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The Lincoln Highway weaves the stories of the hero figures in Professor Abernathe’s Compendium throughout the narrative, juxtaposing the similarities between the lives of the heroes with the unfolding of the events over the 10 days covered in the novel. Of the 25 celebrated figures featured, some are featured more prominently than others, but the relevant details of the lives of heroes specific to the circumstances at play are introduced at regular intervals through Billy’s incorporation of the Compendium into all of his interactions and private thoughts. Through these comparisons, it is gradually revealed that The Lincoln Highway is itself a hero’s story of redemption and self-discovery. At the center of the novel, Emmett figures as the main hero, but the story of Ulysses also provides a direct link between two men whose experiences, separated by thousands of years, mirror one another, and through which Ulysses Dixon seeks the path to his own retribution. The characters surrounding both Emmett and Ulysses serve essential roles in propelling their journeys forward, whether through providing assistance or presenting obstacles. The heroes in Professor Abernathe’s Compendium all face challenges both internally and externally, through challenges provided in their interaction with the outside world and in their own struggles to come to terms with themselves, their past transgressions, and their areas for growth.
Emmett grapples with his efforts to control his temper, as he promised his brother he would despite the escalating tests of his patience as his attempts to accomplish his original mission of driving to California are repeatedly thwarted. Often his sense of justice and the tug of war between right and wrong present him with a conundrum in the context of his promise to his brother. Finally, at the end of the novel, Emmett finds a balance between his instincts and his responsibilities, indicating that his hero’s journey has been about bringing harmony to the two sides of himself that he previously saw as conflicting interests.
Ulysses struggles with the guilt he feels about leaving his wife and child, but he acknowledges that the equal measure of guilt he felt over not joining the army in wartime compelled him to make his impossible decision. In this way, Ulysses’s hero’s journey is about his inner journey to understanding the two decisions that brought him to his current state stem from the same inner conflict and can thus be overcome by with the single resolution to seek out his wife and child.
In Professor Abacus Abernathe’s sole chapter, his conviction that the trajectory of a hero’s life is not exclusive to those celebrated in history and literature is revealed. He believes the diamond-shaped pattern Professor Abernathe envisions as a hero’s broadening and subsequent convergence in their pivotal experiences is applicable to the lives of each and every person. In his concept of the diamond- shaped life path, critical events propel the hero’s life from its expansion to its narrowing, and throughout The Lincoln Highway interactions between the novel’s characters constitute a collective narrowing of their trajectories, propelling them toward their inevitable fates. While his conceptualization of this universal course of events may be applicable to all, the designation of hero is not. Many characters provide supporting roles to the hero figures in the story while others are direct foils to their plans. Both Billy and Professor Abernathe see their roles clearly, Billy must help Emmett at his hour of crucial need, and Professor Abernathe is strategically placed not only to affirm Ulysses’s thought that he might yet be reunited with his family but also to embrace the promise of his own adventure offered by the opportunity to accompany Ulysses on his quest.
For Emmett, Billy, Sally, Woolly, and Duchess, their relationships with and perceptions of their fathers factor prominently in their interactions with the world and their sense of themselves in it. Rendered more pronounced by the relative lack of influence on the part of their mothers, all of whom are absent in various forms, their fathers’ roles exude an even broader significance. Ranging from outright adoration to complex confliction or barely contained contempt, each character’s own perception of their father propels them in their decisions and behaviors. When Woolly’s father enlisted in the navy before the Second World War, his departure and subsequent death issued a crushing blow to the young boy, and the emotional impacts of this loss are obvious to Sarah, who has always been closest to him. Woolly’s preoccupation with his childhood, particularly with the time he spent at his family camp for the annual July 4th festivities, serves as his means of maintaining a connection to a happy time when his father was still with him. Woolly frequently expresses the wish that his father were with him, especially in times of uncertainty.
