugs in her house. The house across the street, 215, catches fire; Raquel and Alec run to help and call 911. Marigold sees that Piper has muddy shoes on under her pajamas.

Chapter 8 Summary

The house across the street burns into ruins. Marigold worries that the fire investigation will extend to 219 and that authorities will find her fingerprints on her secret marijuana garden. However, the crews that come to clean up seem disinterested in the burnt property. Marigold notices they are all white.

The next night, Mr. Sterling and Irma come for a dinner party. Irma shocks them when she mentions stories that their house is haunted; she says she had a priest bless the house “as a precaution” (119). Marigold asks Mr. Sterling about the selection of their home as the first for his Grow Where You Live program. He evades the questions and focuses on the restorative efforts the foundation is making to the city of Cedarville and how the renovations will eventually bring “wholesome” families to live on Maple. Marigold digs in, wondering why he would not start with helping the people who already live there instead of buying foreclosed homes and letting them sit: “It’s almost like you want this city to look run down… on purpose” (121). Mr. Sterling avoids answering.

Chapter 9 Summary

A man, Mr. Stampley, arrives early to demand why his gardening and yardwork tools are all piled on the family’s porch. Raquel and Alec are mystified. Alec offers to help load it into the man’s truck. The man says his axe is still missing.

Marigold and Yusef work to clear a lot for a community garden, another project of the library’s gardening club. Yusef tells Marigold that many people think The Hag, a supernatural force that paralyzes victims so she can steal and wear their skin, haunts her house. Marigold thinks she sees bedbugs on her skin; she rushes home and strips to her underwear on the porch, planning to burn the clothes. She recalls to herself how she came to fear bedbugs: Her mother and father lived in a small, cluttered house. When Chay brought bedbugs home from a business trip, they infested the home, including Marigold’s mattress; doctors and others misdiagnosed her rash-like spots on her legs until Marigold found the nests. They burned much of what they owned, but Marigold still had delusional parasitosis, believing the bugs were there when they were not. Smoking marijuana helped; then, after a track injury, she discovered that crushing and snorting crushed Percocet helped even more.

Inside she finds Piper at her desk, ruining her incense and sage. Piper says again Ms. Suga hates the smell. Marigold tells Piper off. Piper says Marigold will be sorry. At 3:19 am that night, Marigold wakes. The TV is blaring Reverend Clark’s voice. Buddy is missing. When she goes down to the kitchen, the glass is out, and the smell is back; this time the basement door is open. Marigold hears stairs creak, and a woman’s voice claims this is her house. Marigold screams and rouses the others, but by the time they get to the kitchen, the basement door is locked once again. Raquel hesitantly starts to ask if Marigold is using drugs again, but Marigold, furious, cuts her off.

Chapter 10 Summary

The family attends a Sterling Foundation reception. Alec and Raquel remind Marigold to behave. Most attendees are white. When Mr. Sterling speaks about a new initiative, the “To the Future” Campaign, Sammy and Marigold realize his schematics of a new park, homes, and light rail will wipe out the entire Maplewood neighborhood. When the family arrives home, they see the house has been vandalized. Nothing appears to have been stolen, but some of Raquel’s, Sammy’s, and Marigold’s personal things are destroyed. Piper’s and Alec’s are fine. Alec blames the “thugs” who are their neighbors “with nothing better to do” (145). Raquel tells him he cannot understand their troubles as a white man. Marigold thinks Piper appears to think the situation is funny.

Chapters 6-10 Analysis

Structurally, an increase in complications and discoveries drives this second section of the novel. Discoveries such as the arrayed kitchen utensils and the unexplained pile of Mr. Stampley’s tools on the porch confuse the family members, make them paranoid and nervous, and show them how little control they have in their new home. These situations also generate increased suspicion of each other for lack of better rationales. School becomes more complicated for Marigold when Erika reveals that everyone knows she visited Yusef’s home, increasing many girls’ jealousy of her. Additionally, Marigold’s discovery that others think The Hag haunts her complicates her goal to remain unobtrusive, as she now has a reputation: the girl who lives on Maple. These complications and discoveries work together to push Marigold off her foundation of confidence. They result in her shift toward genuine fear by the time she thinks she hears a woman’s voice in the basement.

Another increasing conflict Marigold faces is Piper. Piper steps more firmly into her role as Marigold’s antagonist in this section, purposefully pushing Alec’s distrust of Marigold with lies and accusing her of drug use. Piper also eliminates one of the few methods by which Marigold manages some calm when she ruins her sage and incense. With these actions, Piper begins to symbolize the opposing forces at play who want Marigold out of the house, and she moves more completely into the role of an archetypal Shadow; their opposition highlights the theme of The Dynamics and Challenges Within Blended Families.

Marigold leans more sharply toward an untrustworthy narrator in this section who keeps secrets and is willing to jeopardize her family’s credibility along with her health and safety to procure marijuana. Her actions in growing a secret garden of marijuana show a pressing desire to obtain the drug without resorting to dealing; she does not show any remorse when she worries about getting caught, just fear that she will be arrested. The fact that she is breaking other laws (like trespassing) to grow marijuana or that others like Yusef (for helping her borrow the library’s tools) and Tamara (for mailing marijuana seeds) are guilty of wrongdoing on her behalf does not bother Marigold. Her inability to see the harm of her actions creates room for a significant coming of age and a character arc when that realization finally takes shape; in the meantime, her mother’s hesitant question about whether she is using drugs again highlights that thanks to Marigold’s paranoia, exhaustion, fear, and confusion, she may be unreliable in her reporting of events—though ironically it is not the reason her mother fears (drug use).

Several scenes introduce the theme of Community Memory and Its Generational Impact in this section. At the dinner party at Marigold’s house, Mr. Sterling alludes to Cedarville’s troubled history, mentioning its background of “drugs, riots, crime… We’ve gotten a bit of a reputation” (120). This connects with the information that Marigold learns from Erika regarding many men being in prison; the loss of fathers due to imprisonment from drug activity and other crimes underscores a negative generational impact. Later, Mr. Sterling is excited by the prospect of redeveloping the Maplewood neighborhood; but for Marigold, who has started to wonder why and how the houses along her block came to be empty, the realization that more people will have to abandon homes to make way for the park and light rail does not align with Mr. Sterling’s idea to “see this city return to its glory” (121). The community memory Sterling references here is skewed from the true memory that involves violence and hardship. Further, that the white men who arrive to “investigate” the burned house do not appear to care much about its loss shows that Marigold’s suspicions are on target; in a nod to the theme Using the Horror Lens to Explore and Amplify Societal Issues (in this case, racism and gentrification), their behavior implies that one less house on this run-down block in a predominantly people-of-color neighborhood is a good thing.

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