Richard Blanco's paternal grandmother, who holds a significant influence in his life, with strong opinions on his choices and behavior. She embodies a connection to Cuban customs and culture, often clashing with Blanco over his desire for American experiences.

Blanco’s mother, who is depicted as a strict disciplinarian but also a caring and kind figure. She plays a central role in managing the household and often has a softer side, helping others adjust to American life.

Blanco’s older brother, who teases him but shares a typical brotherly relationship. Their sibling rivalry evolves into a deeper bond as they grow older.

Blanco's eighth-grade friend, whose spirited personality contrasts with Blanco's more reserved nature. Their friendship marks an important period in Blanco's adolescence.

A Cuban exile working at El Cocuyito, whose presence challenges Blanco to examine his own feelings and identity. His interactions with Blanco provoke important realizations about acceptance and self-discovery.

A Cuban exile Blanco meets during his adolescence. Ariel represents a blend of Cuban and American cultures and has a significant impact on Blanco’s understanding of his cultural heritage.

An elderly resident of the Copa who befriends Blanco and shares stories of her past in Miami and Cuba. She encourages Blanco to embrace being from multiple places.

A girl Blanco meets at a party, with whom he forms a close friendship. Anita becomes central to Blanco's exploration of his identity and romantic feelings.

Blanco's father, who symbolizes the immigrant pursuit of the American dream, particularly through his deep pride in the family car, el Malibú. His presence reflects both the struggles and achievements of adapting to American life.

Blanco's grandfather, characterized by his nostalgia for Cuba and his eagerness to recreate a semblance of the homeland in Miami. He is a supportive and loving figure in Blanco's life.