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In an interview, Sam recalls Paulie as seeming “ordinary” in his jeans and T-shirt when he arrived at Mitchell School in the fourth grade. As in the role-playing game Underlair, one cannot judge a creature by their appearance. Sam describes a humorous incident between Paulie and Glebus in which he stuck pencils in his ears and nose and told her that he was an alien.
Caitlyn watches an episode of Megastar over breakfast on the second day of school. She cries, saying she’ll need to “learn a new set of rules” but still preserve her identity (64).
In Gabby’s interview, she says that personality types emerge in Megastar: a fighter, which is like Fiona; an archenemy, which is like Diego, except he also serves as her sidekick; an authority figure, like Ms. Glebus; and a disruptor, like Jadelicious or Paulie, who doesn’t follow rules or norms and doesn’t care about being well liked.
The students theorize about whether Paulie was an alien. Diego enters Mags’s classroom wearing a neon green T-shirt—the same shirt Paulie wore last year in the Devlinshire soccer game. Diego dumps out Paulie’s bag, which he found with the T-shirt in the school’s lost and found, and he reads printed emails from Glebus to Paulie’s parents. One email details a day when Paulie assembled a sandwich on his desk during class. The incident prompted Glebus to amend the school handbook to prohibit food preparation during class. Subsequent pizza deliveries and mayonnaise consumption inspired additional amendments. In a fourth email, Glebus writes that Paulie placed glitter piles on her fan.
Mags asks the students to imagine they are prisoners who have spent their entire lives in a cave; they have occasionally seen shadows, but they have never seen the objects casting the shadows. Once someone leaves the cave, they see the actual objects rather than shadows. When that person returns to the cave, they explain what they’ve seen, but the people in the cave do not understand them. The kids conclude that most people would likely think the individual is “nuts,” and they realize that it may be scary to leave the cave. Mags concludes the lesson by saying that they have learned Plato’s allegory of the cave, which is a “metaphor about unlearning assumptions” (78). While Mags assigns a reflection for homework, Fiona and Lydia wonder if Paulie escaped the cave they are trapped in, while others yell, “Alien!”
In an interview with Sam, Willow, Lydia, Thomas, and Timothy, they share stories Paulie invented: that he was an exiled prince from a republic called “Endrisistan,” that his parents were spies investigating Glebus for selling black market candles, and that he was Thomas and Timothy’s triplet. Sam says Paulie repeated things often enough to make them seem real.
Chapter 12 opens with the three steps for feeding a goat, which involve distracting the goat while someone quickly carries the feed bucket into the pen.
On the second day of school, Henry carries the feed bucket, but the goats notice and charge at him. Diego tries next, the goats charging him as well. Fiona tries, and when the goats charge at her, she invokes Paulie’s name while commanding them to stop, but they hit her anyway. Diego thinks the Paulie T-shirt brought him good luck because he successfully ran out of the pen. Caitlyn feels “maddened” that Fiona is laughing rather than humiliated by the goats knocking her over, and she composes new rules in her head: From Fiona, Caitlyn has learned to wear what you want to, to be loud, and to laugh when embarrassed. From Diego, she has learned to believe in good luck charms, to “fail anyway,” and to “fail to notice that you’ve failed” (85). From the goats, she has learned to create distractions and not get trampled.
At recess, Henry, Yumi, the twins, Diego, and Fiona occupy themselves with their favorite activities. Gabby, whose name Caitlyn thinks is “perfect for her” (87), shares background about the Originals. Yumi’s family are puppeteers, Willow’s mom is a yogi and has been with Sam’s mom since the first grade, Henry’s dad is on the town council, and Diego’s mom runs a daycare. Everyone starts talking about “ritzy” Devlinshire. Fiona’s mom cleans houses there, and the Originals theorize about the houses’ amenities.
When Timothy and Thomas end their zombie versus werewolf match, Henry suggests a Paulie versus Glebus match, and Fiona instructs Diego to give Paulie’s T-shirt to Thomas, who wins the match as Paulie. Caitlyn composes rules she has learned from the zombie-werewolf game: 1) attack whatever is before you until someone yells and 2) start over. The chapter ends with rules learned from Paulie: 1) eat mayonnaise, 2) wear “ridiculous things,” 3) disappear, and 4) become a “legend.”
In an interview with all of the Originals except Thomas and Fiona, they try to recall where Paulie was from and what his parents did. No one responds when Caitlyn questions why no one ever visited Paulie’s house.
Over lunch with Fuzzy, Caitlyn tries to imagine seeing the school through Kiera’s eyes before telling her a story about Paulie getting pizza delivered to the school. Kiera hugs Caitlyn, who immediately feels like something is “cracking” inside her. Caitlyn enumerates rules for “dealing with” Minis: 1) open their milk, 2) tell them a story, and 3) remember you are bigger.
That night, Caitlyn wishes the reflection were a multiple-choice assignment and doesn’t feel like she’ll discover anything, though she came close in sixth grade when she realized she needed an “instruction manual” to help her through awkward situations. Caitlyn writes that the allegory is about finding out that the world “is a lot more complicated than you realized” and that knowledge can, at times, be inexplicable (99). Caitlyn thinks that the Mitchell School is a cave—and suspects she’s the only one who has been outside of it.
