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Loth’s path takes him into colder lands. He grieves Kit bitterly and feels sick as his disease worsens. As he rests briefly near a cave, Loth is seized and lifted by a cockatrice. He manages to jump to the ground, but the cockatrice chases him until an ichneumon kills it. Ichneumons are bear-sized, mongoose-like creatures that legend describes as the enemy of wyrms. Loth is surprised to see the mythic creature is real. The ichneumon lifts Loth onto its back. Loth requests the creature take him to the port of Rauca, close to Lasia. The ichneumon speeds away, Loth on its back. Loth is grateful to “the Damsel and the Saint” for this stroke of good luck (257).
Being married to Aubrecht agrees with Sabran, who is in an unusually light mood. The queen goes hunting with her ladies and wonders if the forests hide the Lady of the Woods. Ead reassures her that Kalyba’s domain is further north near Goldenbirch, where Galian spent his childhood.
Sabran is bitterly disappointed when she gets her period, suggesting she is not pregnant. Sabran wants Ead to placate her, but Ead refuses to humor the queen, which makes Sabran even more irritable. One morning, Aubrecht seeks Ead out to discuss Sabran’s mood, saying that she has not been sleeping well at night. Aubrecht also asks her about the Inysh legend of the fearsome Lady of the Woods, but Ead reassures him that the seat of the enchantress is in the north, far from Ascalon. Aubrecht suggests taking Sabran into the city to cheer her up. Since her mother’s assassination 14 years ago, Sabran has not ventured out publicly because of potential danger. Ead does not think going into the city is safe for Sabran.
Meanwhile, Ead gets a scroll from the priory via a “sand eagle.” The scroll says the prioress has granted her permission to stay in Inys until Sabran gives birth to her daughter. Sometime later, a happy Sabran tells Ead that her “courses” (periods) are late. Sabran suspects she is pregnant and plans to tell Aubrecht. She has decided to travel across Ascalon on the Feast of Generosity, a few months later. Aubrecht’s disregard for Ead’s warning shocks Ead, and she fears that the journey will “end in blood” (272).
Happy in Eizaru and Purumé’s household, Niclays Roos begins to dream of a future in Ginura. A docking Mentish ship brings him two letters from home. One is from Aubrecht II, denying Niclays’s request for release from exile. The other letter is from Truyde and was written a year ago, before Niclays met Sulyard. Truyde asks “Uncle Niclays” if he has figured out an answer to the riddle in the Tablet of Rumelabar. Truyde’s passion for uncovering the truth reminds Niclays of her grandfather Jannart. Niclays dwells on the ancient text of Rumelabar. Its central riddle speaks of the balance of the elements and the universe. The lines “Fire ascends from the earth, light descends from the sky” are especially intriguing (276), but Niclays cannot unravel them yet.
Meanwhile, Eizaru brings the bad news that the viceroy of Orisima has ordered Niclays to return. Eager to enjoy Ginura while he can, Niclays accompanies Eizaru to the market. He runs into a woman wearing the watersilk robe of a dragonrider and, from her angular face and fishhook scar, identifies her as the woman on the beach whom Sulyard described. Now a “Miduchi” (a dragonrider), Tané commands considerable respect. Tané is high-handed with Niclays, dismissing him as an “outsider” whom she warns Eizaru to always watch.
Niclays realizes that Tané hid Sulyard to protect herself. He feels he can utilize this knowledge to arm-twist Tané into securing Sulyard’s release. Later, Tané too realizes that Niclays has recognized her, which makes her vulnerable. To distract herself from these worrying thoughts, she approaches Nayimathun, the great dragon with whom she has been paired. Tané and the dragon have grown very close, like sisters. Comforting Tané, Nayimathun tells her important dragon lore. The first dragons of the East came not from eggs (like they do now), but from a comet called “Kwiriki’s lantern,” also known as the “Long-Haired Star.” This comet “leaves behind a substance. Molten starlight that falls into the sea and the lakes” (284), giving rise to the first dragons. Dragons are at the peak of their powers whenever this comet passes by earth. Long ago, the comet also left behind two shards, which formed into gems, that could allow the dragons to retain their strength. Used 1,000 years ago to bind the Nameless One, the gems are now lost.
Sabran’s ladies-in-waiting adorn her for her first venture into the city in 14 years, but a worried Ead focuses on arming herself with blades. Sabran tells Ead that she wishes she could announce her pregnancy to her people, but Ead reminds her that the royal physician has advised Sabran to keep the pregnancy a secret for some time.
