36 pages 1 hour read

The Tell-Tale Heart

Fiction | Short Story | Adult | Published in 1843

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Character Analysis

The Narrator

The person telling the story remains a mystery. The reader has no knowledge of the narrator’s gender, age, name, or relation to the victim. It is tempting to assume the crime was committed by a younger man, but there is no textual proof to support such an assumption. Scholars like Gita Rajan actively argue that the murderer is a woman, but the fact that the narrator is able to dismember the body and personally brings chairs for the policemen into the bedroom suggests a man, not a woman. In the mid-19th century it was unlikely that three policemen would stand around waiting for a woman to move the furniture. Nevertheless, if Poe had wanted to clarify the matter of gender, he could easily have done so by including some telling detail. Consequently, the narrator is meant to be completely anonymous, possibly to allow a wider range of readers to step into their shoes. This choice also suggests that women, as well as men, are capable of displaying sociopathic tendencies and committing gruesome crimes.

Additionally, the narrator repeatedly states that they suffer from “nervousness” caused by a disease that sharpens the senses. Such an ailment is often associated with Poe’s characters, such as Roderick Usher in “The Fall of the House of Usher.” While the narrator believes this condition to be beneficial, it ultimately causes their obsessive behavior and irrational hatred, leading to murder.

The Old Man

There is very little known about the murder victim, except that he is an aging man who presumably has only one eye, and who is most likely blind. The narrator never mentions a second eye, leading to the supposition that it might be missing. Additionally, the white film covering the blue pupil, described by the murderer, indicates cataracts or some other disease. Since the man does not react to the light shone into his open eye on the eighth night, it is likely that he is blind.

The old man’s advanced age and presumed infirmity suggest that the narrator is there to help care for him. The victim is also the likely proprietor of the house, since the mention of his gold suggests wealth. Such guesses, however, leave much room for theorizing about the relationship between the two characters, and since the story’s publication, there have been many varied readings offered by a range of scholars. It is equally possible that the old man is the murderer’s father (or father figure), mentor, relative, or employer. If the two men are interpreted as relatives, the murder could then be seen as the fulfilment of a forbidden or repressed impulse for patricide. Some scholars, such as Robert M. Kachur, have even suggested that the narrative is a displaced enactment and retelling of incest trauma.

If, however, the characters are viewed as employer and employee, the story can be read as an extreme case of class struggle. Additionally, if the narrator is envisioned as a woman, the crime could take on a gendered aspect.

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