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Amy visits Dorrigo in a room at the hotel, after the help have gone. She tells him that once she was pregnant, before she was married to Keith. He had not wanted to marry her yet but arranges for her to visit a doctor in Melbourne and have an abortion. When she returned, Keith wanted to marry her: “Maybe to make it up. […] I hated him for his kindness. I hated him until he hated me back. He said I’d tricked him into marriage” (126). They fall asleep together.
When they wake, she says that she loves Keith. Dorrigo thinks that if it were actually love, it wouldn’t make her feel miserable and alone, but he also knows that his relationship with Ella is a pantomime of its own. She asks him what his intentions are:
He felt she was trying to trap him into some expression of commitment that she could then reject as outright as possible. It was as if she wanted him to name whatever it was they had, but if he did that it would kill that very same thing (128).
Amy watches Dorrigo get dressed. She again thinks that she is a wicked woman but tells herself that she has no regrets: “Suddenly she wished he would just disappear. She wanted to push him away, and would have but she was terrified of what might happen if she touched him” (131). She asks him if it would scare him if she said she loved him. He says no and they have sex again.
Dorrigo begins spending any free time he can create with Amy. His life with her “seemed to be the only real life he had ever lived” (133). He has no interest in the army or in his surgical patients. Eventually he realizes that what she feels for him is more than lust, and he sees her love for him as a “scarcely believable ferocity” (134). Their desire makes them reckless, and they begin taking risks as if they want their spouses to catch them. When they make love, Dorrigo often feels that she is not there, “[a]s if he were only ever a vehicle for her to ride to another place, so distant, so unknown to him that a dull resentment momentarily rose in him” (136). They continue throughout the summer, until one Sunday night when Keith “told Amy he knew, and that he had always known” (136).
Keith tells her that he had known from the first time Dorrigo had returned to the hotel. Amy envies him because he always says what is on his mind. She, on the other hand, tests all her potential replies in her head, examining them several time for flaws before speaking. She realizes that she still does not know if she loves Keith or not.
When Keith—27 years older than she—had first begun paying attention to her, Amy had been both flattered and disturbed. The first night they were alone in the bar, she meant to tell him that he must stop, and instead wound up kissing him. After they married, “she came to discover a gentle, generous, caring man” (139). She has security and moderate wealth for the first time. But Amy wanted adventure and uncertainty: “Not comfort, but the inferno” (140). She never stopped him from trying to have sex with her, but she refused to kiss him, believing that her mouth must remain her own.
When she would return from time with Dorrigo, and Keith touched her, she would think that “love was universe touching, exploding within one human being, and the person exploding into the universe. It was annihilation, the destroyer of worlds” (141). There were many nights when Keith would lie at her back in the bed, sobbing, and she felt as if her stomach was filled with broken glass.
Keith and Amy play cards with the Robertsons one Sunday a month. They would often talk about scandals in the in the community, and “[i]nvariably, the sympathy of the table was with the partner who was left” (142). Amy is disturbed by their insistence that love is public and must be shared in order to be real: “Cheating is so easy,” says Elsie Robertson. “You just lie and abuse trust” (142). However, Amy knows that cheating is hard. If cheating with someone you love is being true to yourself, she sees the real cheating as the one perpetrated by continuing the marriage: “Why, when she felt that she had come to exist only through another person, did she feel such a terrible solitude?” (143).
On the night Keith told her he had known about her infidelity, he said he had hoped that she would come back to him after her infatuation with Dorrigo had burned out. He talks about the abortion and says, “I killed the baby and that killed us” (145).
Amy calls Dorrigo when he is at work and tells him that Keith knows. He immediately knows that this is when they will leave their spouses and begin their new life together. Amy instead tells him to go back to Ella: “Everything now was inverted. The more he wanted her, the more she pushed him away” (148). Dorrigo also feels relieved. He feels free, and that he can now devote himself to loving Ella. For reasons he does not understand, he says, “I’ll be back when it’s over. For you, Amy. And we’ll marry” (148). He is soon called to the war ahead of schedule and knows that he may never see her again.
Amy comes home from a swim to find Keith listening to the end of a radio program. She has come to hate the sight and sound of him. He tells her that, “it’s very bad news about our boys in Java” (150). Keith says that a man named Ron Jarvis told him that Dorrigo is most likely now a POW in Asia, but that he could also be dead. He smiles while he talks. It has already been three years since they have heard from Dorrigo. Jarvis says that the men are starving to death in the camp, and that they are suffering all manner of atrocities. Keith claims that Jarvis also told him that a man escaped from the camp and reported that Dorrigo has been dead for six months. Amy runs out of the room.
Keith lied to her about the death. Dorrigo’s name is on the list of those captured, but the death has not yet been confirmed. Later, he is sitting in his chair smoking: “He never heard the explosion that, with the subsequent fire, reduced the gracious four-storey, stone hotel to smouldering rubble, charred beams, and a two-sided façade” (156).
Most of Chapters 19 through 27 relate the backstory of Amy, Keith, the baby they conceived, and the fallout from the abortion that Keith insisted on. Keith’s equanimity when revealing that he has known about Dorrigo and Amy the entire time is a result of his fatalistic attitude towards their relationship. When he tells her that killing the baby killed their relationship, it shows that he has been mourning their relationship and expecting its demise for far longer than she has. Amy’s restlessness makes her a bad fit for a relationship with Keith, and both are eventually confused by how they wound up together.
Her despair reaches its zenith when Keith tells her that Dorrigo is most likely dead, killed in the POW camp. At that point, she had begun looking forward to the time when he would return, because he had—surprising them both—said that he would find her and that they would marry. Now she thinks he is dead, and the explosion that ends Chapter 27 will eventually convince Dorrigo that she is dead as well.
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