63 pages 2 hours read

Wellness

Fiction | Novel | Adult | Published in 2023

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Character Analysis

Jack Baker

Jack, married to Elizabeth, is a photographer and artist and one of the two protagonists of the novel. As a college student, he is quiet and awkward, not socially outgoing or noticeable. When he meets Elizabeth, she is drawn to this quiet and reserved aspect of Jack, seeing him as introspective and thoughtful without the traditionally dominating masculinity she dislikes.

Jack is highly shaped by a childhood in which he quickly gleaned that he was unwanted. His mother saw his premature birth as a sign that Jack was sickly—an idea that became self-fulfilling prophecy when Jack internalized the message that he was weak and incapable. He grew up feeling isolated and emotionally alone in his rural town, unable to relate to his machismo-oriented peers or to his parents. He was inspired to pursue art by his much older sister, Evelyn, a painter who served as a model for Jack, as she left their small town and traveled the country. Idolatry of Evelyn convinced Jack to go to Chicago at 18 and to seek out a bohemian lifestyle that focuses on intellectual and artistic pursuits while criticizing the established mainstream—the antithesis of his previous life.

Jack is highly concerned about his seemingly fading marriage to Elizabeth. As a boy who constantly appeased his mother’s often irrational moods, Jack brings this same approach to his marriage. Elizabeth, however, is self-sufficient and independent, so Jack doesn’t know how to provide for her or what to do to rekindle the connection they once experienced. Jack shows signs of being resistant to change: As a young man, he got a tattoo that he was certain he would never regret because the person he was then would never change; in middle age, he strives to return to the body he had in his twenties via The System. Learning to accept the idea that people change is key to Jack’s growth as a character.

Another integral part of Jack’s growth is coming to terms with the death of his sister and how it impacted his relationship to his parents. Both of Jack’s parents openly preferred Evelyn to Jack, relishing her popularity as a homecoming queen who succeeded in everything she undertook. Jack’s mother even blamed Jack for Evelyn’s death, certain that he intentionally directed her to the field where the controlled burn was taking place. Jack deeply mourned Evelyn’s death but hid his grief, pretending that the art he produced during college is not about her. At the end of the novel, he acknowledges that his sadness at the loss of Evelyn and the trauma of his adolescence is always at the heart of his art. When Jack makes peace with his past—understanding that his father truly loved him and was remorseful for blaming Evelyn’s death on him—Jack decides to separate from Elizabeth. Though it is unclear whether their marriage is actually over, this decision indicates that Jack has come to understand the inevitability of change in his life.a

Elizabeth Augustine

Jack’s wife Elizabeth is also shaped by her childhood. Because her family moved frequently, Elizabeth never had the opportunity to make friends, a circumstance that she resented. Her parents were primarily focused on accumulating wealth and honing their social status, making her adolescence lonely and isolating. Feeling deep shame and disdain for her family’s wealth and its legacy of garnering that wealth by unethical means, Elizabeth vowed to live a different life by moving to Chicago.

In college, Elizabeth tackled many majors, which foreshadows her later tendency to constantly try out new hobbies. She claims that settling on one interest will prove limiting, but soon, it becomes apparent that she is not entirely sure what she wants or who she wants to be. She is drawn to the bohemian lifestyle, consciously aware of its contrast to the life of luxury in which she grew up. When her college friends gradually shifted away from ongoing iconoclasm, she was initially critical, but understood the appeal of a more stable life once she and Jack had a child.

As a mother, Elizabeth is determined to excel. This drive for perfection is a trait she learned from her father, who highly valued external validation and demanded much of his daughter. She applies her knowledge of psychology to parenting, throwing herself into research on child rearing, but grows frustrated when her efforts to replicate famous experiments do not work on her son Toby. Elizabeth’s inability to be content impacts her domestic life and marriage; her constant need for reinvention makes Jack and Toby feel like they are not enough. Elizabeth seeks out change. She is eager for the new condominium because it seemingly offers the chance for a new lifestyle entirely; this hope of future contentment makes her tired of their current home. She grows tired of Jack as well, perceiving his needs as oppressive and the sameness of their relationship stagnant. She briefly is excited by Kate’s suggestion to join a sex club, but this too quickly proves to be a brief interest.

