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As Chess and Emma go to the basement to change the cat litter, Finn goes upstairs to look for the cat, Rocket. Under orders from her mother to keep an eye on him, Natalie follows Finn. When he finds Rocket under his mother’s dresser, he also finds her phone charger still plugged in. Even more disturbing, her phone is still attached. As far as Finn knows, she has no way to contact them without it.
Emma and Chess run upstairs when they hear Finn’s cries. Finn asks how their mother could have texted Ms. Morales without her phone. Natalie’s attempts to explain it logically fall on deaf ears. Chess and Emma defend their brother, agreeing with Finn that something is definitely wrong. Their distress breaks through Natalie’s boredom, her demeanor turning into something resembling sympathy, and she agrees to help. Emma, the only one who knows her mother’s passcode, unlocks the phone, and Natalie tries to determine if the text came from a different device. She finds a series of messages, prewritten, set to be sent at various times over the next week. The final message says, “I have to stay away for good, to protect them” (87). She adds that she will mail Ms. Morales a letter with a full explanation for the kids, “when they’re ready” (87).
Emma suggests that perhaps their mother needs their help, not the other way around. They resolve to find the letter now rather than wait a week for it to arrive by mail. The children search the house for their mother’s laptop, concluding that perhaps a draft of the letter exists on its hard drive. As Chess ponders a future without their mother, he reassures himself that it’s all a misunderstanding. The alternative is too awful to contemplate.
While Finn searches his mother’s closet for clues, Natalie stays close by his side, looking for a way to help. When Ms. Morales pokes her head in the door and tries to hurry them along, Natalie stalls her, giving the kids more time to search the house and proving herself an ally. She instructs Finn not to tell Ms. Morales about the final text message. Finn wants to run into Emma and Chess’s arms, but he stays in his mother’s closet, inhaling the smell from her clothes.
Emma explores the basement and finds her mother’s office—which they call the “Boring Room”—locked. She retrieves the key from its hiding place in the leg of the couch. Before she opens the office door, Chess calls from upstairs; they found their mother’s personal, not-for-work laptop. Emma is relieved. The Boring Room spooks her a bit; when her mother is working in there, she seems different. Despite her reservations, she unlocks the door and enters her mother’s office to look for clues. In one of the desk drawers, she finds her mother’s work computer. Without her phone or her laptop, it seems unlikely that she is on a business trip at all.
As they leave the house, Natalie reminds them not to tell her mother about the last text. “‘Mom will go crazy,’ Natalie said. ‘She’ll call social services and the police and the FBI and the TV news’” (104). Although Finn wonders why that would be such a bad idea, Natalie is adamant. Once inside the SUV, she reverts to her surly teenager persona, complaining about having to take the time to help “this little boy find his lovey” (106). A quick wink to the kids in the back seat, however, suggests it’s all an act. Ms. Morales promises the kids pizza for dinner, but none of them can muster much excitement for it. Once they are settled in the Morales’s home—a “mansion” compared to theirs—Natalie and the kids conspire to meet in Ms. Morales’s office after she goes to bed.
Later that night, Chess, Emma, and Finn meet Natalie with the laptops and phone. Natalie informs them that, aside from her job as a realtor, her mother also moonlights as a private investigator, mostly gathering evidence on cheating husbands. Chess is certain that the Joe his mother spoke to the night before is not a boyfriend. Checking his mother’s phone, Chess finds all of her texts, emails, and phone calls are deleted. Next, they check the laptops, and Emma discovers a file labeled “FOR THE KIDS.” When they open it, they find a few brief sentences from their mother prefacing an explanation, but the rest of the letter is “gibberish.”
As Finn, Emma, and Chess tumble deeper into the mystery, they are uncertain whom to trust. The situation is complicated further when appearances are not what they seem. Natalie, at first glance a bored, sullen teenager, suddenly appears helpful and interested. She follows close on Finn’s heels, never letting him out of her sight; she tries to help the kids search through their mother’s phone for clues; and she arranges a furtive meeting after her mother goes to bed. All the while, she implores them to keep everything a secret from her mother, a private investigator on the side. Despite her attempts to help, however, the kids still distrust her, clinging to their first impressions of her as a disinterested party more concerned with her phone. When she asks to peruse their mother’s phone one more time, Emma cries, “You stay away from Mom’s phone” (113). Chess finds her patronizing and wishes she would leave and let them handle it themselves. It is possible they are letting their panic get the better of them, not recognizing an ally when they see one; but it is equally possible that their instincts are correct: that Natalie is not what she claims and shouldn’t be trusted.
In these chapters, Haddix intensifies the mystery, dropping clues like breadcrumbs along the narrative path. Each encounter and moment along the way, from the news about the kidnapping to the sudden “business” trip to the discovery of the cell phone and the laptop, drags the kids deeper into the mystery. Circumstances become so bizarre and unsettling that Emma even considers the possibility that they must assume the parental role and save their mother. These revelations create intrigue and reveal additional layers of character. Emma, the logical and brave one, is afraid to open her mother’s letter. She worries it might reveal a truth she cannot explain away logically. Chess, defensive in the face of Natalie’s implication that his mother might be fleeing a dangerous boyfriend, abandons his usual civility and stands up to Natalie. At the same time, the kids’ collective fear erases their usual sibling rivalries and bonds them into a single investigative unit with one driving motivation: to find their mother and get to the heart of the mystery.
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By Margaret Peterson Haddix
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