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Nassun and Schaffa’s monthlong journey to the transport station is uneventful. Nassun enjoys the time alone with Schaffa, and she decides to help him with the pain caused by his corestone by secretly feeding it some of her silver while he sleeps. She can only give him tiny amounts without making herself tired the next day, but it helps, and she feels proud to ease his suffering.
The station entrance is in the middle of a caldera that has been swallowed by a forest. They take Steel’s advice not to enter the forest at nighttime, and in the morning, Nassun is more clearly able to sense that the station is a deadciv ruin under the caldera, in what would have been the volcano’s magma chamber. She is astonished at how huge the city must have been, and Schaffa tells her that while he has not been to this ruin, he has been to others like it, and it was where the obelisks were made. He also explains the ruin was destroyed in the Shattering, which was akin to 100 Seasons all at once. Nassun wonders if he was alive back then, but he suspects not.
Fighting through the forest to get to the center of the caldera is hard work, but Schaffa forces them onward because they do not want to get caught out after dark. Along the way, Schaffa reveals that the station they are heading to is one of the ones guardians use to leave the Stillness each Season and that it takes them to a place called Warrant.
When they finally reach the station entrance, Schaffa seems to remember how to use it. An entrance that curves down into the ground beneath them opens, and a noise in the nearby forest hastens them to enter the tunnel.
Hoa claims that his memory of events is improving as he retells the story.
Going outside for the first time initially overwhelms the tuners, as they are suddenly forced to use senses they normally ignore. They settle down once they see the amethyst obelisk in full for the first time; Houwha feels irrationally proud of the obelisk.
As they walk to the first site Kelenli wants to show them, Houwha begins to feel embarrassed that he and the other tuners are standing out so much and he tries to emulate Kelenli, who fits in. The first stop is a building, unlike the rest they have seen in Syl Anagist. Houwha describes the building as being dead, as it is made of brick, concrete, and marble, rather than the genetically engineered cellulose that the rest of the city is constructed from. It is also not connected to the city alarm grid, and the tuners fear that the building is not structurally sound or safe to enter.
Kelenli convinces them to enter. They walk past rows of exhibits displaying relics from the past on the way to the thing they came to see. At first, Houwha thinks it is another Plutonic Engine, though much smaller. However, after further inspection, both visually and with his sessapinae, he is astonished by its elegance. He comments that it is more efficient and powerful than the Plutonic Engine they are a part of, and the object confuses him because it produces more energy than the magic being fed into it. Moreover, the only purpose he can surmise for the object is that it exists to be beautiful. This realization frightens him, and Kelenli encourages him to think about why she has brought them to see it. Eventually, he realizes that because the object has no purpose or function, it could not have been created by the Sylanagistines. When he asks Kelenli who created it, she simply replies, “You,” and promises to show them more.
Ykka accepts Maxixe and his group, despite their serious ailments, because they bring supplies, knowledge of the area, and orogenic expertise with them that will help her people survive. Essun has fully recovered from her coma and struggles with the urge to go chasing after Nassun, but she stays with the Castrima group because she doesn’t know where Nassun is and wants to ensure there is a home for her to go to once she finds her.
Hoa eats Essun’s left breast, which had turned to stone after using orogeny when she found Maxixe. Afterward, he informs Essun that Nassun is planning to use the Obelisk Gate as well and that he thinks he knows where she is going. Furious that Hoa had been keeping this from her, Essun demands to be left alone, but before he leaves, Hoa tells her that Nassun killed Jija.
Hoa transports Essun through the earth to the place where Jija died. While checking out the Found Moon compound, Essun is approached by a young man from the village nearby. Essun pretends to be a Guardian, and the man catches her up on everything that has happened there. The revelation that Schaffa is not only still alive but also with her daughter causes her so much horror and fear that she almost loses control and kills the man. The man says that Schaffa seemed affectionate and protective of Nassun.
Essun realizes that the Fulcrum Schaffa has set up is different from the ones at the original Fulcrum. She also realizes that he protected Nassun from Jija and that even after witnessing her use an obelisk, he did not kill her. She recognizes that Schaffa is giving Nassun a form of love that neither she nor Jija did. After the man from the village leaves, it dawns on Essun that she has turned Nassun into a version of herself. This makes her terrified of her daughter. She realizes she does not want to go near her ever again.
