52 pages 1 hour read

White Smoke

Fiction | Novel | YA | Published in 2021

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Background

Genre Context: Social Horror

Content Warning: This section of the guide includes discussion of racism.

Social horror is a subgenre of horror that aims to expose and amplify social issues by framing them in a horror plot or making them a key factor in the plot conflict. Many social horrors shed light on social inequality or oppression, making prejudices and antagonists’ judgmental behaviors a root cause of protagonists’ conflicts and fears. Works in this subgenre may address racism, gentrification, cultural identity and culture clashes, and classism. While social horror may still employ the scary moments and creepy atmosphere of traditional horror, these works also broach questions about the horrors people commit against each other and point to a strong need for greater empathy and acceptance in society. Notable film examples include Get Out (2017), Us (2019), Antebellum (2020), Don’t Worry, Darling (2022), and Parasite (2019); novels include Matt Ruff’s Lovecraft Country (2016), Stephen Graham Jones’s The Only Good Indians (2020), and Silvia Moreno-Garcia’s Mexican Gothic (2020).

White Smoke serves as an example of social horror in that its protagonist Marigold faces conflicts that are rooted in racism, gentrification, and prejudice. While social issues like gentrification hide behind the actions of a community improvement organization, others are more evident and personal to her, such as the prejudice and distrust from others (including those closest to her, like her mother, Raquel) that she experiences as a person recovering from a prescription drug addiction. These social conflicts combine to form a multi-layered, complex story with a “ghost” on the surface that hides the true horrors beneath.

Social Context: Gentrification

Gentrification is a term that describes economic and/or social transition in a neighborhood or localized area. Usually, gentrification involves the socioeconomic level of the neighborhood rapidly changing because of new interest in the area’s property by investors and realty development organizations. Groups like these buy up property at a low price and then work to “revitalize” the area with more expensive restaurants, shops, and housing than were there originally. Typically, people who are more socioeconomically secure move into the neighborhood, while those who lived there originally have trouble meeting the higher property assessments, rents, insurance, and other costs. 

Specific areas of large metropolitan cities like New York City and Chicago are associated with gentrification. In Williamsburg, a neighborhood in Brooklyn, businesses that long served the needs of “working class” residents—many of whom were “old timers” in the neighborhood—were forced out and replaced with upscale establishments geared toward more affluent, newer residents. Today, the neighborhood is home to many corporate businesses and upscale retail; this led to rising rents, pricing out legacy small business owners and residents alike (“From Bodegas to Boutiques: The Changing Face of Retailing Shows Gentrification’s Effects.” Center for New York City Affairs, 2 Oct. 2024). In Chicago, various neighborhoods have rapidly gentrified, forcing out people who can no longer afford to live there, an issue that disproportionately affects Black and Brown residents; for example, real estate developers frequently purchase multi-family apartment buildings and turn them into single-family dwellings that sell for over $1 million. In 2024, the Chicago City Council passed an anti-gentrification ordinance to protect housing in Northwest Side neighborhoods that are rapidly gentrifying (Parella-Aureli, Ariel and Melody Mercado. “Anti-Gentrification Ordinance To Protect Northwest Side Housing OK’d By City Council,” Block Club Chicago, 2 Dec. 2024). 

White Smoke connects to gentrification through the illicit doings of Mr. Sterling and the Sterling Foundation, a so-called city revitalization organization. The members of this group’s board of directors also have a hand in businesses that would profit from renovation and rebuilding such as construction and window companies. Marigold discovers that the Sterling Foundation has a goal to destroy Maplewood’s residences altogether in favor of much more expensive restaurants, shops, dwellings, and a light rail to other parts of the city. Their plan not only discounts the wishes of Maplewood’s current residents but also pushes the residents themselves, ironically, to help destroy property by using their fears and beliefs against them. Gentrification is a topic authors explore in nonfiction works like Sixty Miles Upriver: Gentrification and Race in a Small American City (2024) by Richard E. Ocejo and fiction works such as Alyssa Cole’s When No One Is Watching (2020).

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