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208
Book • Nonfiction
1977
Theatre Communications Group
Adult
18+ years
Theatre of the Oppressed by Augusto Boal presents a participatory form of theatre developed to empower individuals through interactive performance. This method encourages dialogue and social change by engaging the audience as active participants, exploring social and political themes. By breaking down the barrier between audience and actors, it promotes empathy and critical thinking.
Challenging
Inspirational
Informative
Theatre of the Oppressed by Augusto Boal is praised for its innovative approach to theater as a tool for social change, encouraging audience interaction and empowerment. Critics acclaim its relevance in political discourse and activism. However, some note the complexity of its concepts may challenge casual readers. Its impact on interactive theater remains significant.
A reader interested in Theatre of the Oppressed by Augusto Boal would likely be passionate about social justice, theater as a tool for change, and transformative pedagogy. Comparable to Paolo Freire's Pedagogy of the Oppressed, they may explore performance as a means to challenge societal structures and promote empowerment.
Aristotle
An ancient Greek philosopher whose ideas on the separation of art and politics are critiqued by Boal, influencing Boal’s arguments on theater’s role in societal issues.
Bertolt Brecht
A German playwright whose Marxist-oriented theater techniques, focusing on breaking barriers between actors and the audience, inspire Boal's concepts.
Paulo Freire
A Brazilian educator and philosopher whose theories on critical pedagogy and empowerment of the oppressed through participatory learning strongly influence Boal's approaches to theater.
Georg Wilhelm Friedrich Hegel
A German philosopher whose ideas on transformative consciousness and the concept of "epic" contrast with Brecht’s theatrical approaches, contributing to Boal’s techniques.
Niccolò Machiavelli
An Italian philosopher and political figure whose ideas on power and his play "La Mandragola" are examined by Boal in relation to political maneuvers and theater.
208
Book • Nonfiction
1977
Theatre Communications Group
Adult
18+ years
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