49 pages • 1 hour read
Mrs. Ellsworth, a wealthy widow, uses her money to support budding artists. A music critic recommends Mrs. Ellsworth hear a young Black pianist named Oceola Jones. After hearing Oceola play, Mrs. Ellsworth is convinced of the girl’s musical genius. She offers to pay Oceola’s bills and rent her a small apartment. At first, Oceola hesitates. She already has a busy schedule teaching her own students and playing in various Black venues around New York: “Mrs. Ellsworth had the feeling that the girl mistrusted her generosity, and Oceola did—for she had never met anybody interested in pure art before” (102). Mrs. Ellsworth doesn’t give up. She asks about Oceola’s upbringing and listens intently. Both Oceola’s parents are dead, and Oceola lets a porter, Pete, live in her apartment for free while he saves up to go to medical school. After hearing Oceola’s story, Mrs. Ellsworth again insists on helping her financially. Oceola would be Mrs. Ellsworth’s first Black protégée, and the novelty excites Mrs. Ellsworth.
After Pete leaves for medical school, Mrs. Ellsworth finally convinces Oceola to move into a new apartment. Years pass. Financially secure, Oceola studies and practices. She plays for Mrs.
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By Langston Hughes