Essun begins to question what purpose she has left, and Hoa tries to comfort her by reminding her that she has her life, a comm, and a new home once they reach Rennanis. He then reminds her that he cannot die, suggesting that it is safe for her to love him.
Nassun and Schaffa continue to walk through the underground tunnel they have entered. When they stop to rest for the night, Nassun asks Schaffa about Guardians and their purpose and tells him she thinks they are awful. He responds that he used to love the orogenes under his care—or he believed he did—and the cruelties he committed were to keep them safe because the alternative was genocide. He admits that this happened anyway, but because orogenes are essential for everyone else’s survival, they cannot be permitted to die out completely, nor can they have any choice in the matter. Instead, they needed to be turned into tools. Nassun realizes that this did not happen by chance but was made to happen by the Guardians throughout history. She considers the immensity of the hatred and suffering orogenes are subjected to, and the impossibility of overcoming it, and feels even more certain that the only path forward is to destroy the world.
When they finally reach the bottom of the cavern, Steel is waiting for them. He informs Nassun that the transport system he told them about is non-functional and needs power. Steel tells her to go inside the archways and to provide power at the root. Nassun doesn’t understand but goes ahead with Schaffa anyway. Their new path leads to a giant column that is wrapped in a ropelike twist of vines. Most of them appear dead and decaying, but one looks like it might still be alive. Nassun reaches inside it with her orogenic senses and discovers that it is alive, but also mechanical and artificial. Where the magical silver should be are what she perceives as negative spaces that can be filled. She realizes that the vine is pulling on her more and more and understands this is how she can power the system. To ensure the vine does not completely drain her, she reaches to the sapphire to channel its power.
After she has filled the vine with silver, the cavern’s lights come on, and a large, iridescent beetle-like vehicle comes toward them, floating down a track. The vehicle appears to have skin and to be alive, though it flickers between solidity and translucence like an obelisk.
Steel appears and confirms that if she had not used the obelisk, the process would have killed her. He also implies that Schaffa should have been able to do it, which causes Nassun to get very emotional. She feels like it is her fault that Schaffa has lost everything he had, including his old Guardian powers. He reassures her that it is not her fault but is almost overcome with the pain of his corestone. Nassun tells him that he is not her Guardian anymore, but her new father, and that he has to let her protect him sometimes.
Steel warns Nassun that it is a mistake to bring Schaffa with her, but she ignores him, and they enter the vehicle together.
On the way to the next site, the tuners face abuse from passersby, only some of which they understand. One man even tries to attack them. Houwha realizes that he is not normal by Sylanagistine standards, and feels less proud of what he is, but does not fully understand why.
Kelenli shows them through a house she claims to occasionally live in, and seeing the comfort, décor, and color of the different rooms makes Houwha realize that his room back at the complex is actually a prison cell. Kelenli takes them into a small brick house in the garden. After looking around, Houwha realizes that this must be her home.
Kelenli explains her history: She grew up with Conductor Gallat and was told that they were siblings. In reality, she was an experiment and he was the control. She was not told that she was different, and she did all the things normal Sylanagistine girls did, but her parents never treated her the same as Gallat. The goal of the experiment was to see if she could be human if she was raised by an ordinary, Sylanagistine family. The tuners are confused as to why she would ever be considered less than human, and Kelenli is surprised at how little they know, and resolves to tell them more.
Kelenli then gives the tuners a history lesson about how they came to be and why they are hated by the people of Syl Anagist. She explains that long ago, the Stillness was made up of three distinct landmasses. Syl Anagist was a small part of one of these lands but eventually expanded until they covered the entire earth. One of the peoples they conquered along the way were the Niess. The Niess fought to protect their land but eventually were forced to spread out and assimilate around Syl Anagist, though they managed to keep their language and many of their customs alive. Some of their features—such as ashblow hair and icewhite eyes—also survived.
