55 pages 1 hour read

The Prisoner's Throne

Fiction | Novel | YA | Published in 2024

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Chapters 10-14Chapter Summaries & Analyses

Chapter 10 Summary

Content Warning: This section of the guide includes discussion of graphic violence and death.

After Oak dramatically announces his engagement to Wren in front of the Elfhame emissaries, she plays along, extending hospitality to the emissaries. Grima Mog remains wary, still expecting the situation to devolve into violence, while Randalin, the Minister of Keys, seizes the opportunity to push for a peaceful negotiation and offers his congratulations. Bogdana suggests holding the wedding immediately, but Wren deflects by agreeing to travel to Elfhame to formalize their union—on the condition that the army withdraws.

After the emissaries leave, Wren confronts Oak and demands to know what he’s doing. He responds with a vague reassurance to her and insists he’s trying to prevent needless bloodshed. Frustrated but resigned, Wren orders Hyacinthe to escort Oak back to his chambers and ensure he stays put. She also requests the bridle, reminding him that she hasn’t abandoned her mistrust of him.

On the way back, Hyacinthe shoves Oak against the wall, demanding answers. Oak then accuses Hyacinthe of being partially responsible for the chaos due to his past involvement in Madoc’s schemes. Their argument escalates, and Hyacinthe punches Oak twice. Oak instinctively draws a concealed knife before realizing what he’s done and letting it fall. Tiernan intervenes before the confrontation spirals further, reminding Hyacinthe that striking the prince is treason. 

As Oak climbs the stairs, he overhears Tiernan and Hyacinthe’s argument. Tiernan angrily recounts the times he’s risked everything for Hyacinthe, only to be met with rejection, and Hyacinthe admits to wronging Tiernan out of fear of inevitable loss. Though Oak leaves before hearing the end of the conversation, he hopes it concludes with reconciliation or even a kiss.

Chapter 11 Summary

Oak wakes in the tower feeling a rare comfort after weeks of captivity. However, that comfort is quickly disrupted when Fernwaif arrives to tell him he is to leave with the tide. Though relieved to go home, Oak is conflicted, as he knows that returning to Elfhame with Wren will present new complications. His persona as a carefree courtier feels increasingly suffocating to him, and he wonders if it’s time to adopt a different approach. Grima Mog’s knights arrive with fresh clothing and a sword, and as Oak dresses in Elfhame’s livery, he feels a sense of homesickness. Outside, he reunites with his horse, Damsel Fly, and learns that the messenger he sent, Daggry, reached the Elfhame camp safely.

The journey to the ship is tense, with the army of Elfhame stationed nearby and Wren’s retinue in tow, including Hyacinthe, Bogdana, and the falcon guards. Grima Mog delivers a scroll for Oak to bring to the High King and Queen, stating that her army will remain until a treaty is signed, and Oak promises that word will come soon. As they pass the troll kings guarding the Citadel, Wren approaches them and entrusts them with her lands in her absence. The troll kings bow to her.

Oak hesitates before boarding the rowboat, insisting that Wren’s party go first. To his surprise, Wren’s falcon guards transform into birds and fly to the ship, a sign that she has mastered her power and can now control their transformation at will. Once aboard the ship Moonskimmer, Oak reflects on his gambit. He is managing to delay the war but suspects that Bogdana sees Wren’s potential marriage to him as a way to gain proximity to power and exact her long-desired revenge on the Greenbriars. 

Oak approaches Wren and thanks her for accepting his proposal. Wren responds that while she may honor her word, she doubts his sincerity. Later, Oak joins Tiernan, who updates him on Madoc’s situation: He’s back in Elfhame and offering unwanted advice to Jude. Oak also talks with Tiernan about the latter’s lingering feelings for Hyacinthe.

Chapter 12 Summary

On the first night of the three-day sea journey to Elfhame, Oak listens to Randalin boast about his role in the peace negotiations while Wren manipulates the councilor’s ego. Despite having the freedom to visit her, Oak hesitates but still longs for the connection they once had. 

On the second day, Oak is summoned to Wren’s cabin. There, she proposes the dissolution of their engagement after a suitable delay, suggesting they both play along until she is granted the former Court of Teeth to rule. That night, the crew gathers on the deck to tell stories. Bogdana shares a dark tale about a girl with a matchbook, capable of immense destructive power but ultimately undone by love. Oak realizes the story is a thinly veiled allegory about Wren and himself, and is meant to serve as both a warning and a threat. 

Afterward, Oak follows Wren back to her cabin, where he attempts to demonstrate his persuasive magic. Although his words are sincere, Wren reacts angrily, accusing him of cruelty for offering her dreams she cannot have. The tension between them deepens, leaving Oak troubled by how easily his magic can manipulate emotions.