Elizabeth’s primary insecurity about her marriage turns out be guilt over manipulating Jack the same way her father used to manipulate the people in his life. Elizabeth replicated a love simulation experiment on Jack on their first date without his knowledge; now, she worries that their marriage is inauthentic and based on placebo feelings. As the novel unfolds, Elizabeth grows increasingly guilty about the work she does at Wellness, fearing that participating in its potentially unethical research is exactly the kind of fraud she despises her ancestors for engaging in.

Elizabeth garners important insight about herself from a conversation with her mentor Dr. Sanborne: She is always only focused on the future, assuming that life will be perfect at some other point in time. Dr. Sanborne consoles her by pointing out that humans are designed to change, to become many different versions of themselves throughout their lives. Elizabeth realizes that her drive to be perfect, but fall short, is due to her father’s need to be better than her. In the end, she accepts that she loves Jack and that there is no need to know scientifically whether they should be together.

Brandie

Brandie brings her high level of corporate professionalism to her full-time parenting. Highly invested in her child’s school and their community, Brandie exudes confidence and control; Elizabeth is quick to recognize Brandie’s natural leadership of any group. Brandie is also outgoing and personable, sensing others’ needs and knowing how to engage with a variety of kinds of people. She even easily stops Toby’s meltdown, much to Elizabeth’s shock. Brandie’s active involvement in the children’s school, makes her privy to gossip that she passes this along to Elizabeth without shame; possessing this knowledge gives Brandie some of her power.

Brandie clings to a conservative, religion-based notion of morality. This makes her character a foil for the sex-positive Kate, who is liberal and anti-establishment, especially in her beliefs about marriage. Brandie is deeply hurt by her husband’s infidelity, blaming herself for his going outside of the marriage and certain that it is up to her to ensure that he does not commit infidelity in the future. The idea that she is responsible for his sexual behavior makes Brandie susceptible to the placebos sold by Wellness.

Brandie’s involvement in Community Corp initially appears admirable, as she claims the group’s purpose is helping better the lives of others. However, the group’s philosophy is a mixture of wishful thinking and pseudo-science that is clearly a parody of the real-life nonsensical but extremely popular manifestation ideas from The Secret (2006): Brandie and others insist that by avoiding any negative thoughts, they can prevent bad things from occurring. By extension, lobbying against what the group deems bad puts this philosophy into action. Brandie protests the sex club and the construction of the Shipworks building under the pretense of preventing immoral people from infiltrating her world and harming her children. Her objections, however, are rooted in bigotry and prejudice against low-income people and those on the LGBTQ+ spectrum. Brandie is quick to cut all ties with Elizabeth once she discovers that Elizabeth does not appear to share her moral views.

Lawrence Baker

Jack’s father, a rancher who lives his entire life in Fork Hills, Kansas, is a reserved and stoic man. He embodies traditional Midwestern values: conservative Christian beliefs, hard physical work, being polite but not emotional or outwardly affectionate. Though he is never cruel to Jack, Lawrence also can’t relate to his son, who is not passionate about football and other overtly masculine activities like other boys, and wants to pursue art in Chicago instead of staying in Fork Hills.

Lawrence’s inability to connect with others in a meaningful way makes him not fully understand appropriate relationship boundaries or hide his overwhelming preference for one of his children over another. While he remains distant from his wife Ruth and from Jack, Lawrence grows too close to his beloved daughter Evelyn—going beyond simply praising her talents and successes to oversharing traumatic secrets about his marriage, such as the fact that he fell in love with Ruth’s sister, but married Ruth as a kind of consolation prize. Similarly, rather than finding productive ways to manage his grief over Evelyn’s death, Lawrence accuses his wife and son of intentionally putting her in harm’s way—a toxic and deeply abusive accusation that broadens the already huge gulf between him and the other surviving family members. It is understandable why Ruth and Lawrence coexist in the same house without emotional tethers to one another, given Ruth’s peevish attention-hoarding narcissism and Lawrence’s angry resentment. Eventually, Lawrence retreats from his wife’s constant self-pity, bottling up his anger or disappointment until he can unload it on Facebook.

Only when Lawrence is diagnosed with cancer does he reach out to Jack to apologize for his detachment and to repair some of the rift between them. Although Lawrence becomes a conspiracy theory fanatic instead, Jack learns how technology has manipulated his father, eventually forgiving Lawrence’s mistakes. 

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