Problems eventually arose over their conflicting beliefs about magic. Syl Anagist was built on a foundation of magic, and they saw it as a valuable resource, whereas the Niess did not believe it was something that could be owned. They produced Plutonic Engines that existed just to look beautiful or be thought-provoking. This “art” ran more efficiently and better than anything the Sylanagistine had ever produced, and they responded by creating a culture of hatred and oppression that explained the Niess’ abilities with magic by dehumanizing them. They spread the idea that Niess sessapinae were fundamentally more sensitive to magic, but also less controlled and less civilized. Eventually, the Niess were wiped out, and it became clear that their rumored sessapinae did not exist, so Syl Anagist created the tuners, based on their exaggerated myths and lies, to justify their genocide and to finally make their old enemy useful in a way that was acceptable to them.
Kelenli tells Houwha that she brought them to this place and told them these things because she wants to continue the Niess tradition of being a lorist—a kind of cultural truth-teller. Houwha, confused and angry after having his entire worldview and sense of self upended by Kelenli’s history lesson, snaps at her that he does not want to know any of these things. She reminds him that while he is not what he thought he was, that does not change what he can do. Houwha asks what happened to the Niess, and Kelenli tells him they will find out tomorrow, as she is going to take everyone to see them in the morning.
Nassun and Schaffa’s journey to the transport station illuminates the Importance of Family and Community in a child’s life. Despite growing up in a family and a community, Nassun has never felt truly loved and accepted. That changes with Schaffa. First and foremost, Schaffa is caring and openly affectionate, whereas Essun was never affectionate with her, and Jija’s affection was always conditional. Schaffa also enjoys talking to Nassun and tries his best to answer any questions she has about him, the world, or the past. This was never the case with Essun or Jija, as Essun was always too tired to engage with her, and Jija’s temper made her too nervous to ask him anything. Perhaps most importantly, Schaffa does not fear her power. Essun had treated it as something to be hidden and controlled, and Jija had openly hated it. But Schaffa lets her explore and experiment, and eventually even accepts her offer to help him deal with his pain. It is important to Nassun that their relationship feels reciprocal because it goes a long way in making her feel like she is a person, not a monster. With acceptance and a sense of belonging, Nassun’s abilities grow.
This arc, which culminates with Nassun telling Schaffa that he is “not my Guardian anymore” but rather “my new father” (199), is juxtaposed with Essun’s realization that she will never have a close connection with her daughter again. Ironically, part of her decision to stop looking for Nassun is the realization that she turned Nassun into a version of herself. Essun is devastated by the discovery, but rather than falling into despair, she takes Hoa’s advice and recommits to ensuring Castrima’s survival. Together, Nassun’s and Essun’s revelations highlight the importance of community to provide a strong foundation of meaning and purpose against the backdrop of loss and suffering that is omnipresent and inevitable in the Stillness. Both their arcs also emphasize that family and community can be rediscovered even after rejection from biological family or childhood community. Though their native families and communities have profoundly harmed them, Essun and Nassun find a way to trust and love again.
Kelenli’s ability to facilitate the tuner’s outdoor excursion points toward the cracks in Sylanagistine imperial control. Unbeknownst to their captors, the tuners not only have complex inner lives but can use their abilities to speak to one another covertly. It never occurs to the conductors that the tuners might think, feel, or say things they do not know about because they see the tuners only as tools, and they cannot conceive of a world where they do not have total control. Kelenli plays off this arrogance to expose the tuners to ideas that will completely radicalize them. The trip with Kelenli reveals to the tuners their true role in the Sylanagistine empire and the systemic oppression they employ to achieve their goals. But she also shows them that there are ways to win some autonomy even in bondage.
Kelenli’s understanding of history provides her with a unique perspective on the role that knowledge and (mis)information can play in social control, given her position as a being created for subordination and oppression. Knowing the role that lies and myth played in justifying the Niess genocide, she commits herself to continuing the Niess tradition of truth-telling as a lorist. By exposing the truth to the tuners, she hopes to provide them with context that will allow them to make an informed, autonomous decision about how to proceed. Ironically, while Kelenli preserves the lorist tradition with the intent of fighting oppressive power with the truth, lorists will later become a pawn of those of the people she seeks to resist, used to spread anti-orogene ideology and twist the truth and history so that it serves those in power.
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By N. K. Jemisin