52 pages 1 hour read

Things We Left Behind

Fiction | Novel | Adult | Published in 2023

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Chapter 36-EpilogueChapter Summaries & Analyses

Chapter 36 Summary: “Too Many Whammies”

Sloane goes on additional dates with Kurt, but they mutually decide that they are not ready to date anyone else. When Kurt admits that he is in love with her sister, Maeve, with whom he had a fling with last summer, he and Sloane agree to be friends and part ways. Suddenly, Sloane is attacked in her car by a man in a black ski mask who delivers a final warning: “Leave Upshaw where she belongs […] or you will get hurt” (454). His voice is pleading, as if he doesn’t wish to hurt her. Sloane calls Nash after the man leaves and visits Mary Louise in prison. Mary Louise has been beaten by another prisoner and also urges Sloane to drop her case. Nash calls Lucian to request extra security for Mary Louise and the woman’s son, Allen.

Chapter 37 Summary: “It’s Getting Hot in Here”

Two weeks later, Lucian moves Mary Louise to a new prison and places Allen under full-time security. Sloane stays late at the library to get ahead on social media and newsletters for the patrons while trying to distract herself from Lucian. Eventually, she begins looking at foster care options in case she is unable to have children by the time she finally settles down with someone. Her search is interrupted when the first floor of the library erupts in flames. Sloane calls 911 but collapses from smoke inhalation before she can exit the library.

Chapter 38 Summary: “Stupid Pills”

Lucian receives a call from Knox about the fire and rushes to Knockemout. Nash informs him that Sloane is safe and has returned home for the evening. Lucian shows up on Sloane’s doorstep, and when she refuses to let him inside, he climbs the tree near the house and enters through her bedroom window. He holds her as she cries and vows to never leave her alone and vulnerable again. Lucian bathes Sloane and brings her to bed, arranging her pillows in a U-shape, the way she has always done.

Chapter 39 Summary: “Who Has the Head Wound”

Lucian wakes to find Sloane’s cat hissing at him. Lucian’s clothes have been ruined from the soot on Sloane the previous night, and they are also ripped from his climb up the cherry tree, so he dresses in one of her ex-boyfriend’s sweatshirts and a pair of her too-small pink sweatpants. He feeds the cat and is making Sloane breakfast when Nash and Lina arrive. Nash has reason to suspect that the fire was arson. Lucian finds out about the man who attacked Sloane in her car and realizes that the threats on her life have come from her case, not from Anthony Hugo. Knox and Naomi arrive with coffee and bagels, and Lucian pulls Sloane aside to discuss their relationship. After the scare of almost losing her last night, Lucian wants to be with her and is willing to have a large family with multiple kids if that’s what she wants. She’s vehemently opposed to it at first, but Lucian is resolute in his commitment.

Chapter 40 Summary: “A Face Full of Chardonnay”

Two days later, Sloane and Naomi begin working on getting the library up and running again. Meanwhile, Lucian supervises all the employees that he has brought into her home to install new security, dry clean her clothing, and reorganize her rooms to accommodate Lucian’s plans to move in. Lucian invites Sloane’s family over for dinner; he is committed to showing Sloane that he wants to be in a relationship. Kurt shows up to the family dinner to make a grand gesture of love to Maeve.

Chapter 41 Summary: “The Butter Knife Defense”

Lucian and Sloane share a house and a bed for the next five days, but she still doesn’t acknowledge that they’re dating. When Lucian and Sloane spend a day working in his Washington, DC, office, Lucian attends to business as usual while Sloane creates “a priority list of services the library could continue to offer even without a physical location” (501). Afterward, they attend dinner with Lucian’s mother, who introduces them to the man she’s been dating: Anthony Hugo.

Unbeknownst to Kayla, Hugo threatens the lives of both Sloane and Lucian’s mother if Lucian doesn’t convince the FBI to drop Hugo’s case. He orders Lucian to deliver the evidence, along with a few million dollars, within 48 hours. After the dinner, Lucian heightens his mother’s security and orders her to go no-contact with Anthony. She accuses him of humiliating her and being controlling, just like his father. When she slaps Lucian, Sloane jumps angrily to his defense.

Chapter 42 Summary: “A Volcano of Lust”

Sloane is aroused by Lucian’s overprotectiveness at dinner, and they return to his condo and have sex. Lucian allows Sloane to engage in oral sex—something he has never allowed any other woman to do because he hates relinquishing control.

