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Jody destroys birds’ nests and sets up Doubletree Mutt to get his nose in a rat trap. Mrs. Tiflin tells Jody to leave the dog alone after he throws a rock at Doubletree Mutt. He kills a bird with his slingshot, then disembowels and cuts it apart with his knife to conceal his actions. Then, he lays on the grass near the and looks at the clouds. They move over the mountains, and Jody remembers asking his father about them. His father said there were more mountains beyond the mountains they could see, and eventually the ocean. Jody asks his mother about the mountains, and she makes a joke about a bear. Billy tells Jody that there are few people in the mountains, which makes Jody afraid. The Gabilan mountains, in contrast, are populated.
Jody sees a man walking from Salinas along the road to his father’s house. The man tells Jody that his name is Gitano. Jody runs inside and tells his mother. She comes out to the gate, and Gitano tells her he was born in the adobe house on the ranch, which was washed away by rain. Gitano wants to die on the ranch, offering to do chores in exchange. Carl comes out and tells Gitano he can’t stay on the ranch. However, Carl offers him dinner and a room for the night. Jody shows Gitano to a guest room.
Jody asks Gitano about the mountains. Gitano visited them as a child with his father, but doesn’t remember much. Then, Jody takes Gitano to the barn to look at the horses. They talk about Easter, a horse that is too old to work. Carl overhears them and asserts that Easter should be put down. Billy argues that horses should be allowed to enjoy their retirement after a lifetime of work. Carl jokes that he can’t afford to feed Gitano because he doesn’t eat grass, unlike the horse.
After Billy and Carl go into the house, Jody assures Gitano that Carl wouldn’t shoot the horse. Gitano pets Easter and says he’s no good. The dinner bell rings, and they go to the house. During dinner, Carl asks Gitano if he has any relatives in the area. Gitano has a brother-in-law and cousins in Monterey. Carl suggests Gitano live with these family members. Mrs. Tiflin wishes Gitano could stay, but Carl cuts her off. After dinner, Gitano goes to the guest room without thanking them for the meal. Carl and Billy argue about Gitano. Jody compares the mysterious Gitano to the mountains. Jody goes to the guest room and sees Gitano cleaning a rapier and asks about it. Gitano says it was a gift from his father. When he goes back to the house, Jody decides not to tell anyone about the rapier, instead claiming that he was checking his rat trap.
In the morning, no one knows where Gitano is. Jody looks through Gitano’s bag in the guest room. A neighbor named Jess Taylor tells Carl that he saw an old man on Carl’s old horse, Easter, riding into the mountains. Jess saw the glint from the rapier and thought it was a gun; Jody doesn’t correct him. Jody walks through the ranch, looks at the mountains, and feels sorrowful.
“The Great Mountains” develops the theme of The Connection Between People and Their Environment. Carl proudly declares, “[T]here’s more unexplored country in the mountains of Monterey County than any place in the United States” (167). He, and other characters in Steinbeck’s stories, values places where nature is wild and untouched by humans; however, these characters value nature in different ways, as Carl maintains a dominant attitude over his land, animals, and even his companions on the land. In the story’s opening, Jody compares the two mountain ranges he can see from the ranch. The wild western mountains are “dear to him, and terrible” (168). These mysterious, unnamed western mountains are compared to the eastern Gabilan Mountains, which are “jolly mountains” (168) to Jody because they are populated. The Gabilans are similar to the location on the ranch where Jody feels safest, near the water-pipe in the brush line. The locations on the ranch that inspire happiness and fear are a microcosm of the surrounding mountains, and Jody’s feelings of safety on his family’s ranch or in a populated area demonstrate his fear of nature. This speaks to the theme of Jody’s Coming of Age, suggesting that he will reach a significant moment of growth when he faces his fears.
The eastern mountains also reflect the character Gitano, who only appears in this installment of Steinbeck’s stories about the Tiflin ranch. To Jody, the traveler “Gitano was mysterious like the mountains” (176). Gitano, and his past, are unfamiliar and fascinating to Jody. Encountering Gitano, who was born on the ranch, is also part of Jody’s Coming of Age. Gitano is a distraction from boredom. Without the responsibility of caring for the red pony, Jody is bored, but Gitano’s mysterious presence keeps Jody out of trouble—which he otherwise has a hard time avoiding. The fact that Gitano is not white adds to Jody’s fascination: The Tiflins and Billy Buck are white. Billy notes that “You don’t see any white men as old as Gitano walking twenty or thirty miles” (176), referring to the distance Gitano walked to reach the Tiflin ranch. Steinbeck uses the fictional character of Gitano to highlight the real-life tension between white people and people of color in the Salinas Valley.
Further, the various ways Jody, Billy, and Carl treat Gitano develop the theme of the Relationships Between Men and Boys. While Billy stands up for Gitano, Carl treats Gitano cruelly. Carl compares Gitano to his oldest horse, Easter. Carl says it is a “shame not to shoot Easter” (173) since she is no longer useful. He dislikes elderly men who are physically inferior to him, and he also exhibits racial tension and a lack of understanding for those he feels are different from him. Gitano can be contrasted with Carl’s friend Jess Taylor. Carl likes Jess because he is still young and healthy enough to work. Carl “hated softness” (174), and considers the elderly soft. On the other hand, Billy believes that retirement is a good thing that is earned. He says horses like Easter have earned their right to rest, demonstrating Billy’s respect for older men like Gitano.
At the end of the story, Gitano merges with the flora and fauna that reflect him, taking Easter and riding into the mountains after being mistreated by Carl. Jess Taylor tells Carl he saw him riding “straight back into the mountains” (178). This develops the theme of The Connection Between People and their Environment, as Gitano braves the wild mountains that he saw as a boy and that Jody feels reflect Gitano. Further, Gitano wanted to die on the ranch where he was born; when it becomes clear that Carl won’t allow this, Gitano perhaps prefers to die upon the wild mountains, rapier in hand. Jody’s encounter with Gitano leaves him “full of a nameless sorrow” (179). That Gitano halted Jody’s violence toward animals and instead filled him with sad emotions represents character growth in Jody, who also kept Gitano’s rapier secret—an act that can be read as a sign of respect.
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By John Steinbeck
Aging
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American Literature
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Animals in Literature
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Childhood & Youth
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Fathers
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Pride & Shame
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