30 pages 1 hour read

The Significance of the Frontier in American History

Nonfiction | Essay / Speech | Adult | Published in 2009

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Literary Devices

Metaphor

A metaphor makes a direct comparison between two unlike things, stating that one thing is another. Metaphors serve to make abstract concepts more tangible and accessible to readers, or to introduce multiple ideas simultaneously.

Turner consistently employs vivid metaphors throughout his essay comparing frontier expansion to natural forces like waves, tides, and vital energies: “the frontier is the outer edge of the wave” (3). This metaphor conveys the perceived inevitability of westward settlement through the relentless motion of waves. Waves also evoke a cyclic process, fitting Turner’s view of the frontier’s perpetual remaking of American society.

Turner further compares growing settlements to “germs” (3) using organic metaphors to characterize expansion as instinctive and beyond human control. By framing the frontier in terms of natural processes and organisms subject to biological urges, Turner lends a scientific aura to his thesis that settling the frontier was the prime agent shaping American character and democracy.

Appeals to Authority

Rhetorical appeals to authority involve citing the opinions of experts and authoritative sources to strengthen one’s own credibility and arguments. Moreover, appeals to authority can serve to contextualize an argument within a broader scholarly or professional discourse, linking the argument to established theories, findings, or consensus within the field. This not only strengthens the argument but situates arguments within a larger narrative or discourse, thereby enriching the audience’s understanding and appreciation of the subject matter.

Appeals for authority are an essential component of academic writing: Turner’s piece frequently appeals to authoritative historical figures, documents, and data to bolster his frontier thesis. For example, he references the superintendent of the 1890 census to frame the closing of the frontier as an authoritative historical fact rather than his own contention (1); he later cites the Louisiana Purchase treaty to demonstrate federal interest in expanding the frontier (25). These historical and political references ground his arguments in verifiable historical evidence, appealing to the audience.

Additionally, Turner also invokes recognized explorer figures like Daniel Boone in order to exemplify the quintessential frontiersman identity he describes. Furthermore, quoting politician John C. Calhoun provides an authoritative source validating the rapid pace of westward settlement. These appeals seek to strengthen Turner’s credibility by aligning him with (at the time) respected figures and establish shared definitions and concepts with his audience.

Turner also uses statistics extensively, including settlement density per square mile from census records to provide scientific, factual evidence tracing the frontier’s westward march. Turner marshals these authoritative historical sources to present his perspective as the educated, rational view—lending scholarly weight to his rhetorical frontier narrative.

Contrast

Contrast refers to the juxtaposition of opposing or markedly different ideas, characters, objects, or language for rhetorical effect. Through the lens of contrast, Turner illuminates the stark dichotomy between the structured, conservative ethos of the eastern Atlantic coastal regions (as well as Europe) and the untamed, opportunistic, individualistic spirit emblematic of the frontier West. This juxtaposition is a consistent rhetorical strategy through which Turner explores and emphasizes the transformative essence of the American frontier.

Turner frequently employs vivid contrast between European “civilization” and the “primitive” frontier West. He states the wilderness “finds him a European in dress, industries, tools […] and thought. It takes him from the railroad car and puts him in the birch canoe” (4). The vivid imagery of a European shedding his conventional attire and means of transportation to adapt to the exigencies of frontier life encapsulates the metamorphic journey from European conformism to American individualism—a transformation orchestrated by the contrasting environments of the frontier and the East. This contrast between refinement and ruggedness dramatizes the frontier transforming European immigrants into becoming rugged American individualists.

Turner later contrasts conservative Eastern interests trying to restrict expansion against the irresistible demands of frontiersmen hungry for land (26). Turner’s European, Indigenous, and American contrasts sharpen his portrayal of the frontier as a wild, transformative “free” American domain distinct from the tamed eastern Atlantic coast—and European—society.

Turner’s contrasts extend to Indigenous populations, whose existence and interactions with the settlers he uses to delineate the chasm he sees between the established societal norms of the Eastern United States and the formative, fluid societal structures evolving in the frontier. These contrasts are often discriminatory in nature, suggesting not a different style of civilization but an absence of civilization in Indigenous communities.

Allusion

An allusion is a subtle or indirect reference made within a text to another text, event, person, or cultural product, operating under the assumption that the reader will recognize and understand the connection between the two. This literary device relies on the reader’s prior knowledge or familiarity with the external reference, thereby creating a layered meaning or enriched understanding of the text at hand. Allusions are common in academic texts as they rely on shared, often expert, knowledge. The use of allusion can serve various purposes including emphasizing a particular point, drawing a contrast, creating a particular mood or tone, or establishing a link between the text and broader literary, historical, or social themes. By invoking external references indirectly, allusions invite readers to engage more deeply with the text, encouraging a more active and interpretive reading experience.

Turner regularly uses allusions to frame his frontier thesis within the context of recognized historical and literary figures. For example, his line alluding to the Communist Manifesto likens frontier expansion to an inexorable historical force (1). This allusion casts westward settlement as integral to America’s development, on par with class struggle in Marx’s view of history. The subtle nod to The Communist Manifesto associates the relentless force of frontier expansion with the equally inexorable class struggle delineated by Marx. Through this allusion, Turner underscores the historical significance and the deterministic essence of westward expansion, aligning it with fundamental sociohistorical forces leading in this case to The Frontier as a Source of National Character.

Turner also alludes to prominent explorers like Daniel Boone and Lewis and Clark to exemplify the quintessential pioneer spirit. References to politicians like Thomas Benton and Andrew Jackson link his thesis to authoritative viewpoints on expansion. When alluding to influential political figures such as Thomas Benton and Andrew Jackson, Turner intertwines the American political discourse surrounding United States expansion with his defining frontier thesis. In referencing emblematic figures like Daniel Boone and Lewis and Clark, Turner invokes the pioneering spirit and exploratory zeal that characterized the American frontier. These allusions serve as personifications of the quintessential frontier ethos, embodying the adventurous, self-reliant, and trailblazing attributes that defined the American character amidst the wilderness of the unknown.

Turner’s allusions give credence to his interwoven arguments, aligning the frontier narrative with the authoritative political stances on westward expansion, thereby enriching the discourse on the varied but related dimensions of the American frontier expansion.

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