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How does Throne of Glass exemplify the High Fantasy genre? How does it subvert genre expectations?
In the moral universe of the novel, is Chaol justified in killing Cain? How does this act complicate the novel’s conflict between good and evil?
How does using point-of-view characters—protagonists like Celaena and Dorian, and antagonists like Kaltain and Perrington—support its themes?
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By Sarah J. Maas