53 pages 1 hour read

We Begin at the End

Fiction | Novel | YA | Published in 2020

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Chapters 1-10Chapter Summaries & Analyses

Chapter 1 Summary

In the small California coastal town of Cape Haven, residents gather to look at the rubble of one of the town’s oldest homes along the cliff overlooking the beach. The beachfront properties are falling victim to rampant erosion. Dickie Darke, a real estate developer, is buying the remaining homes to develop new beachfront homes.

Five-year-old Robin and 13-year-old Duchess Radley live with their mother in Cape Haven. Their mother, Star, addicted to prescription medication and alcohol, works at a strip club owned by Darke. They do not know their father but assume, like the rest of the town, that they were the product of one of Star’s numerous liaisons. When the children return from school and find their mother passed out, an empty pill bottle near her, Duchess calls 911. At the hospital, they are met by Walk, the town’s sheriff and a family friend. Walk understands that Star has never recovered from the trauma of the death of her younger sister, Sissy, in a hit-and-run accident more than 30 years ago. The boy who was driving, Vincent King, is getting out of prison tomorrow.

Chapter 2 Summary

Duchess fancies herself an outlaw. When a boy in school mocks her mother and her reputation for having many boyfriends, Duchess stares him down and says, “Talk about my family again and I’ll behead you, motherfucker” (16).

Chapter 3 Summary

Walk is waiting outside the prison gates to drive Vincent home. The two were best friends in high school when the accident happened. Walk has kept track of his friend in jail. He knows that when Vincent accidentally killed a man who attacked him in prison, they added 20 years to his original sentence. Walk knows that putting a 15-year-old boy in prison was not right and that Vincent, even though a model prisoner, kept to himself for years.

Chapter 4 Summary

On the way back to Cape Haven, Walk warns Vincent that Darke wants to buy his home, the last front-line beach property to acquire. Vincent says his home is not for sale.

Chapter 5 Summary

The next day, Walk visits Vincent, who is fixing up his home after being empty for so long. Vincent asks Walk about his old high school flame Martha May. Walk confesses that shortly after Vincent’s trial, Martha discovered she was pregnant and that her father, a preacher, forced her to have an abortion. Walk has not seen Martha in years—she is an attorney in a nearby town. Vincent says, “It’s never too late to fix things” (36).

Duchess and Robin go with their mother to the club where she works. As part of her job, Star sings—she is a gifted singer. When a heckler bothers her, Duchess throws a beer glass at him. Darke is waiting for them when they get home. Duchess does not like Darke. Duchess and Robin go to the bedroom they share; Duchess is determined to stay awake to protect her mother. Her mother screams, and Duchess finds her on the floor, with her mouth bleeding and Darke standing above her. Duchess is about to call the cops when he sees a man who enters the house and, without a word, hits Darke hard enough to send the man running. It is Vincent.

Chapter 6 Summary

The next night, Duchess bikes to Vincent’s house, where he is working on repairs. They talk a bit before Vincent offers to fix the dragging chain on her bike. As she leaves, she assures Vincent she is tough enough to protect her mom from Darke.

Chapter 7 Summary

Walk finds Vincent at Sissy’s grave overlooking the ocean. Vincent asks about Duchess and Robin. The two recall the accident that killed Sissy. Walk, Martha, Vincent, and Star had all been out that night. Sissy, left home alone, panicked and was walking the town looking for her sister when Vincent, after dropping off Star, just grazed the girl on a dark street. He did not even know he had hit someone.

Walk heads to the hospital far from town where he is secretly being treated for Parkinson’s disease, fearing it will jeopardize his job. After school, Duchess stops at Vincent’s house, where he is still making repairs. She asks why he doesn’t just sell the “shitty old house” (61). He replies, “Prison has a way of turning the lights out. And this house, it’s a small flame maybe, but it's still burning” (61). Duchess asks about her aunt Sissy. Vincent only tells her to be careful of Darke.

Chapter 8 Summary

Walk visits Star and tells her that she needs to forgive Vincent so he can forgive himself. Star dismisses the idea. That night, Duchess finds Star beaten and sprawled on the front lawn and sees Darke driving away. Enraged, Duchess bikes to Darke’s club and, using the bar’s alcohol, sets the bar on fire. She thinks to grab the videotape from the surveillance camera system. She bikes home, tossing the tape in a neighbor’s garbage can.

