46 pages 1 hour read

Walls Within Walls

Fiction | Novel | Middle Grade | Published in 2010

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Symbols & Motifs

Mr. Post’s Poetry Book

The author introduces Mr. Post’s book of poems in a passing mention, among other things occurring simultaneously; at first, the volume is nothing more than “a slender leather-bound book” (41). Only once the Smithfork children learn the poems’ meanings and the history of New York City can they appreciate the value of the words Mr. Post intended to share with his children. Additionally, the book holds layers of puzzles. Not only do the poems guide the Smithforks, but the book also has other clues, such as the “long, stretched word, only recognizable to someone looking carefully at the exact right level” (64). The clues within the book lead to other clues, which lead to other clues.

At the heart of their hunt is this original poetry book, which serves as a motif for the theme of The Thrill of Solving Mysteries. Whenever the Smithforks and Eloise get stumped, they return to the source—the poetry book—to find what they missed. Though they struggle to decipher the clues as they go, Eloise finds new joy through the hunt itself. She tells the children, “I don’t feel that way,” when they ask if she believes the best times of her life have passed (259). Hunting for clues and reconnecting with both New York’s history and her family’s shared love of the city rejuvenates Eloise and leads her to reconnect with her lost brother. Sherry uses Eloise, the poetry book, and the clue hunt to emphasize that part of the joy in finding what matters to an individual is the journey to discover the truth, not solely the destination.

The Map of New York City

The wall panels hide a map of New York City, which hides the final clue in the treasure hunt; to receive it, the children must press buttons in a sequence. However, there are many more buttons than there are poems, and the only way to know the correct sequence is to solve the puzzles in Mr. Post’s poetry book. The alternate symbols on the map create a sense of confusion because there are more options that might mislead someone. This makes the map of New York City a symbol for misdirection as well as a motif for several of the novel’s central themes.

As part of the theme of The Thrill of Solving Mysteries, the children and Eloise Post must collaborate to solve the mysteries Eloise’s father left behind for her and her brother. Without the map—which gave the treasure hunt a physical goal to pursue—CJ, Brid, and Patrick would not have pursued knowledge of New York City’s history; while they may have learned a bit about their city, they would never have known how deep its roots run and how significant a previously unknown architect was to the city’s construction. This connection to New York’s history makes the map a motif for the theme of The Intersection of Art, History, and Storytelling.

However, the map goes even deeper. None of the Smithfork children would be able to complete the map puzzle alone. It requires the unique skills each of them has combined to serve their greater goal. Because the map pushes the Smithforks to work together, not only among themselves but also with Eloise and Julian Post, the map also becomes a motif for the theme of Family Dynamics and Teamwork in Problem-Solving. The children can only solve the mystery by working with others and learning how to read poetry. Everyone they meet offers some insight that helps them, knowingly or not, and this collaboration becomes their greatest strength in the clue hunt.

The Silver Room Tunnel

Julian Post uses the silver room—which now serves as a passage between apartments in the building—to sneak in and out of the Smithforks’ apartment while they decipher Mr. Post’s clues. Though he is not their enemy, Julian uses deceitful techniques to accomplish his goals; in the process, he unintentionally makes the Smithforks feel unsafe in their own home. The passage itself does no harm, but the way Julian uses it at first does; later, the company works together using the passage to redeem both their connection with each other and the purpose of the tunnel. The passage between apartments becomes symbolic of the dual-sided nature of secrets and mysteries. Secrets are not inherently good or bad, and neither are mysteries. What matters is how individuals choose to use or share those secrets and how people choose to conceal their secrets behind mysteries.

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