Study Guide

Theatre of the Oppressed

Augusto Boal
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52 pages 1 hour read

Theatre of the Oppressed

Nonfiction | Book | Adult | Published in 1977

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Book Brief

Augusto Boal

Theatre of the Oppressed

Nonfiction | Book | Adult | Published in 1977
Book Details
Pages

208

Format

Book • Nonfiction

Publication Year

1977

Publisher

Theatre Communications Group

Audience

Adult

Recommended Reading Age

18+ years

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Super Short Summary

Theatre of the Oppressed by Augusto Boal presents a participatory form of theatre developed to empower individuals through interactive performance. This method encourages dialogue and social change by engaging the audience as active participants, exploring social and political themes. By breaking down the barrier between audience and actors, it promotes empathy and critical thinking.

Challenging

Inspirational

Informative

Reviews & Readership

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Review Roundup

Theatre of the Oppressed by Augusto Boal is praised for its innovative approach to theater as a tool for social change, encouraging audience interaction and empowerment. Critics acclaim its relevance in political discourse and activism. However, some note the complexity of its concepts may challenge casual readers. Its impact on interactive theater remains significant.

Who should read this

Who Should Read Theatre of the Oppressed?

A reader interested in Theatre of the Oppressed by Augusto Boal would likely be passionate about social justice, theater as a tool for change, and transformative pedagogy. Comparable to Paolo Freire's Pedagogy of the Oppressed, they may explore performance as a means to challenge societal structures and promote empowerment.

Character List

Augusto Boal

A Brazilian theatrical director and writer who developed the Theatre of the Oppressed, a participatory form of performance art designed to engage audiences in social and political discourse.

An ancient Greek philosopher whose ideas on the separation of art and politics are critiqued by Boal, influencing Boal’s arguments on theater’s role in societal issues.

A German playwright whose Marxist-oriented theater techniques, focusing on breaking barriers between actors and the audience, inspire Boal's concepts.

A Brazilian educator and philosopher whose theories on critical pedagogy and empowerment of the oppressed through participatory learning strongly influence Boal's approaches to theater.

A German philosopher whose ideas on transformative consciousness and the concept of "epic" contrast with Brecht’s theatrical approaches, contributing to Boal’s techniques.

An Italian philosopher and political figure whose ideas on power and his play "La Mandragola" are examined by Boal in relation to political maneuvers and theater.

Book Details
Pages

208

Format

Book • Nonfiction

Publication Year

1977

Publisher

Theatre Communications Group

Audience

Adult

Recommended Reading Age

18+ years

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