46 pages 1 hour read

The Old Man Who Read Love Stories

Fiction | Novel | Adult | Published in 1988

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Symbols & Motifs

The Snake

While animals and the cruelty they endure as victims of encroachment is a motif throughout the story, the most notable animal symbol in this story is the snake. In many cultures, the snake has long enjoyed a reputation as cunning, clever, and deadly. But snakes are also symbols of transformation and fertility, especially in native cultures. When a snake sheds its skin, it’s an invitation to give up old ways of thinking and behaving. Additionally, the ouroboros symbol of the snake biting its own tail is generally known to represent eternity and the continual renewal of life. This symbolic creature appears throughout the book to embody change, revival, and death.

When Antonio miraculously survives the snake bite, his life changes. Only after this symbolic transformation does Antonio receive an invitation to the full spectrum of Shuar culture, which includes participating in festivals and dancing, taking hallucinogens, forming a deep friendship with another man, and receiving the gift of a woman with whom he falls in love. The snake bite is therefore a symbolic moment that precedes Antonio’s complete transformation from white settler to honorary Shuar Indian. However, while Antonio is granted these gifts and is welcome among the Shuar, he is not, nor will he ever be, a true member of their tribe.

Snakes return as a key symbol when Antonio hunts them to sell their venom, which brings in good money that the tribe uses to trade for goods. To capture the snakes, Antonio learns how to be a snake, mimicking their movements to hypnotize and then kill them. In one such killing the snake is described as too weak to hate and aware that hatred is futile. In this regard, Antonio becomes a snake and, in some ways, is killing and resurrecting himself each time he kills a snake. After the snake is dead, Antonio throws it in the underbrush with contempt, as if he himself is contemptible. He repeats this ritual over and over again, perhaps to purify himself and repent for his old ways.

Finally, as a totem animal the snake represents both good and evil, and thus metaphorically embodies Antonio’s two competing sides. He is both a product of white culture—as an encroacher and helpmate of the colonizing government—and a man who respects and honors his adopted Shuar culture and the jungle. He adopts a way of life that centers on the jungle and its animals. But later, when he wants to buy books, he traps animals in cages, where they will remain forever, to suit his own purpose (e.g., to earn money to buy books). This act symbolizes Antonio’s return to white culture. Thus, Antonio embodies both sides of colonization—loss and gain—just like the snake.

Teeth

It’s no coincidence that the first character introduced and the first scene of action is the dentist pulling teeth. In this novel, teeth symbolize power. A lack of teeth impairs one’s ability to eat and speak, and so here teeth emphasize that humans need both food and a voice to survive.

Some of the characters fill their teeth with gold, which indicates their status in the power structure. Others, like the Jibaro, scoff at dentistry and remain low on the scale of power. The loss of teeth signifies a lack of beauty, health, power, and youth, which in turn signify poverty.

It is also interesting to note that in many Western cultures, including the United States, the official emblem of dentistry includes a snake wrapped around a gold pole. As detailed above, the snake is a symbol with many meanings. Here it can be interpreted to symbolize health and the transformation from illness to health. Biblical references to teeth often refer to truth and truth-telling, as well as intelligence and nourishment. The dentist who performs this duty without payment (and who also has to pay taxes to the government for his services) is providing the settlers and anyone else who wants it the ability to nourish themselves, to speak for themselves, and to tell the truth.

Antonio removes his dentures as a sign he doesn’t wish to speak. On one hand, he feels powerless to speak out against the destruction of the land and people he loves. But this is also an act of defiance: He may be powerless, but he also has the choice not to collaborate with the colonizers—and he makes this choice throughout the novel.

The River

Like most of the symbols and characters in this novel, the river has two meanings. First, the river is a mighty force to reckon with. For the white colonizers who do not understand the river’s ways, it is a death trap, capable of sweeping men away during the rainy season. The river is also a powerful symbol of fertility and survival, a means for the native people to thrive. It provides ample food and boundary lines for the Shuar, who also have a healthy respect for its power.

But the river also represents a trash can, a dumping ground. It is a grave for the dead, a receptacle for rotten teeth, and a trash can for garbage and guns. Throughout the narrative, the river transforms from a symbol of great power worthy of respect into a trash heap—though a vengeful one that is capable of killing drunks, the ill-informed, and the disrespectful.

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