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The author and protagonist of the book, Ashley, is 3 when the story begins. A highly intelligent, even precocious child, she lives in a caravan with her mother, Lorraine; her mother’s partner, Dusty; and her infant brother, Luke. When the family moves to Florida, Lorraine and Dusty are both arrested, and Ashley and Luke are placed into the foster care system. Ashley struggles to understand what is happening and why no one will let her see her mother. Lorraine repeatedly promises that Ashley will live with her again soon, and “[n]aïve and trusting,” Ashley “always believe[s] her” (viii).
Ashley is shifted through the foster system, experiencing negligence, abuse, and constant instability. Sometimes the families she stays with are loving, although even those placements never last long. In other cases, the families are negligent or even abusive.
After a staying in a number of foster homes, Ashley is moved to a Children’s Shelter, and over a year later, Phil and Gay Courter express interest in her adopting her. However, Ashley’s life of instability and abuse makes it hard for her to trust them. As she has done at earlier placements, she acts up, “wondering what I [will] have to do wrong for the Courters to send me back” (208) because she believes such a fate is inevitable. Compounding the issue, Lorraine previously insists that “‘I’m your only mother’” (vii) and sometimes demands of Ashley, “‘You’re not calling anyone else “Mama,” are you?’” (55). Because of this, Ashley sees loving and trusting anyone else as a betrayal of a promise to her biological mother and holds back from accepting love from, or expressing love toward, the Courters.
Slowly, however, Phil and Gay break through her resistance, and she opens up. Gay understands that “‘you resist my nurturing because all those other mothers—especially your birth mother—failed to care for you’” (217) and gives her the space to slowly open up to trust and hope. Eventually, Ashley finds that she has “broken through a wall—one I had carefully constructed over many years” (259). Ashley becomes Phil and Gay’s daughter officially and lives happily with them, beginning to enjoy the opportunities her new security offers her, including the chance to speak at events and write her memoir. She builds amiable relationships with her biological family and dedicates herself to speaking out for children who “have no voice” (289) so that they never have to suffer as she did.
Ashley’s biological mother, Lorraine, has Ashley when she is only 17 and is not well placed to care for her child. Ashley describes her as having “a carefree attitude” and being “too self-absorbed to fuss about my safety” (2). Although she appears to truly care for her children, she is unreliable, selfish, and jealous, insisting that “‘I’m your only mother” (vii) and demanding of Ashley, “‘You’re not calling anyone else “Mama,” are you?’” (55), something that stops Ashley from being able to love and trust other people. She regularly blames the authorities for her own “broken promises” (57), insisting that “‘[t]hey kept me away from you’” (55), which reinforces Ashley’s lack of trust in others. Even when Ashley is starting to settle in and find some happiness and security with the Courters, Lorraine is still a destructive force, chiding Ashley by saying, “‘My, you’ve changed […] You sound like a stuck-up Valley girl’” (234) and even demanding to know “‘When is Ashley going to get over it?’” (238). Despite this, once she is secure with the Courters, Ashley is able to find “pity for my biological mother” (288), as well as understanding, recognizing that, if she had “received a fraction of the money the Mosses—or any of my foster parents—were paid, she could have established herself in Tampa and made a home for us” (288-89).
Mrs. Moss lives in a caravan with her husband and “as many as fourteen children […] even though their legal capacity was for only seven” (64). Her outward appearance is of a caring, loving foster parent, an image she maintains by insisting that all the children “‘need is love and attention […] and I’ve got plenty of both to go around’” (71). However, behind closed doors, she is abusive and sadistic. She regularly punishes the children for imagined transgressions by making them drink hot sauce, “push[ing] [Ashley’s] face into [her] puke” (68), or forcing the children to run laps “around the long, horse-shoe shaped driveway” (73). Whenever the children report her abuse, she manages to dupe the investigators into believing her version of events, even convincing Ashley’s caseworker that the girl came to her and said, “‘I’m sorry I caused you so much trouble by telling those lies about you’” (135). Eventually, Mrs. Moss is investigated more thoroughly and is “arrested on twenty-five counts of felony child abuse and nine counts of felony child neglect” (248). She pleads guilty to one count of child neglect and is given “[p]robation for only five years” (267). Ashley’s own case against Mrs. Moss also has only a limited impact, and Ashley is outraged that she can “tell so many lies” (283) and that the judge asks “both sides to try to reach an agreement through mediation” (285). It is perhaps this more than anything else that convinces Ashley to speak out for children who “have no voice” (289).
Mary is Ashley and Luke’s Guardian ad Litem and promises to “‘represent your best interests in court’” (115). Her role in the book is relatively small, but her impact on Ashley’s and Luke’s lives is huge. In fact, it is years before Ashley realizes “everything she had accomplished on Luke’s and my behalf” (118). She is the first person to ask, “‘What can I do for you?’” (115), something that Ashley previously never truly considered. However, the most significant thing Mary does for Ashley is to ask lawyers “to begin termination proceedings for Dusty Grover’s rights to Luke and my mother’s rights to me” (118-19). When Lorraine signs away her legal claim to Ashley rather than take another drug test, it is Mary who tells Ashley, in a voice that is “both tender and firm,” that she will never live with her mother because “‘she can’t take care of you’” (126). Although this is difficult and upsetting for Ashley, Mary’s tough decision to pursue this course finally allows her to stop clinging to her unreliable mother and to open up to the possibility of finding security and maternal love from another source.
When Ashley first meets and then moves in with the Courters, she struggles to trust them. Having faced such instability and neglect, she believes that her new situation is too good to be true and that Phil and Gay will eventually withdraw their love and support. In fact, she spends a lot of time “wondering what I [will] have to do wrong for the Courters to send me back” (208) so that she can bring about what she sees as the inevitable disappointment. However, the Courters are patient with her, never pushing her to accept them or open up to their love. Gay reassures her that “‘[i]t’s okay not to love us’” and acknowledges that “‘[t]here is nothing we can say to make you believe that we’ll be here for you. You will only learn it by living with us year after year after year’” (194). Phil and Gay’s sons, Josh and Blake, also offer her reassurance and acceptance, telling her that they “‘want to be your brothers’” and that that means “‘we are always going to support you’” (207). Gay even understands why Ashley pushes her away, explaining that “‘you resist my nurturing because all those other mothers—especially your birth mother—failed to care for you’” (217). Through this understanding, kindness, and patient love, Ashley begins to let down her defenses until she finds that she has “broken through a wall—one I had carefully constructed over many years” (259) and is able to love and trust the Courters. They give her a gift of a music box that plays “You Are My Sunshine” on “the sixth anniversary of my adoption” (297) when she completes the first draft of the book. Listening to the song, “[s]omething very tight and very deep inside me snap[s]. Tears [spurt] unexpectedly,” and for the first time Ashley truly feels “something I [have] never known before: Home” (297).
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