48 pages 1 hour read

West with the Night

Nonfiction | Autobiography / Memoir | Adult | Published in 1942

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Introduction-Book 1Chapter Summaries & Analyses

Introduction Summary

In her Introduction, biographer Sara Wheeler gives a historical overview of Markham’s narrative, beginning with her crash-landing in a muddy Nova Scotia field in 1936. She describes Markham’s birth in England and departure for British East Africa at age four, not returning until she was an adult. Wheeler lingers on the author’s unfettered behavior, which she calls living for the moment.

Wheeler notes that Markham takes liberties with certain facts and sometimes deviates from the historical record. She points out that Markham speaks often about her relationship with her father but does not mention other close family members, omitting any mention of her mother and brother, her three husbands, and her son. While Markham is best known for her flying, Wheeler notes, the memoir focuses as much on her background with Kenyans, animals, and training horses.

Wheeler discusses the author’s rumored romantic relationships, some with members of the British royal family. She relates that the author’s estranged third husband attempted to take credit for the book, though his claims were disproven.

Book 1, Chapter 1 Summary: “Message From Nungwe”

Markham describes a series of events that took place in 1935 when she was the only female bush pilot in Kenya. The author describes Africa as a huge, mysterious, mostly unknown place. She takes pains to explain that those nations that have sought to colonize and change Africa do not understand its nature.

She receives a phone call at her cottage outside of Nairobi at 1:00 am saying that a gold miner is seriously ill and that a doctor wants her to bring an oxygen tank to the small community of Nungwe, which is 350 miles from Nairobi. Markham is skeptical of her ability to help the miner because it has taken the message several days to get to her. At the same time, she and other aviators have been worrying about Woody, another bush pilot who disappeared along with his plane several days before. She must delay her search for Woody until she transports the oxygen to the mining camp.

Arab Ruta, a member of the Nandi tribe whom she has known since her childhood, helps her start her plane. She flies in absolute darkness, writing, “Night envelops me entirely, leaving me out of touch with the earth, leaving me within this small moving world of my own, living in space with the stars” (15).

Book 1, Chapter 2 Summary: “Men With Blackwater Die”

Markham sees the runway at Nungwe from 1,000 feet in the air surrounded by flickering orange lights. When she lands, a doctor appears to take possession of the oxygen tank. Another official, Ebert, greets her and tells her that they built the runway specifically for this flight.

Ebert tells her that there is another seriously ill white mine worker who would like for her to come see him. The man suffers from blackwater fever, which is a complication of malaria treated with quinine. Markham remembers once having flown a blackwater patient who died during the flight. The illness at that time was universally fatal.

Ebert takes her to a hut where she finds a man named Bergner lying in bed. The patient begins to talk to her about other white settlers of Kenya that she might have known. He brings up the name Carl Hastings, saying that she must surely know him because he is a well-known white hunter. Though Markham has not heard of the man, she pretends that she has, hoping to lift Bergner’s spirits. She tells him that, contrary to the bet Hastings had with Bergner—that he would never find a suitable wife in Kenya—Hastings indeed fell in love and got married and thus owes money to Bergner.

Years later, Marham meets Hastings at a dinner party. Hastings confesses that he does not remember having known Bergner.

Book 1, Chapter 3 Summary: “The Stamp of Wilderness”

The next morning, Markham resumes her search for Woody by flying over the Serengeti plains. She knows that Woody was flying a Klemm airplane, one that she regards as inferior to other aircraft. As she looks out over the vast expanse of territory that is simply labeled as “unsurveyed” on the map (35), she sees a huge herd of impalas, wildebeests, and zebras running together. To her, the zebras are clownish creatures.

Markham relates the story of Punda, a young zebra. As a girl, when she was riding one of her father’s horses named Balmy, she came upon a herd of zebras including a mother and new foal. The foal took a liking to Balmy and followed the horse and rider back to the farm. The zebra remained for several months, coming into Markham’s room in the morning to wake her up. As she thinks about Punda, she realizes that she should be paying closer attention to the ground 5,000 feet below.

Book 1, Chapter 4 Summary: “Why Do We Fly?”

