41 pages 1 hour read

The Orchid Thief

Nonfiction | Book | Adult | Published in 1998

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

The Link Between Passion and Obsession

The main theme of the book has to do with the nature of obsession and how a passion for something can turn into obsession. The main character, John Laroche, personifies this phenomenon. His obsession borders on being a compulsion; he does not seem able to function without channeling his passions into something all-consuming.

Orlean describes how, over the course of many years, Laroche flitted from passion to passion: tropical fish, photography, orchids, fossils, and others. He first fixated on turtles as a child. Orlean describes it developing from a normal fascination with turtles to a state in which “life wasn’t worth living unless he could collect one of every single turtle species” (4). For Laroche, the obsession itself became foremost rather than the object of his passion, as he would quit one interest abruptly and have nothing more to do with it—moving on completely to a new collecting interest.

The book focuses on an obsession with orchids by those who hunt and collect them. “Those who love them love them madly,” Orlean writes (50). She shows how this is not a new phenomenon. In Chapter 5, she details the lengths people have gone to when collecting orchids. The wealthy in Victorian-era Britain became highly interested in them, hiring explorers to comb the world for new and rare species. One such orchid hunter employed by a British collector barely escaped with his life when an earthquake struck the Philippines, where he had gone to seek new species. He wired his sponsor when he escaped, saying he had spotted a new variety but the earthquake intervened before he could collect it. Instead, he was coming home, he said. The collector ordered him to return to the devastated area to get the orchid or else find alternative funding for his trip home. As Orlean writes, “[o]rchids seem to drive people crazy” (50).

In the main story of the book, Laroche is only one of the many obsessed. The author meets many others, though perhaps none quite as eccentric. Likewise, Laroche’s theft is not an isolated occurrence. Orlean describes the case of Bob Fuchs, one of Florida’s most prominent orchid growers. Only a few years earlier, $150,000 worth of orchids were stolen from Fuchs’s nursery. Though there were suspicions that the thief was a rival grower, the case was never solved and the stolen plants were never found. The passion that inspires obsession in turn inspires risky and illegal deeds like this. Hence the use of the word “sickness” to describe it several times in the book, suggesting that obsessions can sometimes have dangerous consequences.

The Human Desire for Beauty and Uniqueness

Another theme Orlean explores in the book is the desire of people to possess beautiful and unique things. People have seemingly always been drawn to beauty, be it of the human form or the natural world. Flowers are one of nature’s manifestations of beauty and, because of their portability and ability to be cultivated, have often been collected. Another common desire is for something unique. Humans have a predilection for setting themselves apart from others, seeking differentiation and individuality, so possessing something few others have can be alluring. In orchids, these two desires intersect: They are beautiful flowers, but many species are rare and found in limited locations around the wild.

Orlean writes: “Beauty can be painfully tantalizing, but orchids are not simply beautiful. Many are strange-looking or bizarre, and all of them are ugly when they aren’t flowering” (53). This raises the question of the nature of beauty. For one person, strange-looking may be off-putting, while for someone else strange-looking may be a different form of beauty, or perhaps uniqueness. Fleetingness is also part of the equation: When a beautiful flower lasts only for a short time, it can be all the more attractive, and it becomes a unique experience to witness its beauty. This is the case with the ghost orchid, the species that Laroche focused his scheme on. Orlean hints at this when she writes, “[p]eople say a ghost orchid in bloom looks like a flying white frog—an ethereal and beautiful flying white frog” (39).

The far-flung and dangerous locations in which many orchids are found add to their unique quality. As Orlean writes in Chapter 5, “[b]eing an orchid hunter has always meant pursuing beautiful things in terrible places” (56). She goes on to recite a litany of circumstances in which orchid hunters met their doom: from all manner of sickness and disease, from Indigenous peoples hostile to their intrusions, from natural disasters, from animals and insects, and even from other orchid hunters. This provides evidence for how strong the human desire is for beautiful and unique things such as orchids.

The Benefits of Community

The beneficial aspects of community come into play several times in the book, most notably when Orlean is pondering the origins of orchid collectors’ passions. At one point, while driving through south Florida and noting its expansiveness, she felt lonely. She writes: “The world is so huge that people are always getting lost in it. There are too many ideas and things and people, too many directions to go” (109). Having a passion like orchids—or anything else, for that matter—helps shrink the world to something manageable. You then have a focus as well as an instant community whose members have something in common with you.

The author sees this in action at the flower shows she attends. In Chapter 12, she describes the South Florida Orchid Society Show where she hung around with Martin Motes. She watched as he first put together his display and then walked around greeting old friends. In the small, insular world of orchids, everybody seemed to know each other. Although they all competed for the honor of having the best display, they helped one another without hesitation: “They borrowed sphagnum moss and bamboo fencing and loaned out four-inch ferns and filler plants,” Orlean writes (253). Martin told another grower he had lots of Spanish moss and the man could go help himself to what he needed. It was this spirit of community that made the orchid world a little club unto itself.

That is not to say there was no conflict, however. As with all communities, there were spats and arguments—and sometimes worse interactions. According to Orlean, “[a] lot of orchid growers don’t like each other, just the way a lot of people don’t like each other, or more precisely, the way a lot of family members don’t get along” (255). Martin Motes did not get along with Bob Fuchs, for example, because they both grew vandas and had differing philosophies about what look they thought the flowers should have. Even so, they were part of the same community and were still cordial to each other, as Motes took Orlean over to introduce her to Fuchs at one flower show. The book therefore suggests that even the most unusual forms of community can bring meaning and joy to people’s lives.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 41 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools