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Pierre’s large inheritance has changed the way he is treated by the members of high society. He has become one of the most sought-after young men in Saint Petersburg. The attention has affected him, and he now believes that the praise lavished on him is justified by his “exceptional kindness and extraordinary intelligence” (215) rather than his wealth. Prince Vasili positions himself as a close friend of Pierre. He provides guidance on how to manage the huge fortune that Pierre has inherited while siphoning money into his own bank account and scheming to take advantage of the newly moneyed young man. Vasili tries to match Pierre together with his daughter Helene. Pierre finds himself talking to Helene so often at parties that he begins to take particular notice of her. He feels as though they are destined to be married, even though he does not love her. Like most of their social circle, Pierre has heard rumors that Helene and her brother Anatole are involved in an incestuous relationship. He is uneasy but feels unable to extricate himself from the situation. Vasili grows tired of waiting for Pierre to propose to Helene, so he announces their engagement himself. After a great deal of social pressure, Pierre and Helene marry.
Satisfied that his daughter has married a wealthy young man, Vasili switches his attentions to his wayward son Anatole, with whom he travels to visit the elder Prince Nikolai Bolkonsky at Bald Hills. Vasili is welcomed, but Nikolai resents the presence of Anatole. He knows of Anatole’s reputation and does not appreciate having to entertain such a troublesome character. He worries what effect the disreputable Anatole will have on his children, particularly his daughters. Andrei’s wife Lisa is still at Bald Hills, though her time in the country has drained her of her youthful glow. Her father-in-law’s strange habits worry her.
Ahead of meeting Anatole, Lisa dresses Nikolai Bolkonsky’s deeply religious daughter Marya up, but Marya feels humiliated in her luxurious clothes and expensively done hair, worried that she still looks plain. She finds herself attracted to the handsome Anatole and dreams about marrying him in the future. Prince Nikolai learns about his daughter’s attraction and tries to undermine her affection by revealing that Anatole is more interested in Marya’s companion, Mademoiselle Bourienne, an orphaned Frenchwoman adopted into the Bolkonsky family. After seeing Anatole and Mademoiselle Bourienne kissing, Marya refuses to entertain any more thoughts of marriage but resolves to find a way for Mademoiselle Bourienne to marry Anatole.
The Rostov family receives a letter from Nikolai Rostov. He writes to them about his experiences in the battle, his recent promotion, and the injury he received. The Rostovs send mail and money back to the front for Nikolai through Boris Drubetskoy.
At the front, Nikolai, Boris, and a young German soldier and friend named Berg discuss their experiences in the military. Nikolai embellishes the details of his experiences in battle without meaning to do so. Andrei arrives and dismisses his fanciful stories. Nikolai resents Andrei because he feels humiliated, but he cannot help but admire Andrei’s cool demonstration of authority.
The Russian-led allied army is made up of 80,000 men from several countries. When their countries’ respective emperors inspect the forces, the Russian Tsar Alexander impresses Nikolai, who would be happy to die for the charismatic tsar in exchange for a single smile. However, his warm feelings vanish when he sees Andrei sitting on a horse in a relaxed and indifferent manner. Andrei’s pose angers Nikolai, but his love for the tsar allows him to put aside his fury for the moment.
Andrei speaks with Boris Drubetskoy, keeping an important general waiting. Boris wants a better position in the army and has learned to try anything to improve his status in life. The waiting general shows Boris that rank alone does not determine importance. There are “more important” (265) protocol systems and expected ways to act that exist outside the traditional military ranks. Andrei promises to help Boris with a promotion to an administrative role with more prestige than his current rank. However, the busy preparation for the upcoming battle at Austerlitz delays Boris’s potential promotion.
Nikolai Rostov feels dejected when he does not take part in a battle, but the tsar’s arrival in the camp lifts his spirits. He does everything in his power to attract the tsar’s attention. Later, he raises a toast to the tsar’s health. He bonds with Denisov over their increased sense of patriotism.
The following day, the tsar feels unwell. The sight of the dead bodies on the battlefields has affected him. Rumors spread through the Russian camp of a French offer of a truce. The rumors come to nothing.
Andrei attends the war council before the Battle of Austerlitz. He has devised a plan and wants to impress Kutuzov. However, Kutuzov is pessimistic about Russia’s chances. He expects his army to lose. When a general provides a long and boring speech about the plans for the campaign, Kutuzov falls asleep and begins to snore. By the time he wakes up, the discussion is over and the plans are made. Andrei does not get his opportunity to impress Kutuzov. Unsatisfied, he relentlessly paces his room that night, imagining how he might lead his men to a glorious victory by executing his own plan on the battlefield. Andrei envisions himself as a national hero. He would even be willing to sacrifice the love of his closest friends and relatives to make this a reality—he prefers the love and respect of the soldiers to that of everyone else.
