78 pages 2 hours read

The River Between Us

Fiction | Novel | Middle Grade | Published in 2003

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Symbols & Motifs

The Tignon

In history, the tignon is a symbol of free women of color in New Orleans. The status of free women of color existed in New Orleans before Louisiana was purchased by the US. Regardless of whether the city was controlled by the French, the Spanish, or the Americans, the government attempted to control and moderate the population of free Black women. In 1786, Governor Don Esteban Miró issued a law stating that free women of color were not allowed to wear hats. Custom demanded that women cover their heads, so free women of color adapted the handkerchiefs that were originally worn by enslaved women. The women learned to arrange the handkerchiefs artfully, and they were often embroidered with precious gems and flaunted feathers. They became known as tignons and became a symbol of racial pride and a reminder of prejudice against Black women.

In The River Between Us, the tignon symbolizes Delphine and Calinda’s pride in their heritage as free women of color. Tilly first sees a tignon on Calinda’s head when she and Delphine first step off the steamboat. If anyone in Grand Tower understood the significance of Calinda’s head covering, she and Delphine would have been recognized immediately. However, no one does, and Tilly is still unaware of the tignon’s significance when Delphine rips the tignon off Cass’s head in Chapter 6. Tilly has seen something similar to the tignon only in photographs of enslaved women and assumes that it is a sign of slavery. However, Delphine says that Cass has not earned her tignon. Tilly doesn’t yet know that Delphine is a free woman of color who takes great pride in her heritage, which is represented by the artfully arranged and beautifully crafted tignon.

Later, the tignon also comes to symbolize identification. Throughout the story, Cass begins to identify more and more with Calinda, who understands her prophetic gift. Cass imitates everything Calinda does and wants to be like her in every way, including her dress. Cass first wears a tignon in Chapter 6, but Delphine rips it off her head and threatens to throw it in the fire if she sees the tignon on Cass’s head again. However, when Delphine, Tilly, and Noah return to Grand Tower after the Battle of Belmont, Cass is wearing another one of Calinda’s tignons. Delphine says nothing this time, and Cass continues to wear the black handkerchief around her head. This demonstrates how closely linked Cass feels to Calinda.

The River

The Mississippi River symbolizes many things throughout the story. First, it is a physical boundary between the life Howard knows and his family history. It divides the past and the present, symbolizing the flow of time, which constantly moves forward no matter how hard anyone tries to stop it. The river also divides the North from the South. Ideologies shift drastically depending on which side of the river a character comes from. The river is dangerous and claims many lives, including those of the ghosts Cass sees in her visions. The river’s role as a grave and space of loss is also evident as the war rages: It holds Noah’s severed arm, along with many other soldiers’ amputated limbs, and Mama’s body. However, the river is also the source of Grand Tower’s trade, keeping the town financially viable.

The river also symbolizes Tilly, the one character who connects everyone. She holds her family together; her mother and her siblings rely on her to remain steady. She connects Noah and Delphine, arranging for them to sit together on the train from Cairo. Tilly also connects the past to the present by telling Howard about their family history, keeping the family flowing toward the future. Without Tilly, the novel’s plot would not exist, as Grand Tower would not exist without the Mississippi River.

Music, Lyrics, and Plays

Throughout the novel, music, song lyrics, and plays are motifs that reflect the political climate and emotional states of the characters. At the dance at the beginning of the book, Mr. Attabury calls the dances and invents lyrics such as the following:

Jeff Davis is a President,
Abe Lincoln is a fool,
Jeff Davis rides a big bay horse,
Abe Lincoln rides a mule (28).

Some people in the crowd cheer, while others boo, displaying their political affiliations and demonstrating the tense atmosphere of Grand Tower and the rest of the US. Similarly, the plays performed on the showboat in Chapter 6 are politically charged and significantly Union-leaning. Lincoln’s fictional daughters in the drama represent the Union and Confederate states, and the Confederate daughter is treated as a prodigal child. That same night, the calinda dance music is played, and Calinda performs a dance that is so foreign to Tilly that she finally understands how far from home Calinda and Delphine truly are. Both Delphine and Calinda cry, as the music reminds them of home.

Later, once the war begins, music and lyrics reflect the emotional states of the characters. The girls sing of home to the soldiers who are far from theirs. Tilly is especially drawn to the lyrics “Brother, draw thee close beside me, / Lay your head upon my breast” (91) and to a song that speaks of a soldier resting in his sister’s arms while sick and feverish. These songs convey the emotions of Tilly and the other characters more overtly than her narration does. Similarly, when the boats return from the Battle of Belmont playing a funeral dirge, the music expresses the feelings of the soldiers and their families: grief, fear, loss, and pain.

The Supernatural

The supernatural is a recurring motif from the first chapter of the book. While Howard and his brothers are traveling to Grand Tower, Dad sets the tone for their visit by describing Grand Tower as a ghost town, with a particular gray-haired ghost that runs across the road atop the Devil’s Backbone. From the start, there are hints of something otherworldly going on beneath the surface of the town. Multiple characters have supernatural abilities that allow them to see ghosts, the past, or the future. Cass is among these characters. She sees ghosts of explorers who died long ago. At the start of the book, she begins to see the future as well. She observes the aftermath of the Battle of Belmont long before it happens, telling Tilly she saw “All the boys […] Just boys, blown apart, blue and gray. […] Too young […] Boats burdened with them, and blood in the water behind” (22). Cass also experiences Noah’s loss of his arm through her visions.

While Mama appears to be a typical character, she later reveals that she also has supernatural gifts as well, but only when she is driven mad by her fear. She tells Tilly, “I know things. Where do you think Cass gets it? She gets it from me” (76). Even after Mama throws herself in the river, she remains a reminder of the supernatural because her ghost haunts Grand Tower and is seen running across the road near the Pruitt home, just as Dad describes it to the boys in Chapter 1.

Calinda is gifted with supernatural abilities as well, though she has more control over her abilities than do Cass and Mama. Calinda sees a coffin coming up the river, though she assumes it is Noah’s and not Paw’s. Calinda uses cards to ascertain the future. Instead of her gift exhausting her or causing her to struggle with mental health issues, she eventually uses it to establish herself in California. Prior to leaving Louisiana, Calinda also used her gifts to earn an income: “Calinda was what they call a conjure woman, down yonder in New Orleans. She could tell your fortune, you know, and there’d have been a market for that in the more built-up areas” (112).

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