52 pages 1 hour read

The Watchers

Fiction | Novel | Adult | Published in 2021

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Character Analysis

Mina

Mina is the protagonist of The Watchers, and her perspective dominates most of the narrative. She is an artist living in Galway who “dr[inks] too much and smoke[s] too much, and never answer[s] her phone” (193). Her sister, Jennifer, complains about all these habits, and their mother died from an illness prior to the events of the novel. Mina is “just the sad, quiet girl who always le[aves] without saying goodbye” (173). She occasionally takes art commissions but dislikes doing them. Instead, she often makes her money at the casino or by doing odd jobs for the bartender at her local pub. As an artist who watches people and draws them, Mina is a foil to the watchers in the forest. She looks upon humans not as pets (as the watchers do) but as muses. At the beginning of the novel, Mina thinks that her looks are average at best, reflecting, “Her beauty was the generic sort, and where was the beauty in that?” (17). 

After being imprisoned in the coop, Mina’s body and mind change drastically. She becomes “all jagged lines and sharp edges—a sketch from a Gothic novel” (97). In the harsh conditions of her captivity, she is exposed to bright light every night, and as a result, her eyes become sore and take on a squinting expression, and her skin becomes dry and cracked. She also begins engaging in little rituals of cleaning, such as going to the spring and washing off her face and hands, as well as drying her socks by the fire. These habits cause her to leave her shoes and socks during the escape from the coop, but she also keeps herself from getting sick during her confinement. With these physical changes, Mina begins thinking of herself as her own muse—that is, a face worth drawing. However, when she returns home from the coop, she begins to scan crowds of people not for artistic inspiration but for signs of hidden watchers, and she struggles to return to making art after the watchers destroy her sketchbook.

In her old life in Galway, Mina only kept acquaintances, but in the coop, she forges deep friendships with Ciara, Daniel, and Madeline. Ciara is a better sister to Mina than Jennifer ever was, and this remains true upon their return to Galway. Captivity ultimately increases Mina’s capacity for emotional intimacy and heightens her awareness. Mina grows closer to Madeline than the other human captives do, and at the end of the novel, Madeline warns Mina about the other watchers who can tolerate the sun.

Madeline

Madeline is living in the coop when the others arrive in the forest. She is a rare watcher who can endure the sunlight; most watchers are nocturnal. Professor Kilmartin built the coop to protect Madeline, and she took on the appearance of his dead wife. She hides her tall, thin body under a “blanket she [i]s never seen without” (188); only her ghastly hands and face can be seen. Her face, like the faces of the other watchers, shows few emotions and is somewhat robotic. Madeline’s “expressions [a]re limited strictly to disinterest and displeasure. And she hoard[s] secrets like an avid collector” (194). Mina suspects from the beginning that Madeline is hiding something, but she doesn’t realize that Madeline is hiding her identity as a watcher until the end of the novel. Madeline is obsessed with rules and rituals, and “[h]er every action follow[s] a system” (52). She follows these self-imposed rules to ensure her survival, and she lacks empathy and kindness.

After living with the others for a month, Madeline remains “unchanged. She sp[eaks] strictly of matters regarding their survival. Her face [i]s as dull as a death mask” (99). These early descriptions hint at her secret identity as a watcher—as does the fact that she frequently goes off on her own during the day and lies to the others about where she goes. At one point, Daniel’s illness in the coop leads Madeline to emphasize the importance of cleanliness. She is generally strict and antagonistic toward Daniel, believing him to be unintelligent. Madeline also looks down on Ciara because the woman shows kindness to everyone. By contrast, Madeline is cold and rude to the humans who are the pets of the watchers.

When they all return to Galway, Madeline is passionate about keeping humans out of the forest, and she wants all records of the watchers destroyed. She therefore threatens Mina and Ciara until they destroy all remaining records. When she is sure that they have done so, she stops threatening Mina and Ciara with violence; she is their antagonist only temporarily. At the very end of the novel, she sides with Mina instead of the other watchers that can walk in daylight, but this encounter is part of the novel’s cliffhanger ending and thus remains unexplained.

Ciara

Ciara is a 26-year-old curvy redhead with green eyes and pale skin. She is initially friendly and optimistic, but after John, her husband, dies in the Prologue, she “learn[s] what hopelessness mean[s]” (59). Although she is depressed about the loss of John, Ciara welcomes Mina to the coop and is the best friend that Mina has ever had. Ciara also acts as a sister to Daniel. Madeline sees her kindness as a weakness, believing that Ciara is too nice and is not very intelligent. Ciara therefore acts as a foil to Madeline: “the kind hearted antithesis to Madeline’s dispassion” (103). Ciara’s face is very emotionally expressive, and she is more concerned with showing kindness than in following Madeline’s rigid rules.

After the others refuse to open the door to a watcher pretending to be John, Ciara becomes more taciturn; she rarely speaks and is always tired. Mina notices that “[d]espair ha[s] recast Ciara as someone all but unrecognizable to her old, optimistic self” (136). Captivity does not break Ciara’s spirit, nor does the loss her husband, but the betrayal of her found family does. She is the most vulnerable of all the characters and loses the most to the forest, but she is still able to recover in the end.

