39 pages • 1 hour read
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104
Play • Fiction
New York City • 1950s
1955
Adult
18+ years
Trouble in Mind by Alice Childress focuses on Wiletta Mayer, a seasoned Black actress, and her colleagues during the rehearsals of a new Broadway play in 1957, highlighting the prejudices and stereotyping they face in a racially charged environment led by a white director. The ensemble navigates power dynamics, artistic integrity, and personal convictions, ultimately exposing the systemic racism ingrained in the theater industry. This play tackles themes of racism and sexism and contains racially offensive terms.
Challenging
Informative
Unnerving
Emotional
Inspirational
229 ratings
Loved it
Mixed feelings
Not a fan
Alice Childress' Trouble in Mind is lauded for its poignant exploration of race and identity within the theater industry. Critics praise its sharp dialogue and character depth, though some find its pacing uneven. The play's powerful social commentary and relevance resonate strongly, showcasing Childress' incisive wit and dramatic prowess.
Readers who enjoy Trouble in Mind by Alice Childress typically have an interest in American theater, racial dynamics, and social justice. Fans of Lorraine Hansberry's A Raisin in the Sun or August Wilson's Fences will appreciate Childress's powerful exploration of African American experiences in the mid-20th century.
229 ratings
Loved it
Mixed feelings
Not a fan
John Nevins
A young Black actor from the same hometown as Wiletta, he is enthusiastic yet inexperienced in theater. He plays Job, Ruby's son, in Chaos in Belleville and looks to Wiletta for guidance.
Al Manners
The director of Chaos in Belleville, known for his Hollywood background and quick temper. He struggles to understand the implications of his work on racial portrayals.
Sheldon Forrester
An elderly Black actor who has survived in the business by accepting subservient roles. He has a past experience of witnessing a lynching, which influences his outlook.
Millie Davis
A Black actress aged 35, who plays a supporting role in Chaos in Belleville, and is outspoken about her dissatisfaction with racial aspects of the play.
Judy Sears
A young white actress fresh from Yale School of Drama, playing Carrie Renard in Chaos in Belleville. She grapples with her lines and her own privilege.
Henry
The elderly doorman at the theater with a long history in the industry. He shares a supportive relationship with Wiletta, often reflecting on life and work.
Eddie Fenton
The white stage manager who constantly finds himself the target of Manners’s frustration. He is responsible for practical tasks, including handling the canned applause.
Bill O’Wray
An older white character actor who joins the play in Act II, taking on the role of Renard in Chaos in Belleville. He fears change and has a tendency to avoid discomfort.
104
Play • Fiction
New York City • 1950s
1955
Adult
18+ years
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