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Back in the Reptile Room, Mr. Poe asks Stephano to explain why he lied about his level of snake knowledge. Stephano says he was being bashful before. Klaus says Stephano is a murderer, but Stephano says they don’t have any proof. At that moment, Violet appears with the items she found in Stephano’s suitcase: the syringe/needle, an empty vial of snake venom, and makeup.
Stephano objects that his suitcase was locked and the children shouldn’t have tampered with it. Mr. Poe says “nice girls” should not possess knowledge about lockpicking; Klaus retorts that Violet is nice and also possesses knowledge of many topics.
Klaus explains why the Mamba du Mal couldn’t have been the culprit: Uncle Monty’s body was pale, with no bruises. Violet then presents the evidence from the suitcase, demonstrating how Stephano must have drained the empty vial of snake poison into Monty’s body using the syringe and poked a second hole to resemble a snakebite. The boat tickets and Uncle Monty’s identification papers were also in Stephano’s bag, proving he was planning to pose as Uncle Monty and take the children to Peru. Lastly, Violet explains that the makeup was probably used to hide Count Olaf’s tattoo. Mr. Poe then uses his handkerchief to wipe Stephano’s ankle until the eye tattoo is revealed, proving to everyone that Stephano is Count Olaf after all.
Lemony Snicket points out that this book is not for small children’s entertainment, so it will not end with Count Olaf being imprisoned for life and a pizza party.
Mr. Poe finally believes the children, and Dr. Lucafont claims to be surprised at Stephano’s true identity. Count Olaf reveals that Dr. Montgomery’s former assistant, Gustav, didn’t actually quit; rather, Count Olaf murdered him so that there would be a job opening, allowing him access to the Baudelaires. Count Olaf vows that he’ll be back someday, at which point he’ll succeed at stealing the fortune and eventually killing the children. Mr. Poe says that won’t be possible because Count Olaf will be going to jail.
Mr. Poe and Dr. Lucafont then revert back to arguing about car arrangements for how they will take Count Olaf to the police station. They decide that Dr. Lucafont will take Count Olaf to the station, and Mr. Poe will stay with the children at Uncle Monty’s house for now. They’re about to leave when Sunny bites Dr. Lucafont’s strangely stiff hand, which falls off and reveals a hook underneath. This man is not a real doctor, but one of Count Olaf’s minions from his theater group. Klaus wants to chase after them on foot, but Mr. Poe says it’s too dangerous. The children beg Mr. Poe to go himself, but when Count Olaf and his minion take the car, Mr. Poe insists on calling the police instead.
The children fall asleep on the staircase and awake to men moving caged reptiles out of the house and into trucks in the darkness. A man named Bruce, who directs the Herpetological Society, explains to the children that the animals are all being sent to different places: zoos, scientists, and the like. The children are upset that Uncle Monty’s prized collection is being split up. Sunny doesn’t want to leave the Incredibly Deadly Viper behind, so Violet asks Bruce if they can keep that one as a pet, but he says no. Bruce also questions their uncle’s brilliance and makes fun of his name, which annoys the children. Mr. Poe tells the children to go to bed, but they disobey, hurrying outside in time to bid the reptiles goodbye.
There are 13 novels total in A Series of Unfortunate Events, and each one has 13 chapters in it. This is significant because of the general cultural symbolism behind the number 13, which young readers are likely to recognize because of superstitions like “Friday the 13th” being considered an unlucky or cursed day. Placing the Baudelaires’ adventures within this structure enhances the sense of doom and gloom throughout the series as well as the comic relief, because the “unluckiness” of the children is somewhat silly and absurd.
Although the novel overall highlights the distinction between perception and reality, Mr. Poe insists on a connection between the two and is absolutely unwilling to believe that Stephano is Count Olaf until he sees the tattoo with his own eyes. Even though there are several other clues to Count Olaf’s identity, without this most obvious proof, Mr. Poe remains unconvinced. This is part of Mr. Poe’s version of adult language and communication: He needs to see things in order to believe them. He requires “proof” and “evidence.” Fortunately, Violet intuits this need, prompting her to go find some and present it to him. Violet gives a speech and uses visual aids, presenting the findings of her and Klaus’s research to the adults as if they are scientific colleagues of hers.
The children feel triumphant after they expose Count Olaf’s identity and escape his clutches, not having to go to Peru with him after all. However, as in the previous installment of the series, the children never truly get a happy ending, and Count Olaf again escapes, promising to find them again. The villain is gone for now, but he has not been defeated or imprisoned and is thus still a danger that the children will surely encounter again. Nonetheless, the children still feel better having brought their uncle some sort of justice by proving who really killed him, even if this justice has not yet been addressed by the legal system.
These chapters round out the themes of The Importance of Teamwork and The Vulnerability of Children. The children’s circumstances will continue to be precarious. Yet as the children say goodbye to the snakes and their most recent home, they have a renewed sense of faith in their ability to protect each other, if not a renewed sense of faith in adults. They share a moment of hope and thankfulness for each other’s brilliance, which is what helps get all three of them through the series. Others might not always understand the children, similar to how Bruce does not understand Uncle Monty. However, that doesn’t mean they’re not brilliant. The children have learned to provide their own “light” when others, such as Uncle Monty’s, go out, with light symbolizing joy, knowledge, and a reason to keep trying. The fact that the children disobey Mr. Poe’s order to go to bed is also significant, because it illustrates that they no longer view him as at all capable of keeping them safe or knowing what’s best for them.
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