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Amir becomes acclimated to life on the deck of the Calypso. Umm Ibrahim shares some fruit with him. At one point, Kamal’s cell phone chimes; the knowledge that the ship has cell service again causes a brief commotion on deck. However, the signal fades quickly. Kamal asks Maher, a Palestinian and former English literature student who passes his time on board reading, if his bandaged fingers hurt. Maher evidently burned his fingerprints off with acid. Kamal tells him his visa was rejected after three years of waiting because he failed to fill in a single box on his application; he is crossing with a forged green card. He was a former student revolutionary who did time in Scorpion Prison. Mohamed advises him to use this to his advantage: The horrific conditions at Scorpion are well-known to Westerners. Kamal and Walid both had British caseworkers named David.
Amir asks where they are going. Kamal asks Mohamed why he let a child aboard all alone. Mohamed says that once they land, Amir and his uncle will find people to help them; however, he also advises Kamal to keep quiet and not ask any more questions for the time being. This angers Kamal; Mohamed chides Kamal for having a conscience. Kamal moves to confront Mohamed, but Mohamed flashes a pistol. He tells Kamal, “Conscience, brother, is the enemy of survival” (110). The passengers settle back down for the night.
Colonel Kethros confronts Madame El Ward in her office. He knows a child survived the shipwreck and suspects that Vänna has taken the child to see Madame El Ward. Madame El Ward insinuates Kethros is wasting her time. She explains the failed delivery of clean water and asks why even ordinary criminals are treated better than her refugee wards. The colonel replies, “Ordinary criminals commit ordinary crimes” (114). When she complains that the camp is hellish for refugees, Kethros talks about how bribes given to checkpoint guards undergo rapid inflation during wartime. He tells her that this is the situation with the refugee crisis. Because so many claim refugee status, he says, “Now the going rate for suffering is higher. Now everyone has to claim they’ve been raped, tortured, their whole family wiped out, down to the pet dogs and the goldfish” (115). Kethros threatens to have her arrested for helping “an illegal” (116). She tells him that if he wants to waste his time chasing a little boy, he can, but she cannot help him. He replies, “Yes you can, and you will [...] And I never said it was a boy” (116).
A sudden foghorn awakens and panics the migrants on the Calypso. They narrowly avoid a collision with a massive cargo freighter, and Mohamed has difficulty restoring order, resorting to firing a shot into the air with his pistol. He tells the passengers on deck that if they are caught, the ship will either be sunk on the spot or reported; Westerners do not want them in their countries.
At one point during the panic, a hand shot up between the floorboards, horrifying Amir. Now, with calm restored, Amir becomes increasingly aware of the smell and presence of the people below the deck. After some time passes, he hears Quiet Uncle calling his name from beneath. Quiet Uncle attempts to reassure Amir that they will be all right and that he always intended to return for Amir, Iman, and Harun. He desperately wants Amir to believe him. For the first time in Amir’s memory, Quiet Uncle apologizes. Before Amir can reply, Teddy’s alarm goes off, causing a stir, though it was only signaling his “shift change.”
The passengers on the deck are unable to settle down after Teddy’s alarm strikes their already rattled nerves. Walid sets up a lantern. Seeing Maher reading, Mohamed notes that he can tell undocumented migrants’ chances of survival based on what they bring with them: The people who bring books never last long. Kamal asks why Mohamed became a smuggler. Mohamed replies, “You know full well that where we come from whatever you end up doing is the only thing you could have ever ended up doing” (124).
Amir has to urinate but is shy due to the presence of all the other passengers. He is aided by Umm Ibrahim and Walid, who allows his coat to be used to give Amir some privacy. The ship jostles and some urine gets on the jacket. Furious, Walid throws it into the sea. He does not hide his distaste for Amir.
Amir asks Umm Ibrahim if she has any more fruit, and she shares a mandarin with him. Amir secretly passes his half to a hand beneath the floorboards.
Vänna and Amir leave the migrant holding facility. A mile up the road, Vänna looks back down the road and sees Colonel Kethros’s vehicle pulling up to her house. Kethros and Marianna Hermes have been friends since college; Marianna is a completely different person around the colonel—happier than Vänna has ever known her mother to be. However, she knows that the colonel is not making a social visit. She assumes that Kethros has discovered that she is aiding Amir and hopes that her father will stand up for her, which she knows he will not due to his passivity and smallness of character. Kethros’s visit does not last long, but one of the military jeeps remains at the Hermes house. Vänna knows she cannot return home until she helps Amir escape the island.
Vänna and Amir race downhill toward the Hotel Xenios. Seeing the way that Amir’s salt-caked clothes are chafing him, Vänna takes him to the hotel’s resort grounds to find him some new clothes. While the tourists are distracted, Vänna sneaks into a suite. While she is inside, Amir tricks Vänna into thinking that there is someone else there. When she realizes she has been fooled, Vänna is furious. Amir, however, cannot stop giggling, and she cannot stay mad at him.
In the hotel hallway, they come face-to-face with a maid pushing a housekeeping cart. Amir thinks he knows what to do: In broken English, he recites the plea Umm Ibrahim practiced repeatedly on the Calypso. The maid, miraculously, helps them. She loads an empty pillowcase with snacks and water and points them in the direction of an outdoor shower that should be vacant at this time of day. Before they go, she gives them a mostly uneaten lamb roast from a guest’s room service order.
They make their way to All Saint’s Beach, where Amir showers. The clothes Vänna stole are much too big for him, but they are clean. They leave before hotel security can find them, making their way to a sea cave safe from the tide changes. Once inside, they “become the strangers they never had the chance to be, discovering each other anew” (142). Seeing Amir’s locket with the portrait of Iman and his brother, Vänna attempts to ask if Amir came alone. Amir cries, and Vänna holds him consolingly.