Chapter 9 Summary

The next day Walk again finds Vincent at Sissy’s grave. Vincent has heard about the bar fire and that someone reported a kid on a bike fleeing the scene. He asks Walk not to pursue Duchess.

Duchess is surprised when Darke is waiting after school for her. Reluctantly, she gets in his car. Darke does not waste time. He knows she torched his bar. He needs the security tape to clear him of suspicions from his insurance company that he set the fire. Spooked, Duchess hurries to the garbage can to retrieve it, but the garbage has been picked up. When she gets home, she wants to tell her mother everything. But tomorrow is Robin’s birthday, and she sees that her mother did not get him anything. She bikes to a gas station convenience store and chooses a doll, spice cake, and candles for her brother’s birthday.

Chapter 10 Summary

When Duchess gets home, however, she finds police cars all around her house. She runs to the house and sees her mother in the kitchen, shot dead. Walk is already there and puts his arm around the shaken Duchess and assures them that she and her brother, who slept through the attack, can come home with him.

Chapter 1-10 Analysis

Perched precariously over the ocean on a cliff being eaten away slowly by erosion, Cape Haven itself suggests the world of its characters. As we meet them one by one, each one seems emotionally traumatized, unable to adjust to events in the past, and ready at any moment to spiral into depression, paranoia, or violence. It is a world that needs to be fixed.

At the center of these opening chapters is Vincent King, returning after 30 years in prison, working now to restore his house, itself perched dangerously close to the cliff. It may not be much, he tells a dubious Duchess who advises just to sell it to Darke, but it is home. These opening chapters suggest the importance of home and the optimism that nothing is beyond repair. In a novel in which characters journey far from home or lose their home to complicated real estate scams or beach erosion or yearn to have a home or look back on a home they lost, the novel begins by asserting there is no place like home. Despite what Duchess fears after she torches the bar and struggles to tell her mother what she has done—that certain things cannot be “fixed”— (50), the novel offers in counterargument the heroic need to try.

Star Radley does not survive long in the novel—she is found shot dead on page 86. But her conversation with her daughter in these opening chapters suggests, like Vincent diligently restoring his family home, that the solution to Cape Haven's problems is simple: Turn each to the other and help. In a town riven by secrets, shattered into secret alliances, and sustained on the energy of grudges and simmering hates, it is Star—the failed mother, perpetually recovering alcoholic, and aspiring singer turned stripper—who, in conversation with Duchess here, lays out the hope the novel ultimately offers. Duchess scolds her mother for once again falling off the wagon. Star promises her daughter she will do better: “I’m trying, I’ll be better…I said my affirmations again this morning. I’ll say them every day. […] I want to be selfless. Selfless acts, Duchess. They’re what make you a good person” (42).

In these opening chapters, good people appear to be in short supply. There is Vincent, the killer, released from prison. There is Star and her on-again-off-again abusive boyfriend Darke, a terrifying presence in the town with sinister underworld connections. There is Duchess, in and out of trouble at school, a tough kid who smokes Luckies, drinks bourbon, and never hesitates to pick a fight. Even the town’s apparently noblest figure, the sheriff, the man “cursed with pathological honesty” (66), hides a secret about his illness, every day medicating just enough to sustain that lie. Gangsters, fornicators, alcoholics, arsonists, thieves, bullies, thugs, outlaws, liars, and even killers: if the novel begins with that oppressive sense of a small town full of evil, it will be redeemed. As both Duchess and Walk will learn, the world is never what it seems. In that insight, both characters will come to acknowledge what they cannot at this point: The more you see, the less you understand.

If the novel is read as a conventional whodunnit, these opening chapters close with the conventional dead body when Star is shot dead in her kitchen. As Walk’s investigation unfolds, he (and the reader) finds out what every mystery tries to avoid: The more you understand, the more confusing it gets. As these chapters close, the reader settles into the formula crime fiction protocol with one dead body and, at a quick count, three possible killers: Vincent, newly released from prison and confronting the reality that his old girlfriend is hanging out with Cape Haven’s crime boss; Darke, who thinks his girlfriend may still have feelings for her old boyfriend and who has already threatened Duchess unless she hands over the surveillance tape; and Milton, the creepy neighbor and a butcher obsessed with Star who, as the self-appointed neighborhood watch committee, watches Star’s house every night from his window.

One dead body, three suspects—the game’s afoot.

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