Sabran and Aubrecht’s retinue proceeds onto the cobbled streets of Ascalon. Truyde is missing from the procession. The crowds welcome Sabran with roars, clearly besotted with the queen whom they consider “their shield and their salvation” (293). As Sabran’s retinue travels by foot through a tree-lined avenue, Ead notices a suspicious masked figure nearby. Ead moves to protect Sabran as the man brandishes a pistol. The royal guards race towards Sabran. More masked men emerge onto the scene. From their cries hailing the Nameless One, Ead deduces that they are doomsingers.
The doomsingers kill Linora. A knight leads Sabran, Aubrecht, and Ead into a hidden garden for sanctuary. The knight locks them in, but there is knocking outside as Sabran’s ladies cry to be let in. Ead suspects it is a ruse, but Sabran refuses to listen. She instructs the knight to open the gate, and a masked figure enters, shooting first the knight and then Aubrecht. The figure says they have been sent by the “Cupbearer.” Ead kills the cutthroat, but Aubrecht dies. Another attacker enters the sanctuary. Ead rips the mask off the attacker, revealing Truyde.
To escape exile in Orisima, Niclays wants to create the immortality elixir Sabran demanded. The paucity of a key ingredient—dragon blood—has held him back, but now that he knows Tané’s secret, Niclays arranges a meeting with her and demands dragon blood and scale from her. If Tané doesn’t comply within four days, Niclays will reveal that she kept Sulyard’s presence a secret.
For Tané, the thought of dishonoring even the image of a dragon is taboo, let alone mutilating Nayimathun. However, she lets Niclays assume she will meet him at a chosen spot with the dragon blood. A troubled Tané goes to Nayimathun, who senses Tané’s sadness and confusion. Tané confesses everything to her dragon. Remorseful, Tané asks Nayimathun to choose another rider, but Nayimathun tells Tané they are bound to one another. Although Tané’s actions have been disappointing—she hid Sulyard not out of kindness, but to protect herself—Tané deserves a second chance. Nayimathun tells Tané that the “Inysh man” (Sulyard) must see the Warlord and the Emperor of the Twelve Lakes as he desired. Sulyard’s message matters because the Nameless One has begun to stir. Tané must get Sulyard to the Warlord.
In his quarters, Niclays goes through things that belonged to Jannart. One is a tiny scrap of silk decorated with script that Jannart was found holding upon his death. Jannart had spent decades trying to decipher the script, as has Niclays since Jannart’s death.
The ichneumon brings Loth to Rauca, the capital of Ersyr and the largest surviving city of the South. Loth wants to find Chassar, who is King Jantar’s ambassador to the House of Taumargam, the ruling dynasty of Ersyr. However, Loth learns he may have to wait, as Chassar could be abroad. Loth rents a room for the night and requests that the ichneumon wait for him. Loth prays that Chassar does have the cure for the plague with which he has been infected. That night, Loth wakes to the presence of a stranger in a bronze mask in his room. Loth faints.
The title of Part 2—“Declare I Dare Not”—suggests characters will develop feelings and beliefs that they dare not express or even explore for now. Further, it indicates that many characters have secrets that they cannot yet reveal. The sequence leading up to Aubrecht’s death contains many minor revelations: Ead hears Sabran regret that she has done her people a disservice by delaying motherhood for so long. Though the expectation that Sabran must give birth for the sake of her country is wrong, Sabran’s confession shows a more humane side of the queen. The way in which she reveals her pregnancy to Aubrecht likewise shows Ead the love between the royal couple. The fact that it shocks Ead indicates that Ead herself may have developed intense feelings for Sabran.
This section sees many upheavals and reversals of fortune, with major characters facing difficult situations. However, some characters find unexpected help in dark places. The character who suffers the biggest setback is Sabran, who at the start of this section is beginning to settle into marriage with Aubrecht. Ead notes that the usually somber Sabran appears almost lighthearted. However, the section concludes with Aubrecht’s death, plunging Sabran into despair. The sequence of Sabran’s journey through Ascalon’s streets and the subsequent attack on the royal retinue contains detailed descriptions of action to immerse the reader in the fast-paced turns in the plot. The scene culminates in the twist that Truyde is among the attackers.