Amir tells her that his name is not David. They reintroduce themselves. They eat the leftover lamb roast and fall asleep in the cave, side by side.
The passengers of the Calypso pass the time by discussing their intended destinations and plans. Mohamed scoffs at Kamal for choosing America as his destination. He claims that America is racist, afraid of sex, and that “no matter the crime, they’ll always find themselves innocent” (146). Kamal accuses Mohamed of segregating the Africans below deck; Mohamed maintains the arrangement on the ship is about the price they paid for boarding, not their skin color.
Umm Ibrahim’s seasickness causes her to throw up on Amir’s back. Nobody has an extra shirt for him because “they’d passed the point where human goodness gave way to the calculus of survival” (147). Berating the men who will not help a child, Umm Ibrahim loops a rope through Amir’s shirt and life jacket and throws them into the sea, hoisting them back up to dry once she deems them to be clean. Amir notices that the life jacket stays buoyant only momentarily. The shirt dries, but the life jacket remains soaked. He falls asleep that night lying against Umm Ibrahim for warmth.
Colonel Kethros watches an interview conducted by a nationalist television station. Both the interviewer and the interviewee, a politician, are critical of migrants and refugees. Lina Eliades, a childhood friend of Kethros and a Ministry of Migration Policy official, wants him to turn it off. Kethros does, but he agrees with the program’s sentiment, even if it is just a performance. They are at a coffee shop. Another migrant boat has wrecked on a neighboring island during an international film festival, drawing the reporters away from this island. They discuss rumors of more migrants on boats heading their way. Kethros complains that the migrants are colonizing the island; Lina accuses him of being hyperbolic.
Kethros looks back at his men waiting for him by the jeeps. They are recent recruits, too young in the colonel’s mind to have much responsibility. He hates that their questions about his past military career remind him “that the end of his military career should have come to this: babysitting four little boys, running around from migrant ship to migrant ship, swatting at flies” (154).
Lina asks Kethros for a death toll from the Calypso and becomes frustrated when the colonel gives her an estimate. Finally, he tells her that there are 124 bodies and lies that all have been accounted for. Kethros complains about the island’s reliance on tourism. He believes that the times are changing and that an industry geared toward treating people nicely will not last. Lina says goodbye and leaves.
Kethros turns his attention back to the politician being interviewed. The interviewer asks about the country’s policy on underage migrants. The politician claims the responsibility for a child’s safety lies with the parents, not the state. Kethros changes the channel to a soccer game. He nods off, lapsing into a recurring nightmare. A child watches the road as his mother tends to the corpse of his father. Kethros and his fellow soldiers walk up the road, playing a game where they make up new torture techniques and unaware of the explosive embedded in the dirt that will take Kethros’s lower leg. He jolts awake.
Upon waking, he is confronted by Jonathan Hoff, the manager of the Hotel Xenios, who claims that Kethros and his soldiers are not doing their job. Last night, one of the guests’ son’s favorite shirts was stolen. Taking an interest, Kethros instructs Jonathan to show him the scene of the crime.
In this section of What Strange Paradise, El Akkad adds depth to Kethros’s character. Kethros’s nightmare implies that he lost his leg to a concealed explosive device. The nightmare also indicates that Colonel Kethros exhibits signs of posttraumatic stress disorder (PTSD) from this event. Trauma theory, a form of literary study, posits in part that because trauma resists language, it is often depicted indirectly or symbolically. This is the case in Kethros’s dream. The dream sequence does not follow the exact events that led to Kethros’s injury, which is symptomatic of the disruptive effects of trauma on memory. He is left with a disjointed series of images and a feeling of terror and panic that fuels his xenophobia. As his remark about “colonization” implies, Kethros perceives migrants as an existential threat not only to his bodily integrity but to the cultural and ethnic integrity of Greece. The word choice is deeply ironic, as many refugees come from regions that were once colonized by European countries (though not Greece specifically); it is in large part the legacy of colonialism that drives their desperation to resettle elsewhere.
By contrast, the chapters aboard the Calypso continue to subvert stereotypes of refugees and migrants. Maher and Kamal, for example, are both educated. They quickly stand out amongst the other migrants aboard the Calypso for their comparative mastery of English, a lingua franca that serves as a useful currency nearly anywhere in the world. Teddy is a mathematician who fled Eritrea to avoid conscription. Maher is a Palestinian English student who wants to find peace away from his war-torn country. That even “model” refugees—e.g., those from a middle-class background—ultimately fail to find shelter develops The Limits and Possibilities of Escapism.
In juxtaposing the desolation aboard the Calypso with the opulence of the Hotel Xenios, the novel uses the setting as a proxy for How the Rise of the Precariat Class Generates Conflict. Part of the precarity experienced by the islanders is derived from the fact that their chief industry, tourism, is so contingent on geopolitical factors outside their control. When times are good, the island flourishes due to the influx of foreign money, but the transition from a production-based economy (Lina implies that the islanders used to subside on the fishing industry) to a service-based one leaves them economically and culturally vulnerable to outside forces. Though the name of the hotel is Greek, the name of its manager is not, which suggests that the islanders are to some extent the victims of colonization—but colonization by wealthier Western nations, not by the impoverished refugees the islanders fear. In a further irony, the resort’s name evokes the ancient Greek cultural value of xenia, or hospitality, and thus develops the theme of Differing Attitudes Toward the Stranger. For all his suspicion of foreigners and disdain for the hotel industry, Kethros is all too eager to help when one of the hotel’s rich guests is inconvenienced. He recognizes the precarity of the islanders’ situation but in the interests of self-preservation, he redirects his resentment of the island’s wealthy tourists toward the helpless migrants.
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