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In The One and Only Ivan, Ivan, the novel’s gorilla narrator has spent most of his life among humans and learned to understand their speech, perplexing words with “meanings within meanings” (34). He has also witnessed the way humans separate themselves from animals, literally caging wild creatures behind glass walls and bars. At the same time, Ivan knows that a sometimes “troubling” but undeniable bond exists between humans and animals, “a connection across time and space, linking [Ivan] to a race of ill-mannered clowns” (5). Throughout the novel, Ivan and his animal friends wrestle with the way humans mistreat and trap animals, while at the same time, the novel suggests that in many ways, humans and animals aren’t so different at all—and as a result, animals deserve to be treated with the same respect as humankind.
Every major animal character in The One and Only Ivan has a backstory that illustrates how cruel and senseless human treatment of animals can be. Ivan’s parents were murdered, while his sister died in the same captivity that brought Ivan to the US; Stella spent years in chains when she was part of a famous circus, and ended up with the foot injury that eventually kills her; Ruby’s family was killed by humans as well, and she was chained 23 hours a day in the circus she belonged to before she came to the US; and Bob was abandoned on the freeway with his siblings, who died. With these shared experiences, it’s no surprise that the animals distrust humans in general—as Bob says, they believe “rats have bigger hearts” (103) than people do. In addition to killing animals and taking them from their homes, humans seem determined to deny animals their freedom while simultaneously emphasizing the gulf between people and other species. Ivan has spent 27 years behind the walls of a cage that says to him: “[Y]ou are this and we are that and that is how it will always be” (14). The author suggests that this separation arises not only from cruelty, but fear: In a strong, potentially violent animal like Ivan, “humans see a test of themselves” (4), both a threat to their safety and a reminder of the savage, wild aspect of their own evolutionary heritage.
Even from the beginning of the novel, Ivan recognizes that despite the apparent gulf between animals and humans, these living creatures share quite a bit—though some humans share more with their fellow species than others. Ivan feels a special bond with Julia, a connection that serves to illustrate human-animal similarities throughout the book. Julia and Ivan, the gorilla says, “have a lot in common. We are both great apes, and we are both artists” (16). Julia also becomes a symbol of the good humans can do: She cares for all the animals at the mall, expressing concern over Stella’s sickness and Ruby’s mistreatment, and pays close enough attention to Ivan to realize he’s created a giant picture of Ruby at the zoo. She shares Ivan’s picture with the world and, when the animals have the opportunity to move to the zoo, is happy they’ll enjoy the “different life” they “deserve”(245).
Julia isn’t the only example of humans who have more positive relationships with animals throughout the novel. Ruby tells a story of humans from a village in Africa who saved her when she fell into a hole full of water. She concludes that while “bad humans killed my family,” people also “saved me”—and “those humans were good” (105). Stella also tells the other animals about zoos where animals can live in natural habitats, with others of their own kind—places where “humans make amends” (64). Workers from one of these zoos arrive to care for Ivan and Ruby at the end of the novel, providing another example of humans who support and respect animals. Still, the zoo is “not a perfect place”—a “perfect place would not need walls” (186) separating animal and human—just as the relationship between humans and animals will never be completely ideal.
Ivan’s journey throughout The One and Only Ivan emphasizes the bond joining humans and animals, even if humans aren’t always willing to acknowledge it. At the opening of the novel, Ivan says most people “think gorillas don’t have imaginations. They think we don’t remember our pasts or ponder our futures” (20). In other words, most people don’t believe gorillas and other animals can experience meaningful lives, hopes and dreams and relationships; as a result, these humans do not treat animals with the respect that, the author suggests, these creatures truly deserve. However, as Ivan’s act of painting an image that saves himself and his friend shows, animals do imagine, dream, and feel for themselves and for each other—and in this, they are more like humans than most people would care to admit. In one of Julia’s and Ivan’s last interactions, before Ivan leaves his mall cage for the last time, the author aptly illustrates both the connection and separation between human and animal. As Julia and Ivan touch hands on either side of the glass, Ivan observes, “My hand is bigger, but they’re not so very different” (245).
In an Author’s Note following The One and Only Ivan, author Katherine Applegate explains that while she based Ivan’s story on the true story of a gorilla named Ivan, who lived alone in a mall before being moved to Zoo Atlanta, the “grim facts” of the true Ivan’s “solitary existence” (21) inspired her to change his story. Applegate decided to give her fictional Ivan “someone to protect” (21)—a way to fulfill his natural role as a silverback, a protector of his gorilla family. By making this choice, Applegate also found a way to illustrate both the damage caused by the isolation humans impose on naturally social animals, and the importance of connection and loyalty to others for both animals and humans.
At the opening of the novel, the author emphasizes Ivan’s loneliness, as he’s spent almost three decades living in a cage, so isolated that one young visitor observes “he must be the loneliest gorilla in the world” (21). Ivan himself wonders if he might be “the last gorilla on earth” (25), until he watches a nature show on the TV in his cage—and even then, seeing one gorilla on the screen, he wonders: “[I]s [it] just the two of us in all the world, trapped in our own separate boxes?” (26). Because Ivan did spend his childhood with a gorilla family—who were all killed by humans—he knows exactly what he’s missing out on, remembering his father as “everything a silverback is meant to be: a guide, a teacher, a protector” (126). Ivan is now old enough to be the silverback of his own gorilla troop, but, in his cage, “there is no one to protect” (10).
