62 pages • 2 hours read
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274
Autobiography / Memoir • Nonfiction
Puerto Rico • 1950s
1993
Adult
13-18 years
1020L
When I Was Puerto Rican by Esmeralda Santiago is a coming-of-age memoir recounting Santiago's childhood in Puerto Rico and her immigration to the United States. Amidst poverty and familial challenges, Esmeralda explores questions of identity, duty, and education while growing up. Her journey involves grappling with cultural dislocation and realizing personal aspirations, concluding with her high school graduation and the decision to pursue higher education. The memoir includes topics related to sexual harassment and infidelity.
Contemplative
Nostalgic
Heartwarming
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When I Was Puerto Rican by Esmeralda Santiago is widely praised for its vivid portrayal of Puerto Rican culture and the immigrant experience. Readers appreciate Santiago's evocative writing and emotional depth. However, some find the narrative occasionally disjointed. Overall, it's celebrated as an insightful and compelling memoir.
When I Was Puerto Rican by Esmeralda Santiago appeals to readers interested in memoirs about cultural identity, resilience, and the immigrant experience. Comparable to Amy Tan's The Joy Luck Club and Sandra Cisneros's The House on Mango Street, it captivates those who appreciate personal stories of adversity and growth within a rich cultural context.
14,323 ratings
Loved it
Mixed feelings
Not a fan
Pablo Santiago (Papi)
Esmeralda’s father, often well-meaning but unreliable, who does not marry Esmeralda’s mother despite having seven children with her and develops a distant relationship with his kids.
Ramona (Mami)
Esmeralda’s mother, who loves her children but can be harsh and serves as a contradictory role model for Esmeralda, eventually embodying the pursuit of the American Dream.
Tato
A boy who tries to engage Esmeralda in inappropriate activities and is described as fearless, showing another side of his personality with his actions towards her.
Raymond
Esmeralda’s younger brother, who suffers a serious accident while riding a bicycle, symbolizing Esmeralda's feelings of guilt.
Jenny
Esmeralda’s cousin, portrayed as spoiled and indulged, whose ownership of a new bike indirectly leads to Raymond’s accident.
Rita
A neighborhood woman known for her tight clothes and party lifestyle, serving as a negative example in Mami’s eyes for female children.
Gloria
A neighbor of Esmeralda, who provides her with candid and informal education on topics like men, sex, and menstruation that her mother avoids discussing.
Sra. Leona
Esmeralda’s teacher, who is disappointingly antagonistic towards her, failing to support and nurture her enthusiasm for learning.
Don Joaquin
A powerful preacher whose sermons have a strong emotional impact on the congregation, impressing Esmeralda with his ability to inspire fervor.
Don Luis
The principal and temporary piano instructor at Esmeralda’s school, whose inappropriate behavior prompts a confrontation with her mother.
Uncle Chico
Esmeralda’s uncle in New York, who initially appears friendly but later becomes a source of discomfort due to his inappropriate advances.
The Woman Who Helps Her Audition
One of Esmeralda's mentors at the Performing Arts school, who offers her critical encouragement and unconditional support, greatly influencing her educational journey.
274
Autobiography / Memoir • Nonfiction
Puerto Rico • 1950s
1993
Adult
13-18 years
1020L
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