51 pages 1 hour read

The Men of Brewster Place

Fiction | Novel | Adult | Published in 1998

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 3-4Chapter Summaries & Analyses

Chapter 3 Summary: “Brother Jerome”

Jerome lives in Brewster Place with his mother, Mildred. Mildred “wanted life to be straight and simple” (33), working during the week and partying on the weekend. However, Jerome was born with an intellectual disability, which Mildred assumed was “punishment” for partying and skipping church. Against the Board of Education’s suggestions, she decided to keep Jerome at home. By the time the boy was five, he still wasn’t potty-trained, and Mildred was struggling to care for him. Mildred decided to send him to a school after all and avoided visiting it in advance “so her conscience could be clear” (34). Then, she planned a big going-away party for Jerome.

At the party, Mildred’s friend Bob got drunk and began sitting on the piano and playing it with his butt. When another partygoer tried to get him to stop, Bob seized a lamp and swung it wildly. The light moved around the room and across Jerome’s face as he ate ice cream on the couch. In the commotion, the boy got up and sat at the piano, where he began “sending out a boogie-woogie that could have put even the likes of Jelly Roll Morton or Count Basie to shame” (35). Silence fell as the partygoers witnessed the “miracle” of Jerome’s playing. They quickly discovered that Jerome needed the light from the lamp to play, and Mildred’s friends partied all night to his music.

The sudden revelation of Jerome’s skill made Mildred feel special as well. She began charging admission to her house parties and earned enough to buy a new television and living room set. It soon became apparent that any light would set off Jerome’s playing, so Mildred would leave the curtains up to let the sun in while she was at work, and Jerome would sit at the piano all day long. Now 17 years old, Jerome still cannot write his own name or go to the store, but his music radiates throughout Brewster Place, “filling the street with the sound of a black man’s blues” (37).

Chapter 4 Summary: “Basil”

Ben remembers the cold winter day when Mattie Michael moved to Brewster Place. It was snowing, and Ben watched her move in with a van full of plants. He knew that her new apartment would get little sunlight and that most of the plants would die, but Mattie refused to pity herself or her plants. She was “one of the finest women” Ben knew (42). According to rumors, she came to live on Brewster Place because of “a no-good son” (42), but Ben never pried into other people’s business.

Mattie’s son’s name is Basil. Basil ended up in jail after he accidentally killed a man in a drunken brawl, and Mattie used her house as collateral to bail him out. When he fled, she lost the home she had worked her whole life to pay off and was forced to move to Brewster Place. Basil worked three jobs for three years and saved his money to pay his mother back. He dreamed of the day he would be able to “honor her trust” and “truly become a man” (43-44). One day, he even went to Brewster Place to see where his mother lived and briefly spoke to Ben. However, he didn’t have the courage to reveal his true identity.

By the time Basil had saved the $47,000 he needed for a deposit on a new house, Mattie was dead. He left the check on her grave. Basil decided that he wanted to be in a serious relationship where he could become “the father [he] never had” and “act like the man [he’d] finally grown up to be” (46). First, he visited Mattie’s hometown of Rock Vale, Tennessee, hoping to meet his father. Rock Vale was a small town, and Butch Fuller was easy to find. Butch told Basil that he knew that Basil was his when Mattie got pregnant, even though the doctors had told him he had a low sperm count and that having children was unlikely. Basil asked Butch questions for an hour. When he finally stood up to leave, Basil exploded at Butch, upset that the man hadn’t even asked him his name. Butch told Basil that he’d been thinking of his name since his birth and wished him a safe trip.

Upon leaving, Basil worried that he might have inherited his father’s low sperm count, which turned out to be true. However, this made him feel like his birth was miraculous. He began searching for a wife, announcing on first dates that he was “looking for a commitment” (50); to his surprise, this scared women off. He understood that women had reason to be cautious of men, but he also argues that “black men weren’t the only reason for the mess black women were in” (51). Eventually, he met Helen, the boss’s secretary at the umbrella factory. She was well educated and had a good sense of humor, though she wasn’t conventionally beautiful. Their relationship began to get serious, and Basil met Helen’s friends and family.

He decided to tell her about his past one Sunday after church. However, during the service, he was distracted by a young woman with two small boys. The boys were four and six years old and angering their mother with their fidgeting. Helen told Basil that the woman, Keisha, was her cousin and “bad news.” After the service, Keisha hurried over to say hello, even though Helen tried to avoid the other woman. She was just 20 years old, and Basil noted that “her dress was too short and her perfume was loud” (53). Then, the youngest boy, Eddie, looked up at Basil and asked if he was his daddy. Keisha hit the boy and warned him to stop embarrassing her, but Basil crouched down and introduced himself to the boys, asking what they would like to do with him if he were their father. The older one, Jason, told Basil that a “real daddy would take [them] to the circus” (54). He asked Helen if they might take the boys to the circus one day. She made an excuse about work but didn’t argue against Basil taking them.