Chapter 43 Summary: “The Takedown”

Lucian organizes a meeting with a few employees, including Lina and his security team, to discuss Anthony Hugo. Maureen Fitzgerald arrives with a large folder of incriminating information on Hugo’s shell corporations. Sloane wonders if the private prison in which Mary Louise was held is owned by one of Hugo’s corporations. She points out that Civic Group, owned by Rex Management, is responsible for other run-down correctional centers in the surrounding states. They discover that Anthony is part-owner of four private correctional facilities, which is illegal. By the 36-hour mark, Anthony Hugo is in prison. When Lucian visits him, Anthony continues to threaten everyone Lucian loves.

Chapter 44 Summary: “It’s Not About Drawer Space”

Sloane spends the next four days at Lucian’s luxurious Washington, D.C. condo before finally packing to head home to Knockemout. Lucian is bothered by the fact that Sloane still isn’t committing to a relationship with him, so he brings her to see his therapist friend, Emry. Lucian and Sloane finally confront their feelings about the past and apologize for the mutual hurt they’ve caused each other.

Chapter 45 Summary: “Snippity-Doo-Dah”

Lucian surprises Sloane by getting his vasectomy reversed the following day. They return to Sloane’s home in Knockemout, which has been decorated with cherry blossoms. Lucian boldly professes his love and proposes to Sloane while Knox films the event and Nash controls the Shania Twain music playing in the background. Sloane says yes.

Chapter 46 Summary: “Books Save Lives”

Sloane and her friends are at Knox’s barbershop, Whisky Clippers, dressing up for Lina and Nash’s wedding rehearsal. Stef ungraciously suggests to his boyfriend, Jeremiah, that they move in together. Jeremiah not only agrees, but proposes that they get married and start a family as well.

On Sloane’s way home, Lucian calls to inform her that the judge who unjustly sentenced Mary Louise has frequently succumbed to Hugo’s bribes and has assigned a number of prisoners to the crime boss’s private prisons. Lucian hopes that Special Agent Idler will be able to have Mary Louise’s case overturned and get her released in time to witness her son graduate from law school. While informing Mary Louise of the news over a video call, Sloane recognizes former Police Chief Wylie Ogden’s name on her arrest record. Sloane wonders if Wylie is also involved with Hugo, as Tate Dilton had been.

Sloane’s call is cut off when her power goes out. Wylie and Atkins arrive on her doorstep, both armed with guns, and invade her house. Sloane shoves a library cart at Atkins, and Wylie uses the opportunity to fatally shoot Atkins. When Wylie aims both guns on Sloane once again, he reveals his anger toward Nash for taking the police chief position from him. Sloane realizes that Wylie is the person who put Nash’s name on the hit list for Hugo, and she also realizes that he killed Tate Dilton to protect himself, not Nash. Sloane throws a book at him and runs upstairs while he fires blindly.

Chapter 47 Summary: “Wrongs Righted”

As he pulls into Sloane’s driveway, Lucian hears gunshots and sneaks inside. He intercepts Sloane on the top floor and pulls her into her bedroom. Sloane climbs down the cherry tree while Lucian confronts and incapacitates Wylie, sustaining a nonlethal gunshot wound in the process. Nash arrives with reinforcements to apprehend Wylie as a crowd of townspeople gathers.

Chapter 48 Summary: “The Happy Couples”

After celebrating Nash and Lina as newlyweds, Lucian and Sloane decide that they will have a Christmas Eve wedding.

Epilogue Summary: “A Christmas Wedding”

Sloane and Lucian have a Christmas Eve wedding with an aisle “blanketed in cherry blossoms” (570) and have their first dance to a Shania Twain song. While they do plan to have children of their own, they have also decided to become foster parents and are working on opening a Simon Walton Foundation.

Chapter 36-Epilogue Analysis

As the plot accelerates toward its conclusion, Score makes it a point to follow the expected format of the standard romance narrative; to this end, Lucian’s decision to distance himself from Sloane for her own protection is the classic “third act break-up” that often characterizes such novels. This event does not always require an end to the relationship, but it does typically center on a fundamental misunderstanding or disagreement that disrupts the rhythm of the developing romance, however temporarily. By crafting a disruption based upon one character’s concern for the other’s safety, Score builds an implicit reassurance into the development, for the separation is clearly not meant to last. However, the miscommunication between the two protagonists offers a reason for tensions to run high as Sloane continues to receive threats from an unknown assailant.

