Me’s father, a psychologist known for his harsh and unorthodox parenting methods, akin to behaviorist experiments, with the goal of connecting his son to his racial identity. He is both a community therapist and an antagonist in Me’s journey.

An antagonist to both F. K. Me and Me, he is a self-serving figure who uses the community as a means to personal gain, exploiting the belief that one Black person can speak for all. His rivalry with F. K. surfaces through intellectual and personal confrontations.

A former child actor who becomes Me’s self-imposed slave, acting as his sidekick. Their partnership leads to the restoration of segregation in Dickens, encapsulating layers of performative symbolism around issues of race.

Me’s long-time romantic interest, who is confident and independent, boldly managing her roles on and off the bus she drives. She influences Me personally and professionally, embodying strength and overt sexuality.

An assistant principal at Chaff Middle School, she supports Me’s controversial changes in the school’s system. Though caught in the story's irony, she plays a crucial role in facilitating the narrative’s climax.

Characters in the narrative who underscore the theme of sexualized women, both having intimate interactions with Hominy. Topsy participates in skinny dipping, while Laura Jane is hired for a birthday event, symbolizing temptation.

A gang leader who supports Me’s actions in Dickens and is associated with the democratization of knowledge in the community. He stands out with his sophisticated dialogue and contributions to the local intellectual group.