While Sabran faces tragedy, Loth finds himself in unfamiliar territory. The text implies that Loth led a relatively sheltered life prior to his exile. Like most people in Inys, Loth considers his faith superior and absolute. In Rauca, Loth laments the fact that he is in a land of “a false prophet” (314), without the “comfort and structure of the Six Virtues” (314). Loth’s journey as a character will involve developing open-mindedness and realizing that his belief system is not absolute.
Things are not all bad for Loth. He finds an unexpected glimmer of hope in the form of Aralaq, the ichneumon. Aralaq’s arrival recalls a common fantasy trope: the deus ex machina, in which an unexpected power suddenly helps characters out of an impossible situation. Loth interprets Aralaq’s help as a sign that the Saint and the Damsel are with him. Rescue by a noble creature is a recurrent motif in the book, which is rich with creatures like Aralaq—foils to evil creatures like wyrms and wyverlings. This illustrates the importance of balance, one of the key themes of the text. Just like water dragons are the counterpart of wyrms, creatures like the ichneumon are counterparts to cockatrices and jaculi. The ichneumon’s name also alludes to a real-world creature: the Egyptian mongoose, Herpestes ichneumon. As mongooses are well known for attacking and killing venomous snakes, they are an apt counterpart to the reptilian cockatrices.
The action in the South also illustrates the author’s use of figurative language based in the text’s specific time and place. For instance, Loth’s hands are described as being as red “as if he had dipped them in madder” (252). Madder is a real-world reddish-orange plant-pigment used to dye clothes in older times. Some people still use it as a natural hair dye.
The action in the East picks up pace as Tané pairs with a dragon. It is significant that Tané’s storyline accelerates after she becomes a Miduchi. This reflects Tané’s union with her dragon; they are kindred spirits, so the pairing helps her begin to come into her own. Nevertheless, Tané finds herself in peril in this section, forced into an impossible corner when Niclays demands her dragon’s blood and scale in exchange for his silence. The difficult situation shows a deeper, more evolved side of Tané’s character, just as the attack on the royal retinue revealed Sabran’s softer side. Some of Tané’s actions have been questionable, especially when it comes to Susa, whom Tané deliberately involves in a crime for which the punishment is death. The fact that Tané does not even entertain the idea of giving up Nayimathun’s blood shows her in a more positive light. In fact, the relationship between Tané and Nayimathun is critical to the growth of Tané’s character. As an orphan in a hierarchical society, Tané has had to fight fiercely for everything; Nayimathun’s maternal presence provides her with a sense of security and helps her listen to the voice of conscience rather than ambition.
In fact, the conversation between Tané and Nayimathun that follows Tané’s confession does not simply contribute to Tané’s moral evolution; it reveals the text’s moral center. Nayimathun tells Tané that what she has done “does not dishonor me [Nayimathun] […] It dishonors the world” (309). Though Tané interprets these words as an indictment, what Nayimathun means is that Tané’s actions are driven by the state of the world she inhabits. This world is lost in infighting, outdated rituals, and fake hierarchies, all of which ignore the commonalities between humans. After all, Tané lied because of the Great Edict, a law that has outlived its utility. Lost in upholding such laws, the world cannot see that the real threat comes “from beneath, not afar” in the form of the Nameless One (310). Even when Nayimathun learns that Tané hid Sulyard to protect herself, Nayimathun clarifies that Tané is not beyond forgiveness. Thus, the text establishes that every person deserves a second chance.
Though Tané’s character has begun to grow more sympathetic, Niclays is still stuck in his opportunistic, self-centered ways. Not only does he help condemn Susa to near-certain death, but he also blackmails Tané and pressures her to mutilate a dragon. Of course, in Niclays’s belief system, all dragons are evil, so hurting one wouldn’t constitute the same taboo as it does for Tané. Niclays himself is aware of his flaws, describing himself as “conniving” in his inner monologue. His frequent references to Jannart show that Niclays feels untethered after the death of his beloved. Like Tané’s, his situation suggests that interpersonal relationships are foundational to morality; In Jannart’s absence, Niclays has made his own self-interest and the pursuit of the immortality elixir his goals for living. Though he judges Sabran for wanting the elixir, he ironically chases after it himself. As in other works of fantasy literature, the pursuit of immortality is fraught with danger (physical and moral). Those who chase immortality for personal gain are bound to fail, as the narrative will gradually reveal.
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By Samantha Shannon