49 pages 1 hour read

The Secret Keeper of Jaipur

Fiction | Novel | Adult | Published in 2021

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Part 4, Chapter 17-Part 5, Chapter 23Chapter Summaries & Analyses

Part 4: “The Collapse” - Part 5: “After the Collapse”

Part 4, Chapter 17 Summary: “Malik”

Malik relates the aftermath of the theater collapse. A balcony’s columns give way, killing two people and injuring 43 more: “I can see that two columns supporting the balcony gave way, sending several rows—maybe fifteen, twenty seats—to the ground floor. These are the seats that landed on the audience sitting directly below” (196). Malik works to help the injured until one o’clock in the morning. As he sorts through the rubble, he finds some decorative brick that’s lighter than it should be—and the bricks have indentations in their centers, which makes no sense. Samir is there, too, assisting the police. He asks Malik to take Sheela home since Ravi is nowhere to be found.

Back at her house, Sheela offers Malik a drink. Given their last flirtatious encounter, he’s wary but accepts the offer. They talk and drink for a while until Malik suggests that Sheela should relax by taking a bath. He’s about to leave but fears that Sheela might accidentally drown because she’s groggy from too much alcohol. He bolts back upstairs but finds her washing her hair while naked. She asks Malik to help her, and he does so.

They continue to discuss the theater collapse, during which Sheela hotly defends her husband, saying it isn’t his fault: “He’s very good in math and material sciences. He understands how buildings work, and how to make them strong. There’s no way he’d have anything to do with the disaster” (205). As Malik prepares to leave, Ravi enters the house. He accuses Malik of taking sexual advantage of his wife. Malik registers the falsehood and the hypocrisy of the complaint, given that Ravi has just returned from a visit to one of his mistresses.

Part 5, Chapter 18 Summary: “Malik”

The following morning, Malik tries to reach Lakshmi but learns that she’s on her way to Jaipur. This news encourages him. When he gets to the office, he finds the young Maharani Latika in conference with Samir and Ravi. Malik stops to talk to Manu, who’s fretting about the incident. Mr. Reddy, the theater manager, sold more tickets than the maximum theater capacity. Too many people on the balcony may have caused the collapse. Malik mentions the oddly shaped bricks that he found, but Manu brushes aside his concern, saying that the official inquiry will investigate the matter. Manu adds, “I hate what this is going to do to Kanta. To Niki. They’ve been so proud of me. Now...everywhere they go...people will ask them about what happened. The shame” (214). Because Manu’s signature is on all the official paperwork, he’ll be held responsible.

Malik then goes to Hakeem’s accounting office to make subtle inquiries about new material suppliers. He learns that Chandigarh Ironworks supplied bricks and cement at a steep discount when they should have supplied iron rebar for structural stability. After Hakeem leaves, Malik goes over the records thoroughly and finds that the ledgers have been changed: “Someone has doctored the information to match what should have happened—that more cement concrete should have been used to shore up the balcony” (221).

Part 5, Chapter 19 Summary: “Lakshmi”

Lakshmi arrives the next morning, and Malik goes to the station to pick her up. He confides his concerns about the ledger discrepancies and inferior materials. When he mentions the hollow bricks, Lakshmi’s attention is riveted. She says that she saw the brick manufacturing at Canara Enterprises and that the shipment was going to Chandigarh.

On the way home, they stop to watch one of Niki’s cricket matches, where Kanta meets them. Lakshmi takes stock of the 12-year-old, who’s really her sister’s son. She remembers the palace’s offer to adopt him. He might have been the next maharajah, but his mother refused to give him up. This deal was the reason that Lakshmi first became friendly with both the young maharani and the dowager maharani.

That evening, as a guest in Kanta’s house, Lakshmi learns how worried her friend is about Niki. Samir has been watching him at the cricket games and may suspect that Ravi is the boy’s real father. Lakshmi says that there’s nothing he can do because the adoption was legal. However, Kanta also mentions how concerned she is about Manu. People have begun to shun the family as rumors of his guilt spread. Lakshmi promises to talk to the maharani on his behalf.

Part 5, Chapter 20 Summary: “Malik”

The next day, Malik goes to the theater to watch the rubble being carted away. He pockets a few pieces of the porous brick and cement. Ravi sees him and becomes suspicious, but Malik gives such a plausible excuse that Ravi invites him to dinner that night. Later, when Malik arrives at the Singh home, Sheela greets him because Ravi hasn’t arrived yet. Samir comes in and asks Malik to have a chat with him in the study over drinks. The older man says that Malik should have come to him or Ravi for explanations about construction materials instead of going behind their backs. Malik thinks, “Samir and Ravi have no kinship to me. I’m the odd man out. Samir would like me to believe he has my back, but I know better” (245). Malik excuses himself and exits before dinner is served.

Part 5, Chapter 21 Summary: “Lakshmi”

Lakshmi presents herself at the palace for a chat with the young Maharani Latika. Twelve years earlier, Lakshmi helped the royal through a bout of depression when her husband disinherited his son and sent him away, adopting a new heir on the advice of his astrologer. The maharani receives Lakshmi graciously but is skeptical that the former henna artist can find proof of Manu’s innocence. She gives Lakshmi three days to come up with evidence because everyone’s pressuring her to punish someone for the accident: “This may be a private palace project, but we are always beholden to the public for our reputation. We have to take swift action” (255).

