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240
Novel • Fiction
Rio De Janeiro • 1800s
1881
Adult
18+ years
The Posthumous Memoirs of Brás Cubas by Joaquim Maria Machado de Assis, translated by Gregory Rabassa, narrates the life of Brás Cubas from beyond the grave as he recounts his mischievous childhood, failed relationships, extramarital affairs, and unsuccessful political career, ultimately concluding that life is a series of disillusions. The novel depicts ableism, enslavement, suicidal thoughts, miscarriage, and domestic violence.
Mysterious
Humorous
Melancholic
Contemplative
Bittersweet
"The Posthumous Memoirs of Brás Cubas," translated by Gregory Rabassa, is lauded for its innovative narrative style and deeply humorous yet profound exploration of life’s absurdities. Rabassa’s translation captures the wit and irony of the original. Some readers find the fragmented structure challenging, but its clever insights make it a rewarding read overall.
A reader who enjoys The Posthumous Memoirs of Brás Cubas by Joaquim Maria Machado de Assis, translated by Gregory Rabassa, would likely appreciate dark humor, philosophical musings, and satirical narratives. Fans of works like Don Quixote by Miguel de Cervantes and The Notes from Underground by Fyodor Dostoevsky would find this novel compelling.
Bento Cubas
Brás Cubas’s father, who embellishes the family’s history and indulges his son’s behavior while trying to guide him towards a respectable career.
Sabina Cubas
Brás Cubas’s sister, who is concerned with maintaining the family’s social status and intervenes in his personal affairs to protect their reputation.
Cotrim
Sabina’s husband, who advises Brás on life decisions and becomes involved in family matters, including discussions about inheritance.
Virgília
A woman with whom Brás Cubas has an affair, representing both his social ambitions and personal desires.
Marcela
A love interest of Brás Cubas, whose relationship with him is characterized by financial dependency and material interests.
Eugênia
A woman Brás Cubas meets after his mother’s death, who faces rejection due to her physical disability and serves as a reflection of his shallow perceptions.
Nhã-loló
Cotrim's niece and a potential marital prospect for Brás Cubas, representing a strategic choice for social advancement.
Quincas Borba
Brás Cubas’s childhood friend, a philosopher with aspirations for recognition, who introduces the concept of "humanitism" as a guiding principle.
240
Novel • Fiction
Rio De Janeiro • 1800s
1881
Adult
18+ years
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