Nikolai wearily patrols the perimeter of the Russian camp. The French are nearby and, just before dawn, a chorus of shouts goes up from the enemy camp. Nikolai leads a scouting party to investigate the sounds, and he is involved in a brief fracas with the French troops, who were cheering at a speech from Napoleon himself. The experience exhilarates Nikolai as he rides back to the Russian camp. He is rewarded for his scouting work by being transferred from the reserves to the front line for the battle.
At dawn, the Russians prepare to attack. The valley where the battle will be fought is filled with fog. The lack of visibility separates the units and results in confusion, chaos, and a loss of morale, reflecting the split in the high command. From high up on the side of a hill, a spot with a good view of the battle, Napoleon signals for the fighting to begin.
Andrei is sent to reposition a group of riflemen; Kutuzov is furious that someone changed his orders and moved them to a different part of the battlefield. The arrival of the Austrian and the Russian emperors lifts the spirits of Kutuzov’s men. However, the French army is far closer than expected, and the troops’ brief excitement gives way to confusion. Kutuzov worries that the battle is already lost, but Andrei sees his chance to succeed. He grabs a flag and tries to rally the Russian men around him, just as he dreamed the night before. Hardly any soldiers follow him. Andrei is hit by a bullet and falls to the ground. He cannot keep his men in sight. All he sees is the clear, “infinite sky” (299), which fills him with a strange peace and happiness.
Bagration is keen to turn the tide of the battle. He dispatches Nikolai to Kutuzov to get orders on how to engage the enemy. Nikolai rides his horse through the chaos of the battlefield into a village already overrun with French troops. Riding through the village, Nikolai spots the charismatic young tsar standing on the battlefield, seemingly forlorn and alone. Nikolai is too shy to assist the tsar, missing his opportunity to impress the ruler.
Andrei regains consciousness. The battle is over, and he is lying on the ground among the dead. Near him, Napoleon and two French officers are inspecting the destruction. Napoleon looks at Andrei and declares that he has died a fine death. The words mean nothing to Andrei. Napoleon is his hero, but the French tactician now seems insignificant when compared to the infinite sky. Andrei groans, and Napoleon calls for a medic. A short time later, Andrei wakes up in a field hospital. Napoleon is again nearby and recognizes Andrei from the battlefield. Andrei looks his former hero in the eye, experiencing nothing. His thoughts are suddenly filled with memories of home, his family, the future, and the vast, infinite sky.
The high-minded ideas about glory and patriotism given voice by the elite we met in Book 1, Part 1 do not last long amid the realities of war. Nikolai Rostov and Andrei Bolkonsky are forced to come to terms with their self-delusions about the military after losing their innocence. Both young aristocrats enjoyed a pleasant, secure upbringing as part of the Russian nobility, though the Rostovs may have fallen on hard times, and though Andrei’s father may be a stern, confused old man. Before entering the fight against France, they share similar ideas of the meaning of war. For example, Andrei believes that the war is an opportunity to distinguish himself, and he dreams of a day when he can hoist up a flag and inspire men into action. However, when he finds himself in the middle of the grim reality of battle, grabs a flag, and tries to rally his troops, they do not follow him, and he is left alone with his broken dreams. When Nikolai and Andrei wander around the battlefield after the conflict, they see the dead bodies and the pain caused by war. Their idea of glory is shattered by the reality of battle.
The novel contrasts the way leaders inspire patriotism with the way personal heroes do. Nikolai’s experience shows how the ruling figures of empires can conjure patriotic ideas simply by existing. Nikolai sees the tsar from a distance and feels inspired. Even though he has never spoken to Alexander or met the man, he feels compelled to impress his ruler. Nikolai does not feel reverence for the actual man; instead, the tsar becomes a vessel for Nikolai’s own stirring emotions and ambitions, a symbol of everything Nikolai wants to fight for.
Napoleon, on the other hand, demonstrates that while rulers inspire those they rule with the power of their authority and symbolic status, an individual’s admiration is not enough to overcome the disappointment of seeing a hero up close. When we see Napoleon speaking to his troops, he exudes his carefully constructed brash, conquering emperor image. Napoleon’s public persona actively inspires the men under him. By contrast, a personal encounter with his hero Napoleon unsettles and underwhelms Andrei. Having earlier elevated the French commander to a great height, Andrei and Pierre projected onto him their ambition—to them, Napoleon showed that one man really could rise above to have a profound influence on history. However, when Andrei comes face-to-face with Napoleon, he feels empty. Napoleon says nothing impressive or insightful—he is just another man, dwarfed by the infinite sky that has awed Andrei.
Pierre’s sudden wealth does not make him happy. Instead, he becomes a target. Vasili uses his knowledge of high society and manners to snare Pierre, marrying him off to Helene. Pierre also falls victim to people demanding money for projects he does not understand. Just as Nikolai and Andrei see the grim reality of life in the military, Pierre sees the horrors of high society, where people who pretend to be his friends manipulate, use, and exploit him. Pierre must learn to look behind the charade if he is to succeed as an aristocrat. His education and understanding of philosophy do not protect him from men like Vasili. The novel portrays war and peace side-by-side, showing that both present clear threats to the characters. The brutality of war and the cynicism of peace are both destructive and dangerous.
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