42 pages 1 hour read

The Outside Circle

Fiction | Graphic Novel/Book | YA | Published in 2015

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Pages 44-84Chapter Summaries & Analyses

Pages 44-56 Summary

Pete is moved to Drumheller Medium Security, where a quiet year unfolds. The passage of time is depicted through alternating illustrations showcasing the prison in different seasons and Pete engaging in a variety of activities. After a year has gone by, Pete is transferred to the Stan Daniels Healing Centre in Edmonton to begin the In Search of Your Warrior Program.

At the center, Pete joins a circle of men sitting on cushions. Elder Violet, leader of the program, introduces herself and announces that each day will start with a purification smudge. On day two of the program, Violet encourages the men to close their eyes and visualize themselves as part of an Indigenous tribe, back before the European colonization. Back then, Indigenous communities thrived and lived in harmony with the land. Violet then asks the men to picture the ensuing years: The once-thriving tribe has been decimated, with many members lost to “lack of food and smallpox” (49).

Once the men open their eyes, Violet leads them in a role-play exercise to revisit the harsh realities of history. In this exercise, they take on the roles of different members of an Indigenous tribe and are confronted with the stark truth of their new existence: They are granted a mere five dollars in exchange for their ancestral land, forbidden to go beyond the boundaries set by European settlers, and made to give up their weapons. Traditional practices labeled as “voodoo” or witchcraft are punishable by fines or imprisonment, and Indigenous women who married white men, along with their children, are removed from the reserve. They receive food rations, hunting is banned, and children are sent to residential schools to be brought up as Christians. The men are left deeply affected by the magnitude of historical injustices.

The following day, Violet holds a sweat lodge ceremony—a spiritual ceremony intended for healing. She sheds light on the history of Indigenous children who were forcibly separated from their families and taught that their heritage was “inferior, dirty, and heathen” (54). As a result, these children grew up far removed from the love of their families, carrying a deep-seated resentment toward their own heritage. They then perpetrated this hatred and hurt on their own children. Violet calls on the ancestors to heal this pain so that the men may learn to love one another.

Pages 57-70 Summary

That weekend, Pete makes a phone call to the TW gang leader, Frank, to inquire about Joey’s whereabouts. Frank informs him that Joey has been arrested. After this revelation, a full-page illustration on Page 58 shows Pete wearing the shattered red and white mask.

In the next session, Elder Violet instructs the group to draw their family tree. She underlines how many forms of abuse and violence are passed down from one generation to the next and explains that “in order to understand how our families have affected us, we need to understand the whole picture of the family we were raised in” (58). Once each man has illustrated their family trees, Violet shares her own family history, setting the stage for others to do the same.

When it’s Pete’s turn to present his family tree, the illustration on Page 63 shows that he has only written down three names: “mom,” “me,” “Joey.” As Violet inquires about his mother, the mask slowly appears on his face. He answers the questions snappily, elaborating on his mother’s story: She was abandoned by his father, and she became involved with someone who abuses substances and now she has a substance abuse disorder, too. Violet thanks Pete and performs a smudging ritual using sacred herbs. As she holds the herbs in front of Pete’s face, the mask slowly dissolves.

Pete and two of the men gather around a campfire, sharing their plans for the upcoming Saturday and joking about the prospect of seeing their girlfriends. Their camaraderie is disrupted by Violet’s arrival, who introduces them to Elder Roy. Roy gives the men valuable insights about how Indigenous communities used to function, particularly the vital role of men: “[T]he way our communities were set up was like a circle. In the middle of that circle were children. […] We were the outside circle—ensuring the safety of everyone inside. We were warriors” (68). He laments the loss of the sacred role of men in modern society: Men are not protecting women and children, and many single mothers are left on their own. As Roy speaks, Pete looks down, mortified. The illustrations show a polaroid of Pete’s mother with him and Joey as children wearing birthday hats and another image of her, pregnant. All the men stand in the warm glow of the fire and listen to Roy’s wise words.

Pages 71-84 Summary

Pete is walking down a hallway at the center when a staff member approaches him and informs him that his mother passed away just the day before. The staff member informs Pete that arrangements can be made for him to attend her funeral with an escorted temporary absence. This revelation affects Pete, leaving him visibly upset.

At the funeral, the casket lies open, and Pete reunites with Joey, whom he hasn’t seen in over a year. Pete inquires about Joey’s well-being, and Joey responds positively, saying that he’s “real good […] out of the family home, living with a family” (71). The brothers stand together looking at the open casket, talking about how difficult things must have been for their mother.

A man enters the room and introduces himself as Ray Carver, their uncle. He explains that the last time he saw Bernice, their mother, was when they were separated from their parents: He was 12, and she was just three. Ray discloses that he had been looking for Bernice for three years and happened to see in the paper that a Bernice Carver died. Ray asks Pete where his sister was living, and Pete tells him that he has no idea; to his knowledge, she was alone and without a place to live. The illustrations on Page 73 show Bernice leaving an office building, walking the cold streets, talking to someone in a red van, and, finally, lying on a motel room’s floor with a syringe.