The author also brings the plot full circle by crafting moments that mirror earlier flashback scenes; these inclusions resolve many of the underlying tensions in Lucian and Sloane’s relationship, particularly those that are based on lingering traumas and unprocessed emotions. For example, after the library fire, Lucian echoes his teenage action of entering Sloane’s home through her bedroom window, and by resorting to this old habit, he leverages a nostalgic moment to signal his decision to fully commit to his feelings for Sloane. By mirroring the happy, wholesome relationship that they used to have in their youth, Lucian implicitly asserts that he has overcome the trauma that has held him back for years. This breakthrough is solidified by further intimacy and trust as Lucian bathes and cares for the still-shaken Sloane, and it is significant that “for the first time in [his] life, [he feels] like the hero instead of the villain” (475). This statement refutes the long-held villainous attributes suggested by his old nickname of “Lucifer” and stands as a sharp contradiction of the widespread opinion that he has been playing the villain for most of his adulthood. Thus, Lucian finally manages to shake off the negative connotations of Complex Family Legacies that have plagued him since childhood, and as a result, his adult relationships will finally have a chance to flourish.

This scene is also a crucial turning point for Lucian’s work of Rebuilding a Sense of Self-Worth after the grave injustices and abuses he endured in his youth. Upon seeing the bruises on Sloane’s body, Lucian becomes furious and vows not to “rest until [he knows] who [is] responsible for those bruises and [makes] them pay” (473). In this moment, a new level of implicit understanding is reached, for Lucian finally realizes how Sloane must have felt to witness the bruises on his own body when they were teenagers. Now, as he is faced with the evidence that she has suffered abuses, he feels a deep urge to protect and avenge her because he associates Sloane with everything that is pure and just in the world, just like he does all the Waltons. The crucial difference is that he now sees these same qualities in himself. For the first time, Lucian’s desire for justice on Sloane’s behalf is not poisoned by the underlying fear that he resembles his father. Instead, he views his desire to protect Sloane as honorable.

These chapters also attend to the broader resolution of the plot—both the stand-alone plot of Things We Left Behind and the plot of the Knockemout series. Significantly, the concept of legacy is tainted by The Impact of Corruption in this final section when Judge Atkins and Wylie Ogden commit acts of violence to preserve the legacies of their careers and reputations. For example, Judge Atkins attempts to murder Sloane to conceal Hugo’s successful attempts to bribe him. As he vehemently claims, “I’m not letting some little blond destroy my legacy over a few dollars […] I’ve made my life’s work putting criminals behind bars” (553). Ironically, this statement only proves that his true legacy has been irrevocably corrupted by greed; as a result, he has built a false reputation that is, in reality, defined by the number of people that he has saddled with unjust sentences throughout his career. Similarly, Wylie attempts to murder Sloane to protect his legacy as beloved police chief; however, Wylie’s legacy consists of letting lawbreakers like Anthony Hugo, sexual predators like Tate Dilton, and abusers like Ansel Rollins get away with their crimes in return for personal gains such as money or friendship. If his legacy hadn’t been successfully stamped out by Nash and his allies over the course of the series, this systemic corruption would have continued to fester and spread like wildfire in and around Knockemout. When Lucian vows to ensure that “ everyone who’s ever heard [Wylie’s] name [will know] exactly what kind of man [he is]” (559), this conclusion represents a dual victory, for Lucian puts an end to a local source of corruption even as he conquers a significant villain of his past.

As the denouement winds to its close, Score once again employs the same symbolism of the spring season that she did at the beginning of the novel. In Chapter 2, Lucian admits to never overcoming the “painful hope of spring” (21), which he associates with Sloane’s naive sense of optimism. Spring also marks the blooming of the cherry tree outside Sloane’s bedroom window—the same tree that the teenage Lucian climbs when he visits her after enduring difficult nights with his father. Likewise, Lucian’s decision to sell his childhood home in the spring symbolizes his choice to cut ties with his past, including the Walton family, at the beginning of the novel. However, on the morning after the library fire, Lucian fully accepts his feelings for Sloane and commits to their relationship, and the narrative celebrates this decision by rewarding the character with “the perfect spring morning. Warm sunshine, chirping birds, and a thousand new blooms […] Spring. A new beginning. A fresh start” (486). The sudden appearance of spring in this moment symbolizes Lucian’s newfound hope in his relationship with Sloane, and it also implies the newfound hope he feels about his own future, as he is finally taking the necessary steps to leave his dark past behind. The conclusion of the novel therefore doubles as the happily-ever-after resolution of Lucian and Sloane’s love story even as it showcases the similarly happy circumstances of the first two couples that Score develops in the series. The inclusion of two weddings in back-to-back chapters therefore serves as an epilogue to the third installment and a bonus epilogue for the trilogy as well.

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