The following week, he picked up Eddie and Jason and took them to the circus. The next week, they went to a baseball game, and the week after that, they went to a rodeo. Basil invited Helen along, but she continued to make excuses and warned him that he was becoming too attached to the boys. He argued that he could break “the cycle” and “make a difference in the lives of those boys” (57), but Helen had no interest in becoming a stand-in mother to Eddie and Jason. Helen began to pull away, but Basil was focused on the boys. One night, he babysat and watched movies with the boys while Keisha went out. As he dozed, Jason tried to wake him up for the best part of the movie, calling him “Daddy.” Eddie insisted that Basil was not their daddy because “Daddies go away” (59). Basil promised himself that he would never leave the boys and convinced Keisha to marry him.

They both knew that the marriage was for the boys, and Keisha kept up her stream of lovers. She respected Basil, though, and he stopped her from hitting the boys and diminishing their self-confidence. Basil thought they could become anything they wanted and worked double shifts to start a college fund for them. However, Basil got angry when he learned that Keisha was introducing her lovers to the boys. They had a huge fight, and the next week, a pair of detectives showed up at Basil’s job with an arrest warrant. Basil asked if he could go home to say goodbye to his sons before they took him away. He found the two boys watching television while Keisha was locked in the bathroom.

Basil hugged the boys goodbye and promised to come back. Eddie reminded Basil that his seventh birthday was the next day. Basil promised not to run if the detectives let him stay, and Eddie and the boys both had tears in their eyes when they told him no.

Basil served six years in prison for involuntary manslaughter. The boys were never allowed to visit him and didn’t receive the letters he sent. In his absence, Jason served time in juvenile detention for theft and assault, and Eddy built a “hard and permanent” shell around himself (64). Basil is determined to regain the boys’ trust, but he wonders if his presence would have made any difference in the path their lives took.

Chapters 3-4 Analysis

Chapter 3 tells the story of Brother Jerome, a child with an intellectual disability who unites Brewster Place with his music, highlighting the theme of Community and Isolation in Individual Survival and Success. Living in a racist, patriarchal society isolates the novel’s Black male characters, even from one another, by framing their inability to achieve certain normative markers of manhood as a personal failure. This makes it difficult for the men to recognize the systemic nature of their problems and support one another. However, Naylor highlights a few situations where the men can connect and build community. One example of the threads that connect these men is Brother Jerome’s music. Ben describes how Jerome’s music is “the sound of a black man’s blues” (37). It tells a story, and Ben claims, “It was your story if you listened real hard” (32). All the men on Brewster Place hear their struggles in Jerome’s music, responding with a chorus of “Amens.” While the problems the men face are complex and multifaceted, they stem from the systemic racism, oppression, and marginalization that Black men experience in American society. Their shared reaction to Brother Jerome’s music suggests how the men’s experiences are linked.

Brother Jerome’s story also highlights the importance of capital in the perception of manhood. While Jerome fails at the conventional measures of masculinity due to his intellectual disability, he is still perceived as having worth because of his “genius” ability with the piano. Many of the characters define their worthiness as men around their ability to provide for their family and accumulate wealth and power, and Jerome can do this, albeit inadvertently. His mother charges admission to the house parties that Jerome plays at, making enough money to buy herself a new television and living room set. However, Jerome has no agency over his work or income, indicating how Black bodies have long been exploited for profit.

Chapter 4 focuses on Basil, whose story is the first to significantly reimagine the narrative of The Women of Brewster Place, adding nuance to the two novels’ exploration of relationships between Black men and women. Mattie Michaels, Basil’s mother, is a central character in The Women of Brewster Place. She dedicated her life to her son, spoiling him and catering to his every need, only to lose her home and be abandoned when Basil committed a crime and ran after Mattie spent her life savings to bail him out of jail. Mattie’s story illustrates how Black women are often victimized and further marginalized by the men in their lives. However, in The Men of Brewster Place, Naylor subverts this narrative to illustrate the complexity of Black men’s experience, showing how they are also affected by systemic racism and oppression in American society. Instead of the lazy, selfish young man portrayed in Women, Basil is hardworking and desperate to become worthy of Mattie’s love. He ran because he didn’t believe “in the system” and was sure that he would be convicted because he is a Black man (45). However, his embarrassment for not being “the man [he] always wanted to be” kept him from approaching his mother until he had the economic means to back up his manhood (43).

Basil’s idea of what it means to be a man revolves almost exclusively around fatherhood. Having let his mother down, he decided to “be the father [he] never had” (46). However, this hyper-fixation invites other critiques of his manhood. He married Keisha to support her children but failed to fulfill his duties as a husband, causing their marriage to disintegrate and Keisha to accuse him of not being “man enough to have any kids” (61). He attempted to break “the cycle” of fatherlessness and protect the “endangered species” of young Black men. However, as a Black man, Basil was already stuck in the same cycle and didn’t have the sole power to break it. He was taken away from the boys against his will, indicating the systemic disadvantages he faces. Basil’s unsuccessful attempts to break “the cycle” due to the broader systemic structures around him underscore Naylor’s exploration of Performative Masculinity and the Impact of Systemic Racism.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 51 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools