The narrator of the novel and Ernest's godfather, who offers guidance and commentary on the events and characters. As a writer, he shares his views candidly and embodies characteristics of skepticism and humor.

Ernest's father and a clergyman shaped by a harsh upbringing, who tries to impose similar strict religious values on Ernest. He is seen as rigid and difficult, serving as a foil to Ernest.

Ernest’s mother, who is religious and works with Theobald to raise their children with strict discipline. She’s depicted as imaginative and sincere, with aspirations for her family’s religious achievements.

Ernest's aunt and godmother, lively and affectionate, who provides crucial support and influence to Ernest. Known for her unconventional thinking, she encourages Ernest's growth.

Head of the grammar school Ernest attends, depicted satirically, with a high reputation that contrasts with his absurd behavior. Represents the flaws of the educational system.

Initially Christina’s servant and later becomes Ernest's wife, though their marriage faces legal challenges. Portrayed as attractive but with habits that clash with Ernest’s interests.

An acquaintance of Ernest from Cambridge who serves as an idealized figure and point of reference for Ernest’s decisions throughout the novel.

The senior curate at the London rectory who exhibits corrupt and hypocritical behaviors. Represents the negative aspects of high church practices.

Ernest's landlady at Ashpit Place, noted for her talkative and friendly nature, as well as her keen judgment of character. Remains associated with Ernest through her experiences.