Caitlyn thinks about how starting middle school was like leaving a cave; one has to learn what to wear and what the socially appropriate thing to do is at any moment. She remembers Anna Spang, who stood alone during kickball and walked with books tightly held against her chest. Anna’s wrongdoings reassured Caitlyn. Caitlyn remembers laughing with her friends at Anna, who pretended not to see them, and “turning into stone” on the inside (101).
Caitlyn settles into a routine at Mitchell and feels disconnected from her old friends. On the last day of the first week, Mags introduces the concept of δημοκρατίᾳ (demokratia; democracy) and allows the students to vote on whether they will discuss democracy or something more relevant. No students vote for democracy, but Mags tells the Originals it’s essential to their lives because they just participated in it. Mags collects index cards with topics that students think are more relevant to their lives than the humanities and promises that if she cannot connect a card’s topic to humanities, then the class can discuss what they want. Diego writes three cards about Devlinshire; Fiona writes cards about Paulie and about strong women, among other topics; and Caitlyn writes about bravery in the face of change.
During recess, Fiona laments that the excitement of the first week is over. Caitlyn calls Mitchell weird but not boring, citing, among other things, the school’s statue garden, the goats, and rules that “people never bother to write down, because they’re already obvious” (108). Fiona protests, and then Yumi points out Diego, Thomas, and Timothy, who make a scarecrow with sticks and rocks and put Paulie’s T-shirt on it. Caitlyn wants to ask what makes him “unforgettable”; she doubts her old friends are erecting a monument in her honor. Henry admits to Caitlyn that he’s not an Original, either, because he arrived in the third grade. Caitlyn dubs Henry and herself “Unoriginals.” Henry agrees with Caitlyn’s assessment that other places are different but says that different isn’t necessarily bad, and they are all Originals now, so they should make the best of it.
In an interview with Henry, he confirms he wasn’t just talking about the scarecrow when he said they should try to make the best of being at Mitchell. He meant everything.
Caitlyn texts her old friends daily, but they do not respond. Mira eventually texts that she’s planning a sleepover on the same day as the Devlinshire soccer game. Caitlyn texts that she doesn’t care about the game and that she can’t wait to return home.
Part 2 explores The Powers and Limitations of Storytelling as Paulie becomes the subject of school legend. Sam’s interview in Chapter 9 characterizes Paulie through clothing, presenting him at first as “ordinary” in jeans and a T-shirt. In the subsequent anecdote, Sam demonstrates the power of storytelling, transforming Paulie from ordinary to extraordinary. Ms. Glebus’s emails to Paulie’s parents also elevate Paulie’s status through storytelling, the form of which shifts from oral tradition to the written word. The retelling of stories about Paulie further speaks to the power of storytelling by solidifying his legendary status. However, Caitlyn’s character indirectly gestures to the limitations of storytelling: She relays the stories in a necessarily incomplete fashion because she wasn’t present during Paulie’s past antics. Nevertheless, storytelling has the power to bring comfort to characters in the first week without Paulie: Caitlyn regales Kiera with legends about Paulie to soothe her during lunches, and the storytelling in the reality TV show The Search for the Next Great Megastar becomes a source of solace for Caitlyn.
Caitlyn’s penchant for creating and following rules to guide her in life highlights her desire for order and clarity. The rules Caitlyn composes are a motif for The Odyssey of Self-Discovery and Personal Excellence as she strives to become a stronger, more capable version of herself. While other characters, like bold Fiona, bookish Henry, comical Diego, and enigmatic Paulie, have embraced their individuality at the Mitchell School, Caitlyn continuously turns to others for inspiration about how to “fit in.” Over the narrative, Caitlyn will discover that achieving true excellence is not a matter of following rules but a dynamic process of growth, self-acceptance, and the pursuit of one’s personal best.
The novel continues to draw a parallel between Megastar and life at Mitchell when Jadelicious has a similar realization about needing new rules for a new setting of the show. This parallel continues in Gabby’s interview when she introduces the personality types in Megastar. Her characterization of individuals as fighters, archenemies, authority figures, and disruptors within the context of Megastar bridges the show and the social dynamics at the school, allowing her to connect Fiona, Diego, Glebus, and Paulie to well-known archetypes. Her interview also illustrates how stories shape perceptions and categorizations, developing the theme of The Power and Limitations of Storytelling.
Allusions to ancient Greece highlight the ongoing relevance of classical philosophical concepts. For example, Mags’s lesson on Plato’s allegory of the cave becomes a motif for unlearning assumptions. Mags’s lesson in democracy likewise highlights the practical relevance of their studies and invites critical thinking about societal structures. By encouraging students to participate actively in decision-making processes, Mags empowers them and fosters a sense of ownership and responsibility for their education. She allows the characters to express their individual preferences and opinions before voting, shaping the lesson in a way that mirrors the democratic process.
Two symbols emerge in this section: goats and Paulie’s T-shirt. The goats symbolize challenges and distractions; the goat-feeding episodes in the first week serve as metaphors for overcoming obstacles. Throughout the first week, Paulie’s T-shirt is a symbol that connects the past and present, linking students to Paulie’s legacy. His former classmates often recall stories about him when the shirt is present, and its transformation into a “statue” of sorts reinforces the theme of Discovering Legacy Through Unconventional Paths.
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