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Galgut could have inserted page breaks to indicate the reader can mentally pause, such as between days or between major events, but he did not. How would the experience of reading the novel be different if Galgut inserted page or chapter breaks? Why do you think he chose not to do so?
In some moments, the novel’s narrative voice sounds like a chorus with a deep knowledge of the Swarts’ hometown. For instance, in Part 1, the narrative voice says, “So the only people who were with Rachel Swart when her time came were her husband, aka Pa or Manie, and the black girl, what’s her name again, Salome, who obviously doesn’t count” (35). Who or what are those moments are meant to evoke? Local elders? God? Galgut? Someone else?
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By Damon Galgut
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