For Emmett, his father’s continued failings in his attempt to make a livelihood as a farmer were a source of embarrassment and shame. The financial struggles their household endured as a result inspired Emmett to pursue a career as a carpenter, so he might avoid placing himself in his father’s position where a lack of skill might put him in debt and in danger of losing everything. Emmett struggles to understand why his father left Boston and the family there of which he spoke so fondly, but he comes to realize that, he and his father are the same when it comes to their dreams of pursing a different life. When Emmett realizes the extent of the security and affluence his father rejected in the service of pursing his own way in the world, Emmett begins to respect his father’s choice, even if he does not understand it.
Duchess’s experience with his father is one of emotional and psychological abuse suffered at the hands of a man whose greed, narcissism, and alcoholism ultimately lead to the framing of his son for a serious crime he himself had committed. Though any intention to kill his father is not expressly stated in his narrative, Duchess’s planned trip to Syracuse and the Louisville Slugger he brings along indicate his plan to cause his father serious physical harm. Although Duchess harbors hatred for his father, who abandoned him, collected him at the orphanage two years later only to watch him sentenced to time in Salina for a crime he himself committed, Duchess retains a fondness for the culture of his childhood. He regularly recites the lines from Shakespeare his father so often performed and cherishes the relationships and experiences he garnered in his father’s company. There is a sense of admiration for his father, his bravado and skills of manipulation, and Duchess has not been able to avoid absorbing so many of these qualities himself, including his selfishness, which are subsequently visited on all those with whom Duchess interacts.
Sally rarely manages to contain the resentment she feels for her father. She perceives him as greedy, entitled, and condescending, and she detests the role she has been made to play as his caretaker and housekeeper since the death of her mother. Tensions are present throughout her childhood and young adulthood, but by the time she confronts her father for the speed with which he purchased the Watson farm, the moment her father blames himself for the way she turned out and accuses her of being “ruined,” Sally makes the a decision that will communicate to her father that she considers her responsibility for him at an end. Leaving the farm for good, Sally distinguishes herself as a “goer” and not a “stayer,” rejecting her father’s complacent life of farming and selfish expectations that his daughter cook and clean for him without cessation and choosing what she comes to see as the virtue of finding her own path and purpose in the world.
The young men incarcerated at Salina in The Lincoln Highway all hail from disparate backgrounds. Their offenses, their varied upbringings and life circumstances, and their individual value systems divide them, and they end up colliding with each other and with the establishment. They are all inevitably and irrevocably changed by their offenses and the experience of their incarceration, and their decisions upon release are set to determine the rest of their lives. Salina is a turning point for those who find themselves sent there.
Both the newer Warden Williams of Salina and Sherriff Petersen give Emmett very similar advice upon his completion of his sentence at Salina. While both tell him that his future decisions will now affect the rest of his life, both acknowledge the inherent goodness in Emmett and the marked distinction between Emmett and the other young men who typically find themselves at Salina. Sherriff Petersen, having seen the way Emmett accepted the beating at the hands of Jake Snyder, warns Emmett that embracing a life of pacifism after such a grievous offense might be admirable but will not serve Emmett well in the end.
Both Emmett and Townhouse, guilty of their crimes, finished their sentences. Emmett has resolved to tamper his temper as the only one left to care for his brother, but he must also balance his fear of revisiting future consequences of his own impulsivity with his need to advocate for himself and his brother. The fact of his escape indicates Duchess’s solidified attitude toward law and authority; while he may have been innocent of the crime for which he was convicted, in his escape, his subsequent assaults, and his willingness to harm Emmett when Emmett inevitably insists that he turn himself in, he has chosen how he will conduct himself in the world thereafter. For Woolly, whose escape was largely influenced by Duchess’s coercion and the promise that he would return to his family camp, daily life at Salina was becoming unbearable. Woolly, who detests days that seem to repeat themselves, in which there is no excitement or variation, has become increasingly traumatized by his existence in Salina, to the point where an unethical nurse has seen fit to dose him with anxiolytic sedatives to ensure his manageability. With the nurse dismissed for her handling of Woolly’s care, Woolly knows his supply of the medicine is dwindling and dreads how he will feel when the supply has run out. He can neither survive in Salina nor fathom settling into an oppressive daily routine like the one he is certain will be waiting for him when he finishes his sentence.
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