Standing by the casket, Violet informs Pete that they will have a sweat ceremony the following day. After the funeral, Ray asks Pete if he can “come by and see [him]” (75), but Pete declines, leaving Ray disappointed.

Pages 77 and 78 feature an illustration of Pete, shirtless and contorted in a scream of pain and anger. The background is black, with a subtle glimmer of light casting its glow over Pete, and a bear appears to be breaking free from within him. On Page 79, Pete is revealed to be inside the tent during the sweat ceremony. Overwhelmed by his feelings, he breaks into tears, opens the tent’s flap, and rushes outside. After being sick, he goes to lie down on a bench. Violet approaches him, offering comforting words and assurance that everything will be alright.

On week five of the Warrior Program, Violet instructs the men to select five feeling cards that best capture their current feelings. Pete’s initial choice is “[a]nger”: He is angry at the probability that his mother was killed and died alone in a motel. He wants payback. Then, he picks the “[g]uilt” card: He feels guilty for not being there to protect her. The next card he chooses is “[s]hame,” as he recognizes that he is no better than his father; like his father, he also left his pregnant girlfriend with no support before being arrested. Violet suggests that he pick a new card: “Bravery.” She explains that Pete was very brave in being honest with himself.

Pages 44-84 Analysis

At the Stan Daniels Healing Centre, Pete’s healing journey begins. This is reflected in the noticeable shift in the color scheme of the illustrations: It transitions from the cold, blue-toned palette to a warm one. The character of Elder Violet is introduced as the program’s leader, serving as a mentor for Pete. On the second day of the program, Violet conducts a visualization exercise. She juxtaposes the joy and serenity of Indigenous life before the arrival of Europeans and the violent and tragic consequences of colonization. Through the role-play exercise, she illustrates how life changed following European colonization in North America, conveying the theme of Intergenerational Trauma and the Legacy of Colonialism. This exercise as a literary device allows LaBoucane-Benson to establish an embodied sense of the juxtaposition between joy and oppression without moving the narrative back in time to before the arrival of European settlers.

During the third day of the program, Violet discusses the consequences of Indigenous children being taken from their families and learning “to hate the Indian inside themselves” (55). Pete identifies with this and is resentful of life’s unfairness and full of anger, symbolized by the appearance of the red and white mask on his face as he talks about his mother. When Violet performs the smudging ritual, however, the mask dissolves, symbolizing the dissolution of his anger and his inner cleansing. This illustrates The Possibility of Healing and Personal Growth: LaBoucane-Benson suggests that, even in the face of intergenerational trauma, it is possible to break the cycle and heal.

Elder Roy, a minor character and mentor figure, steps in and delves into the role of men in Indigenous communities. His speech underscores The Importance of Community and Family Bonds, drawing a stark contrast with the lives of these men today which are marked by isolation and violence. As Roy speaks about the “single moms out there on their own and on welfare because no dad stepped up to the plate” (69), Pete feels guilty. His earlier anger toward his mother for her addiction is replaced by empathy. He now sees the struggles that she had to face all by herself. The image of men gathered around the fire, lost in contemplation, paints a serene and idyllic picture. This is a visual representation Pete’s altered state of mind, a stark departure from the violent scenes that marked the beginning of the novel.

This peaceful image contrasts with the following scene in which Pete walks down a sterile hallway and learns of his mother's passing. The news leaves Pete distraught, though he doesn’t fully show his emotions yet. At the funeral, he is pleased to reunite with his brother, Joey, but he experiences a sense of guilt for not being there for their mother when she needed him the most: “[S]he was all alone, bro, probably having a hard time” (71), he tells Joey. This indicates a moment of character development; for the first time in the framed narrative, Pete exhibits mentor characteristics. However, meeting his uncle, Ray Carver, irrationally angers Pete due to Ray’s absence in their lives. This indicates that Pete hasn’t fully healed yet—he still holds resentment and suppresses his emotions.

During the sweat, Pete lets all these emotions out. His state of mind is portrayed in the illustration on Pages 77-78. The bear symbolizes Pete himself and foreshadows his future spirit name, Waking Bear. In the feeling cards session, Pete progresses in his journey as he learns to articulate his emotions, including anger, guilt, and shame. He becomes aware of how he has been perpetuating intergenerational trauma, mirroring the behavior of his father who abandoned his mother. Consequently, Violet offers him the bravery card, acknowledging his courage in facing the truth about himself. By emphasizing that “the next steps…are up to [him]” (83), she emphasizes his agency in breaking the cycle of intergenerational trauma and making things right. This emerging sense of agency reflects the emergence of the bear in the illustration.

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