19 pages 38 minutes read

The Spider And The Fly

Fiction | Poem | Middle Grade | Published in 2002

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Further Reading & Resources

Related Poems

The Spider and the Fly” by Thomas Hudson (1824)

This piece from Hudson’s 1824 collection, Comic Songs, bears a striking similarity to Howitt’s poem, including the identical first two lines. Hudson’s song has, like Howitt’s, a didactic tone and depicts a fly dangerously seduced by a spider. However, for Hudson, the spider is an anthropomorphic version of Pleasure, whose victims are male. Hudson’s victim is less sympathetic than Howitt’s and is blamed for being preyed on: “‘Tis vanity that ever makes repentance come too late, / And you who into cobwebs run, surely deserve your fate” (Lines 31-32). Howitt perhaps adapted this work, reversing the genders of the main characters to create a cautionary tale for a female audience.

As explained in the notes, Hudson’s poem was “highly popular throughout the 19th century, and was widely printed.” Its chorus was later borrowed by Lewis Carroll for the “Lobster-Quadrille” in Alice’s Adventures in Wonderland (1865), along with Howitt’s version.

In Alice’s Adventures in Wonderland (1865), Carroll pokes fun at many of the rhymes that Victorian children were forced to memorize for their moral value, including Howitt’s poem. While Carroll’s poem is a parody, it is not strictly satirizing Howitt. Carroll intertwines elements of Howitt’s poem and Thomas Hudson’s 1824 song to create his own composition. In Carroll’s version—which begins, “‘Will you walk a little faster?’ said a whiting to a snail” (Line 1)—the whiting fish is urging the snail to join the quadrille. However, the lines are darkly comic instead of cautionary: Snail knows this dance will cause certain death as he will land in “France” (Line 15), famous for serving escargot. Carroll would also go on to create a later poem, appearing in Through the Looking-Glass And What Alice Found There (1871), called “The Walrus and the Carpenter,” in which the title characters dupe “four young oysters” (Line 42) to go on an outing that ends in them being devoured. This illustrates how the subject matter of innocents being taken advantage of was a common theme in literature of the time.

The True Story of Web Spinner” by Mary Howitt (1834)

This is another long poem, written in couplets, which anthropomorphizes a spider character. The Old Web Spinner lives “an evil life,” preying on others ranging from an ancient widow of a moth to a noble bluebottle fly. The old web spinner’s house is described in a similar way to that of the spider in “The Spider and the Fly”—“Up in his garret dark he lived” (Line 7). And like the spider of “The Spider and the Fly,” the old web spinner gets away with his terrible deeds—“dismal cries were often heard” (Line 9). Eventually, his house is burned down by local law enforcement, but not before he escapes. This poem also appeared in Sketches of Natural History.

Further Literary Resources

Studies in Reading by J. W. Searson and George B. Martin (1913)

In this textbook complied in 1913, the editors note that “some readers have felt that [Howitt’s poem] offers a splendid opportunity to study spiders and flies” and should be taught in that vein. However, these editors recognize the story as a parable, noting that Howitt’s poem “has far less to do with insects than with people,” and that “[if] these are mere insects, no keen interest would attach to the story.” They hint at the transgressive nature of Howitt’s writing, suggesting that she “let these innocent insects speak to us a message we would refuse to hear from human lips.”

A Decade of Web Weaving” by Tony DiTerlizzi (2012)

“The Spider and the Fly” found new life nearly 175 years later when illustrator DiTerlizzi illustrated it as a children’s book in 2002. DiTerlizzi’s version became a best seller, received a Caldecott honor, and helped restore Howitt to the public eye. This version is widely known among contemporary audiences and sets the poem against a backdrop of illustrations that conjure 1920s silent films. In this essay on his website, DiTerlizzi discusses his artistic choices and the other artists he drew inspiration from.

Spider Webs: Not Just for Halloween” by Lisa Hendry (2024)

In this article for London’s Natural History Museum, Hendry explains the habits of spiders, including the common orb-weaver. Reading these details show that Howitt did ground her descriptions in entomological fact. The “winding stair” (Lines 3, 6, 39) is probably a description of a stabilimentum in an orb-weavers web, a photograph of which is included in the article. Hendry also describes the wrapping of prey in silk. While green bottle flies aren’t in this description, flying insects are common prey for orb-weavers.

This entry for the Dictionary of Literary Biography details the lives of married writers William and Mary Howitt, their relationship, and literary reputations. Jones explains the social circles in which they moved in England and draws attention to Mary’s translations as well as her poetry, especially “The Spider and the Fly.”

Listen to Poem

In September 2020, during the pandemic, the Gotham Group “Gotham Reads” series presented Tony DiTerlizzi reading his illustrated copy of The Spider and the Fly. DiTerlizzi acknowledges Howitt’s creation of the poem in 1829. The performance is geared to child readers and DiTerlizzi employs different voice characterizations.

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