Part 5, Chapter 22 Summary: “Malik”

Malik places a call to Chandigarh Ironworks to ask about the invoicing on the theater project. He says he needs the figures right away, and the clerk agrees to telegram him the information that day. Meanwhile, Lakshmi tries to persuade Manu to let her help clear his name. He says that she might be trying to implicate the Singh family simply because Ravi impregnated her sister, and his mother destroyed her henna business by spreading rumors that Lakshmi was a thief. Lakshmi counters that she has put the past behind her.

Later, when Malik gets the information from Chandigarh, he finds that class-four decorative bricks were supplied instead of class-one bricks for load-bearing construction. Lakshmi speculates that Ravi is behind the scam rather than Samir, who could lose his reputation. Malik speculates that Ravi may have wanted to branch out on his own and get out from under his father’s thumb.

Part 5, Chapter 23 Summary: “Lakshmi”

That evening, Lakshmi goes to the house she built 12 years earlier in Jaipur. When she left town, Samir Singh bought the house. She has sent him a note requesting a meeting there because she wants to discuss the false construction receipts. To her surprise, however, Samir doesn’t arrive; his wife, Parvati, comes instead.

Parvati still thinks that she has the upper hand socially and that no one will believe the word of someone like Lakshmi: “Now you’ll leave my family alone, or you’ll have bigger things to deal with—more significant than whether Manu Agarwal is about to lose his job. And you won’t go spreading lies about my son” (271). Lakshmi leaves, discouraged by Parvati’s determination to hide behind her wealth and privilege. However, Lakshmi’s mood improves when she arrives back at Kanta’s house. The dowager maharani has written to invite Lakshmi to visit her at the palace.

Part 4, Chapter 17-Part 5, Chapter 23 Analysis

This set of chapters primarily concerns the aftermath of the theater collapse. Most of the focus falls on the theme of The Fear of Disgrace. As might be expected, project manager Manu feels personally responsible for the disaster, whether he deserves the blame or not. However, the larger issue is how he and his family will be perceived by their acquaintances in the city. Manu says that Kanta and Niki are already being socially shunned, and Manu may never be able to find another job. Clearly, the fear of disgrace isn’t an illusion because it has real-world implications for the Agarwal family’s future.

Lakshmi agrees to become involved, but her quest for the truth has less to do with getting to the bottom of the mystery than it does with restoring Manu’s reputation. The “gossip-eaters” of Jaipur hold great power in determining social and economic survival. Even the palace isn’t immune to the fear of losing credibility. Maharani Latika tells Lakshmi that she must find someone to hold responsible for the disaster in which a popular actor was killed. By implication, if she doesn’t, the populace will blame her for failing to take action: “Mr. Seth’s fan club and the movie industry are putting a lot of pressure on us, Lakshmi. This may be a private palace project, but we are always beholden to the public for our reputation. We have to take swift action” (254-55). All of Latika’s wealth and political influence are worthless when facing the loss of public goodwill. Lakshmi uses her own influence with the royal to win a stay of execution for Manu, even if it’s only for three days.

With Malik and Lakshmi joining forces in Jaipur, the two begin to recognize a connection between the smuggling operation in Shimla and a materials supplier for the palace contract. Their combined investigation foregrounds The Power of Secrets and highlights the theme’s associated symbol, gold. Members of the Singh family indirectly threaten both Lakshmi and Malik when they get too close to the truth. Malik’s inquiries about bricks and cement arouse the suspicion of Ravi, who tries to deflect guilt by accusing Malik of seducing Sheela. At about the same time, Samir uses a less heavy-handed approach to remind Malik that he owes his education and prospects in life to the Singhs’ benevolence. Malik reflects:

Samir would like me to believe he has my back, but I know better. I return his smile, keeping my gaze steady on his face. ‘Let me understand something. I’m here tonight because you wanted to remind me of our friendship? The very friendship that forced Lakshmi out of Jaipur?’ (245).

As the one who knows all the family’s secrets, Malik holds all the cards. He’s no longer overawed by the Singhs’ wealth and influence.

Lakshmi, too, is directly threatened by another member of the Singh household. In a parallel scene to one that transpired near the end of The Henna Artist, Parvati meets Lakshmi in the house that the latter built. Just as she did in the preceding novel, Parvati reminds Lakshmi that the Singhs wield enormous influence with the palace and with the social elite. Parvati’s words will carry far more weight with the “gossip-eaters.” However, Lakshmi has learned from prior experience and knows that she too has powerful allies:

I know this woman well. Parvati has the right to be high-handed just so long as she hides behind a curtain of wealth and privilege. I’ve seen her as few others have—when she was powerless—confronted with the sad reality of the philanderer she married and the reckless son she bore (271).

Her comment after this meeting with Parvati differs dramatically from her reaction during their first confrontation: “As I take a tonga to the Agarwals’, I ponder Parvati’s certainty; the might, and right, to be imperious is hers, and hers alone” (271).

Parvati might still be convinced that she holds the upper hand and can intimidate Lakshmi into keeping her secrets, but that’s no longer the case. By the time Lakshmi arrives home, she has received an invitation to visit the palace.

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