After she has already flown past it, Markham realizes that what she thought was a watering hole is actually the highly reflective wings of Woody’s airplane. She circles back and locates a place to land. She finds Woody alive. The magneto in his plane failed, forcing him out of the air.

As they prepare to leave, a small group of travelers appears in wagons pulled by donkeys. The merchant who guides them is Bishon Singh, a Sikh merchant whom Markham has known since she was a child. In fact, Bishon saved her life from a lion attack when she was a little girl. He has not seen her as an adult, and the two feel amazed to encounter one another in the wilderness. When she says she is taking Woody back to Nairobi, Bishon offers to fix them tea because they have such a long journey ahead. Markham notes that, in the plane, it will take less than an hour. Markham notices that Bishon’s arm has withered. He explains to her that a lion also attacked him and says, “[I]t makes us like brothers, you and me” (53).

Introduction-Book 1 Analysis

Markham does not begin her memoir chronologically. Rather, she chooses a series of events from a particular, brief period of her life. She selects this time period and these happenings to underscore particularly significant themes and ideas that she wishes to explore in West With the Night.

She begins with a flight in June 1935, introducing the theme of The Thrill of Adventure that will play a prominent role in her memoir. Markham does not often record the precise timing of her activities, but in this case, she specifies when she flies to Nungwe to deliver an oxygen tank to a dying miner, followed by an extended flight over the Serengeti to find a downed pilot. Indeed, the only other event she lists so exactly is her transatlantic flight in September 1936. A little over 15 months after her Nungwe excursion, she would be surrounded by adoring masses and showered with accolades for her transatlantic feat. Markham’s intention is to contrast these two events. After her solo flight—completed with a crash landing in a muddy Canadian field, having actually failed to reach her destination—she becomes a media darling who cannot escape the public’s eye. By contrast, when she transports oxygen to save the life of a dying miner, speaks at length with a lonely, fatally ill man, and then rescues a pilot lost in the wilderness, no one takes notice of her heroics. In contrasting the two experiences, Markham implicitly asks why she receives glorification for the one feat rather than the other truly heroic, life-saving effort.

Marham also introduces the central theme of Colonial Life in Africa. She begins with an ironic overview of the efforts of white settlers to transform various parts of the African wilderness into something closer to what they perceive as “civilization.” She depicts Africa as a wild, untamed place by emphasizing its lack of industrial and urban structures, such as when she describes the impossibility of driving a vehicle out of any road leaving Nairobi: “They started out boldly enough, but grew narrow and rough after a few miles and dwindled into the rock-studded hills, or lost themselves in a morass of red muram mud or black cotton soil, in the flat country and valleys” (5). Her many observations about the futility of outsiders—Europeans especially—trying to harness and transform Africa into their own vision underscores her constant theme of the untamable uniqueness of the continent. In doing so, however, Markham reveals some of her own colonial assumptions: In consistently presenting Africa as some exoticized “other,” Markham reflects and plays into the stereotype of Africa as wild and unknowable instead of presenting a more nuanced and accurate picture of the continent and its peoples.

This section also introduces the theme of The Importance of Loyalty. Markham does not stress the need for white settlers to be faithful to other white people; rather, she demonstrates that the life she lives is so precarious that one must provide fidelity and assistance to all other human beings. This sense of loyalty is especially important for pilots: As she explains in her discussion of her compulsive need to search for the lost pilot Woody, “For all professional pilots there exists a kind of guild, without charter and without bylaws. It demands no requirements for inclusion save an understanding of the wind, the compass, the rudder, and fair fellowship. It is a camaraderie sans sentiment” (11-12). Although Woody is not a particular friend of hers, she feels compelled to search for him once he goes missing, ultimately saving him from his crash site.

Markham also emphasizes incidents of seemingly impossible serendipity in this section. As she and Woody prepare to fly to Nairobi, she encounters a troupe of passing merchants in the middle of the wilderness. Leading them is Bishon, the very man who saved Markham’s life when a lion attacked her as a child. This is miraculous for the Sikh merchant, who beholds what has become of the little girl he rescued. He finds her grown, the only female pilot in Kenya, and in the process of saving the life of another. He explains that he too suffered a lion’s attack and says that this creates a special bond between them. Such incidents of danger and rescue reinforce the thrill of adventure that Markham presents as intrinsic to life in Kenya.

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