40 pages 1 hour read

The Last Wish

Fiction | Short Story Collection | Adult | Published in 1993

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Symbols & Motifs

Fairy and Folk Tales

Sapkowski frequently draws inspiration from fairy and folk tales, typically from the European tradition; his takes on these age-old stories are often much grimmer than the source material, in keeping with the dark fantasy atmosphere of Geralt’s world. Many are immediately recognizable to the reader—for instance, “A Grain of Truth” draws from “Beauty and the Beast.” Other allusions are a bit more esoteric, such as the hedgehog knight in “A Question of Price.” However, even when Sapkowski draws from these tales, he also alters them. For example, although “The Lesser Evil” has elements of “Snow White,” Renfri, the “Snow White” analogue, is a vengeful assassin. 

Fate and Destiny

The oppressiveness of fate is a motif throughout the collection. Geralt is a product of fate, since witchers are destined for their training at birth. Geralt is mostly resigned to his fate; however, he pushes back against it in subtle ways. For one, although he is a strong adherent to his witcher code, one of his first professional acts was helping a random passerby—a decision that ostensibly goes against this code. In general, he listens to his conscience and obeys its dictates when it conflicts with the code. Other characters, too, find ways to push back against fate: Yennefer is seeking treatment to have a child, something sorceresses’ are not fated to do.

Silver

In keeping with horror and fairy tale motifs, silver frequently pops up throughout the collection, chiefly as a weapon against monsters. Geralt’s sword is made of silver explicitly to combat monsters and his silver medallion warns him of magical events, jumping and spinning to alert Geralt that there is trouble ahead. That said, in some ways, silver is a red herring, given that many of the monsters encountered in the collection are actually just terrible human beings—and silver does not harm them. 

Misdirection

Misdirection is a motif not only in the usual storytelling sense of plot development, but is a feature of character and dialogue. Characters are constantly wrestling with ambiguities of language and circumstance. One early example of this is Foltest’s edict in “The Witcher” that the striga must not be harmed—an edict that even Foltest himself is willing to go against in order to protect his land from the monster. “A Grain of Truth” rests on a kind of misdirection—Geralt must root out what’s true from what’s false in order to save Nivellen. In a larger sense, the constant misdirection represents a deeper truth about the stories’ world: Anyone paying attention to the right cues can understand it, despite its chaos and ambiguity. 

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