Ivan does make connections with his neighbor Stella, the wise old elephant, and the stray dog Bob who sleeps on Ivan’s chest. When Ivan felt “the comfort of [Bob’s] warmth” against his body for the first time, his need to be close to another creature was so great that he “didn’t move all night, for fear of waking Bob” (36). He also bonds with the human girl Julia, thinking: “It’s nice […] having a fellow artist around” (59). These friendships sustain Ivan through his long captivity, illustrating the support that friendships and connections provide—a support, the author emphasizes, that’s as essential for animals as it is for humans.
However, Ivan’s real transformation through friendship doesn’t occur until a new animal, the baby elephant Ruby, arrives at the mall. Ivan, like the other animals, immediately sees that Ruby doesn’t belong in the mall circus—she is a young, spirited creature who will be broken if she’s forced to live alone in a cage, performing tricks every day. Ivan witnesses Stella protecting Ruby: When Mack raises a broom to push Ruby into her new cage, Stella “instantly” moves to “shield” (73) the young elephant. However, Stella’s health is failing, and she can’t continue to care for Ruby—so in an act of loyalty toward both Stella and Ruby, Ivan pledges to the dying Stella that he’ll find a “safe place” (113) for Ruby to live. Significantly, Ivan makes his promise “on my word as a silverback” (113)—thus, his dedication to others spurs his own transformation into the identity he’s always been meant to possess.
Once Stella has died, Ivan doubts his ability to keep his promise, telling Bob: “I can’t save Ruby. I can’t even save myself” (118). However, while Ivan is correct that he wasn’t able to save himself for so many years—his own loneliness was not enough motivation for him to change—Ivan’s love for Ruby and loyalty to Stella do provide an impetus to transform. Ivan knows firsthand how damaging a life of isolation is, and he refuses to allow that for Ruby—he can’t let her become “another One and Only” (206). Ivan finds himself “angry, at last” because he has “someone to protect” (208). Ivan channels his anger into action, creating a giant painting of Ruby at the zoo, then performing the “real chest beating” (207) of a silverback till he forces humans to pay attention to his work. As a result, both Ivan and Ruby find new lives with others of their own species, and Ivan can tell himself: “She’s here, Stella […] Ruby’s safe. Just like I promised” (294). Ivan, too, while still remembering and valuing his relationships with Ruby, Stella, and Bob, is finally able to live with other gorillas he considers “my family” (300). By the final page of the novel, Ivan is able to call himself “Mighty Silverback” (300), as his pledge to one friend, and his journey to save another, has led to his own transformation, to new connections, an end to his isolation and a new, stronger identity.
At the beginning of The One and Only Ivan, Ivan says that he’s learned to comprehend human language—but that’s “not the same as understanding humans” (3). Throughout the novel, the author explores how words are used—and misused, especially by humans—to define and interpret the world. For animals like Ivan, forms of nonverbal communication such as art can prove even more powerful than traditional language.
Applegate weaves the power of words into the very structure of The One and Only Ivan, as Ivan’s first-person narration appears as short, poetic vignettes that use few, but carefully chosen words. Ivan says that “humans speak too much,” that they “crowd […] the world with their noise even when they have nothing to say” (3). Ivan, on the other hand, “do[es] not waste words” (28), instead choosing just the right few to capture his observations and emotions. For instance, when Stella dies, Ivan illustrates the depth of his sadness simply by stating: “[R]ight now I would give all the yogurt raisins in all the world for a heart made of ice” (114).
Even though Ivan uses apt language, he recognizes that words alone are not enough to understand himself and his world. After remembering his past, when humans ripped him from his jungle home and raised him like a human child, Ivan observes that “humans have so many words, more than they truly need. Still, they have no name for what I am” (143). To truly learn what he is, Ivan must find a different way of both expressing and seeing—and he does so through art. Ivan appreciates the power of artistic expression when he observes another artist, Julia, painting the mall dog Bob. When Julia first drew Bob, Ivan “could tell she was looking at him the way an artist looks at the world when she’s trying to understand it” (47). Only after finishing the painting was Julia able to determine that the stray dog’s name was Bob. Like Julia, Ivan must turn to art to understand others—and himself.
Julia’s artwork not only reveals hidden truths about her subjects, but also “imagin[es] worlds that don’t yet exist” (20)—and at the beginning of the novel, Ivan does not believe he shares Julia’s capacity for imagination, for creating new possibilities. However, by the end of the novel, Ivan does learn how to create—and express to others—something that doesn’t yet exist. Significantly, he does so through art rather than words, stating: “If I could use human words to say what I need to say, this would all be so easy. Instead, I have my pots of paint and my ragged pages” (179). With that paint and paper, Ivan creates a picture of Ruby in a zoo, and again uses words judiciously, adding an important one: “H-O-M-E” (215). By moving beyond human words that “swarm […] like angry bees” (130), combining them with images and his own dedication and emotion, Ivan has brought to life a new vision of a safe, happy home, both for Ruby and for himself.
Partway through The One and Only Ivan, the stray dog Bob declares that he’ll “never” be able to “understand” (105) humans, with their contradictory words and equally contradictory behavior. By the end of the novel, Ivan may still not be able to understand the strange ways of humans, but through the transformation he’s affected with his art and communication, he’s come to understand himself. No longer believing there is “no name for what I am” (143), Ivan proudly proclaims his true identity as “Mighty Silverback” (300).
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By Katherine Applegate