When they discover food in the shipping container under the coop, Ciara regains her optimism and positivity. She refuses to leave Mina during their escape and is deeply upset when Daniel dies. Overall, Ciara is “stronger than those kind eyes let on” (180). She continues to support Mina in Galway, keeping a room for her to use during her weekly visits and offering it as a permanent home.

Daniel

Daniel is the youngest of the group at only 19 years of age. He calls himself Danny, but Madeline insists that he go by Daniel. Madeline’s unreasoning strictness reminds Daniel of his abusive father, from whom he was fleeing when he first came to the forest. In civilization, he stole his father’s keys to the motorcycle, and in the forest, he steals Madeline’s keys. These acts can be read as parallels, for in both cases, he is trying to regain his freedom from an oppressive and dangerous force in his life. Daniel initially aligns himself with Ciara, who is the kindest friend he has known, but he also follows Madeline’s lead when the doppelgänger of John tries to enter the coop. Turning on Madeline is “an impetuous act” that illustrates his status as “the weakest of them” (110, 128). 

After the incident with Madeline’s keys, Daniel regrets his rash action and tries to regain the group’s trust. By this point, he is cowed and is willing to do anything the others ask, including smashing the concrete above the shipping container with a giant boulder. He experiences some joy and hope when they discover the food. However, at the end of their escape, Daniel is fooled by a watcher pretending to be John. This is due to the guilt that he feels for siding against Ciara and with Madeline when the group prevented John’s doppelgänger from entering the coop. However, Daniel’s mistake does aid the others in their escape; several watchers focus on him instead of on the others, who board a boat and escape on the river. Daniel is mourned by Ciara and Mina for the rest of the novel.

Other Characters in the Forest

One minor character is John, Ciara’s husband. He dies in the Prologue while trying to run out of the forest to find help. He studied the area intensely and tried to map out his escape. He makes the attempt alone because he feels guilty for suggesting that he and Ciara go to Connemara in the first place. Because Ciara continues to talk to John after his death, he remains a ghostly presence of memory throughout the novel.

Another minor but vital character is Professor David Kilmartin, the man who first built the coop and brought in the shipping container. During these construction projects, Kilmartin left the workers to be killed by watchers every night while he hid in the container. This makes him a clear antagonist. He also trained a watcher who can endure the sun (Madeline) to imitate his dead wife, and he gave her the coop so that she could protect herself from the rest of her kind, given that her day-walking abilities make her an outcast. Kilmartin left a video on his computer, and this gives the group information about how to escape. Kilmartin himself never used the escape route because he broke his ankle; the watchers killed him long before the other humans ever arrived at the coop. It is his boat that Ciara, Mina, and Madeline use on the river.

Residents of Galway

Peter, the bartender at Mina’s local pub, sends Mina to deliver the parrot. He claims that the task will be easy money, and Mina recalls this statement frequently while she languishes in the coop. At the beginning of the novel, Peter is a “true-blue drunkard” who drinks all the time (73). When Mina returns to Galway, she finds that “Peter [i]s sober” and that “[s]ome things obviously ha[ve] changed in [her] absence” (300). While Peter is a minor character, he is not a static one; he evolves over the course of the novel, serving as an example of how much can happen in a couple of months.

At the beginning of the novel, Mina frequently draws a woman whom she dubs “the android” due to the woman’s habitual lack of expression. The unnamed woman’s “face [i]s flawless; sharp and symmetrical, with alabaster skin so smooth that it ha[s] to be synthetic” (16). She stands out to Mina in the crowds because of her lack of emotion. Mina describes the “the android [as] expressionless, and altogether indifferent to the comings and goings around her” (306). When Mina later returns to Galway, the android stares at her, and Mina thinks it could be Madeline. However, she learns that the android is a different watcher, and the figure’s recurring presence signifies that there are other watchers living among humans.

Jennifer, Mina’s sister, is judgmental of Mina’s artistic endeavors and extracurricular activities, so Mina avoids her calls. In a voicemail, Jennifer says that their dead mother would be disappointed in Mina, and she says that she won’t contact Mina again because she isn’t answering her phone. This is an honest statement; Jennifer doesn’t try to contact or find Mina while Mina is trapped in the forest. When Mina calls Jennifer after escaping the coop, Jennifer is even more judgmental and cruel. She complains that Mina didn’t call on Christmas, and Jennifer also reveals that she only calls Mina because she had promised their mother that she would. Mina is sworn to secrecy about the coop and cannot explain her long silence, but Jennifer offers no kindness or empathy. Mina goes no-contact with Jennifer after this conversation.

An unnamed character who briefly appears in The Watchers is a bus driver. This man “ha[s] the kindest eyes” and allows Mina, Ciara, and Madeline to board with the tourists he is driving around (228). He takes them from Connemara to Galway and gives them food and water during the journey. This man is an archetype of the good Samaritan; he helps others without asking for anything in return.

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