At dawn, the ship is attacked by merrows and a sea monster named Sablecoil, sent by Cirien-Cròin, a rival power in the Undersea. The merrows demand that Oak and Wren be handed over. Oak, pretending to cooperate, uses the opportunity to launch a surprise attack, killing several merrows and helping defend the ship. However, in the chaos, Tiernan is dragged underwater by Sablecoil. Hyacinthe dives in after him, and with Oak’s help, they rescue Tiernan. Wren uses her power to unmake the monster, but the strain visibly weakens her. Bogdana then conjures a storm that lifts the ship into the air, carrying them toward Elfhame. After Wren collapses from exhaustion, Oak carries her to her cabin. She admits her struggles with her powers and inability to trust others’ kindness. She also asks him if he “ever wondered if anyone loved [him]” (174).

Later, Hyacinthe and Tiernan argue about the fight, and Oak leaves to ask the Ghost if someone helped Dain poison Liriope. The Ghost warns that Locke knew the answer, and it didn’t help him. When Oak presses him on the issue, he suggests Oak should ask Taryn about it.

Chapter 13 Summary

When Oak was a child, after he crowned Cardan, Oriana told him the tragic story of Liriope, his birth mother, whose beauty and sweet words made her irresistible. She was first the king’s consort but later became involved with Prince Dain, who ultimately fathered Oak. Hearing that Dain poisoned her and left her to die to protect his position shocks Oak, who struggles to understand how someone can kill a person they love.

Oriana gently explains the complex, often selfish nature of love and power in Faerie and urges Oak to be better than Dain. She also warns him about the power he inherited from his mother. Like Liriope, he has the ability to see into others’ hearts and become what they most desire. While this ability might seem like a gift, Oriana cautions him against losing himself by twisting into whatever others want him to be. Despite her warnings, Oak finds it difficult to understand why it would be a problem for everyone to love him.

Chapter 14 Summary

Oak returns to Elfhame with Wren and the rest of their party, drawing a large crowd eager to witness their arrival. The onlookers, including Oak’s family and the Living Council, speculate about whether the betrothal signifies love, an alliance, or something more sinister. Cardan and Jude greet Wren with pointed remarks about her transformation and her role in Lady Nore’s death. Wren, despite her weakened state, responds with cold composure. 

The already tense situation is further complicated by Bogdana, who demands the wedding take place within three days. The demand alarms Jude and Cardan, but Oak deflects by suggesting that propriety requires more time. Wren declines to stay in the palace, opting instead to conjure the cottage from the magic walnut given to her by Mother Marrow.

Oak reunites with his family and returns to the palace. Once in his chambers, Jude demands an explanation for his actions. He recounts how he sought out Wren because of her ability to command Lady Nore. Jude questions Oak’s trust in Wren—given her power to unmake things, including people—but chooses to trust him for the time being.

Chapters 10-14 Analysis

Oak’s gambit to propose an engagement to Wren in the previous chapter has created a delicate situation where diplomacy is now the primary tool for averting war. Oak remains uncertain about the success of his plan and aware of the precariousness of his position, complicating his experience of The Exploration of Identity and Self-Discovery as he tries to manage both the political situation and his longing to reconnect with Wren. 

Hyacinthe and Tiernan’s tense dynamic mirrors that between Oak and Wren, serving as another illustration of the problems of identity and wishing to be known and loved for who one really is. As Tiernan remarks, “We do not love because people deserve it—nor would I want to be loved because I was the most deserving of some list of candidates. I want to be loved for my worst self as well as my best. I want to be forgiven my flaws” (134). His words are significant because they foreshadow Oak’s later speech to Wren, introducing the idea that love means loving someone for who they authentically are, not because of their conformity to a certain role or ideal. 

The problem of authenticity and relationships is also reflected in two different meta-stories. The first is the one Bogdana tells on the ship about the girl with the enchanted matchbook. According to Bogdana, the girl’s downfall is her tender heart and willingness to give up power for the sake of love. It serves as a cautionary tale about the dangers of love and vulnerability and is aimed pointedly at Wren. Wren later admits to Oak that she no longer envisions returning to her mortal family because she feels they could never truly know and accept her: “They would never love me as much as I want to be loved” (156). Her words mirror Oak’s own fears about being unloved for his true self: In the second story, told in a flashback, Oriana warns Oak about becoming “everything a person wants. The embodiment of all their desires” (183) and losing his true self by constantly shaping himself to fit others’ expectations. 

Oak inherited his powers of charm from his mother, a gancanagh, which invokes The Challenges of Family Expectations and the complexities of familial legacies. In the folklore of Northern Ireland, a gancanagh is a type of exclusively male fairy. The term “Gancanagh” comes from the Irish gean cánach, or “love-talker.” The physical description of a Gancanagh varies depending on the story, but they typically use their charm to seduce and kidnap mortal women. Oak grapples with this heritage, questioning who he is and who he wants to become. His attempts to sidestep power are countered by the responsibilities Elfhame and his family have thrust upon him. As the story continues, he increasingly realizes that he can no longer remain on the sidelines, whether he likes it or not.

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