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That night, Sadie sneaks out of the girl’s dormitory and returns to the Hall of Ages to look at the images of the gods’ memories. She touches a picture and finds herself among the gods at Osiris’s birthday party. Set arrives bearing the box where he trapped Sadie’s dad and tells the crowd that the box will increase the power of the god who fits inside. The gods leap at the chance to use the coffin, but none of them fit. Finally, Osiris lies in the box, fitting perfectly. Before he can rise, the lid slams closed, trapping Osiris inside. Set next goes after Isis, Osiris’s wife, but she flees and transforms into a bird. Sadie’s perspective changes to Isis’s. She feels the goddess’s desperation and terror before a hand falls on her shoulder, dispelling the images. It’s Iskandar.
Iskandar warns Sadie about the power to get trapped in the images and asks what she saw. She tells him, and he explains how the gods act out the same squabbles over the centuries, just with different host humans to play the parts. Sadie has an important part to play herself, and Carter will need her guidance. If Sadie needs help, she should look to Zia, which doesn’t thrill her. At last, Iskandar says he’s told her enough and suggests she get some sleep. With a light touch to her forehead, Sadie falls “into a deep, dreamless sleep” (182).
Sadie wakes to Zia throwing a bucket of ice water over her. After drying off and dressing, she follows the other girl to the cleansing room, where Zia preps the siblings for magic by giving them water purified by Thoth and temporary tattoos on their tongues to help speak spells. From there, they go to the library, where Zia instructs Sadie and Carter to write words that they will turn into magic, adding that “the more powerful the magician, the easier it becomes to control the language” (189) and that they shouldn’t expect too much on their first tries. Carter draws the hieroglyph for sword and conjures a butter knife, and Sadie summons a pillar of fire that singes off Zia’s eyebrows.
Zia announces Sadie is ready to duel and summons a portal that takes them to Luxor, a city hundreds of miles north of Cairo. Sadie tries to summon fire again but nearly passes out. Zia explains how magic works—that it can be summoned from within but doing so takes great reserves of strength. Magic can also be stored in objects or called directly from the gods. Zia thinks Sadie and Carter might find the latter easier in Luxor because the place is sacred to their family. Sadie summons a lioness for the duel. Carter defends himself using an avatar like the one Bast had and runs the cat through. The amount of power they used means they are hosting gods without their knowledge and they are enemies of the House of Life.
An initiate of the House arrives to tell them Iskandar died in his sleep the night before. Desjardins is next in line and will order Sadie and Carter killed as soon as he’s initiated as the new lector. Feeling conflicted, Zia tells them to run and use the obelisks to get as close to Set as possible before the portals stop working for the demon days. As a parting, she warns them, “Desjardins will order me to hunt you down” (199), and Sadie and Carter run.
Carter takes over the narration and relays how he slept poorly the night before. Despite using the headdress pillow, his ba left his body to show Amos being captured by Set. Unable to sleep, he sneaks out of his room and finds Zia in a hidden room. There are pictures of her as a child with her parents before her father found a statue that unleashed a monster that killed everyone in her village except her. Carter thinks Zia comes to the room to remember them, but despite the pictures, Zia has “no memory at all” (205). Before Carter leaves, he asks Zia about the blue sphere she released when he found her. She doesn’t know what he’s talking about, and Carter leaves, disturbed at the implications.
Back in the story’s present, Sadie and Carter make it to the obelisk. A magician appears nearby and sends a horde of sphinx statues after them. Sadie manages to open a portal and pass through, but the sphinxes pounce on Carter before he can follow. With a great effort, he touches the obelisk, taking the sphinxes with him to Paris. One chases Sadie. The other rears back to strike, but someone dispels it, yelling “Mange des muffins” (211), French for “eat muffins.” It’s Bast.
Bast, Sadie, and Carter regroup and take shelter from the rain under the eaves of a nearby building. Bast held off the scorpions as long as she could before transforming back into Muffin and escaping through the Duat, and the kids bring her up to speed on what happened in the House of Life. Bast is impressed they managed to stay alive for as long as they did while hosting gods. Sadie and Carter realize the voices they’ve been hearing are Horus and Isis, and the kids panic. Bast orders them to calm down. The gods will give them power for the battle they must face because “only Horus and Isis can defeat Set and avenge the death of Osiris” (219).
Bast tells the kids what happened the night of their mother’s death. Their mother cast a shield spell to protect their father, which overpowered her and killed her. Bast offered help, but her mother refused, so she sacrificed herself to save their dad’s life. Carter and Sadie realize they must stop Set and save their father, if for no other reason than to make their mom’s sacrifice mean something. To help develop their powers faster, they can use a book written by Thoth, which they will steal from Desjardins’s mansion.
Desjardins’s mansion is an enormous, lavish building with a red front door—the color of Set. With help from the gods, Sadie and Carter transform into birds to infiltrate the house. Inside, Carter returns to human form, but Sadie stays in bird form. Carter searches for the book, but the library is overflowing with tomes. He pulls Doughboy out of his dad’s bag and orders the shabti to find the book. Doughboy finds a scroll on summoning fruit bats and an old painting before finally locating the right tome. Carter plucks the book off the shelf and sets off a trap that turns “a plague of fruit bats” (232) on him. Carter shoves the book and Doughboy in his bag, turns into a bird, and takes off just as hammering comes at the library door. Carter and Sadie, human again, rejoin Bast on the ground and run right before someone bursts out of the house.
These chapters are full of red herrings—false clues. The red door of Desjardins’s mansion and the fact that he was at the museum the night of the explosion suggest he is hosting Set. This theory is bolstered by Desjardins’s dislike of Sadie and Carter (Isis and Horus) and his position as the new Lecter. If Desjardins takes such a prominent position among the magicians, there will be no one to question his authority, and he could deliver Carter and Sadie straight to Set. The visions of Amos’s capture suggest Set is not using Amos, and it is possible Set sent those images on purpose to trick Carter. The struggle between Sadie, Carter, and Desjardins matches the repeated squabbles between Set, Horus, and Isis, adding more fuel to the idea that Desjardins hosts Set.
In Chapter 16, Zia has Carter and Sadie draw hieroglyphics to cast spells. Magic in ancient Egyptian culture permeated every aspect of life and creation, and it was available to all beings, gods, and mortals. Riordan tweaks this theme so that pharaohs and magicians have a stronger tendency toward magic. Writing the hieroglyphics isn’t necessary to perform magic in the story world, but it is a beginner tactic to help magicians envision the magic they wish to use. The more powerful spells that Sadie and Carter use in Luxor foreshadow their discovery that they host Horus and Isis.
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By Rick Riordan