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Hercules recounts the mythical hero’s seventh labor to capture the Cretan Bull, sent by Poseidon to King Minos. The king was supposed to sacrifice it to the god, but the animal was too beautiful, so he set it free. However, once the hero captures the bull, he sets it free again. The boy Hercules considers this poor planning.
In early January, snow falls every day, and work at the Nursery increases, especially the shoveling. One Saturday morning, the snow stops, so Hercules and Mindy walk to the Dune for sunrise. However, the weather shifts abruptly when fog rolls in and icy snow begins to fall, making conditions treacherous. When Mindy runs down the Dune, she lands funny and yelps. Carrying the 50-pound dog, Hercules rushes home, where he sees a note from Achilles that he drove an injured friend to the hospital. As a result, Hercules races to Mr. Moby for help. They wrap the dog in a blanket and carry her on the bus, Hercules holding her tightly. Because the bus chugs and jerks in the snow, Hercules must help Mr. Moby hold the gear shift in place. Eventually, a policeman pulls them over. When the cop sees Mindy, he instructs Mr. Moby to pull the bus into a rest area, where they pile into the police car, and, with the siren on, they head to the animal hospital. There, a veterinarian miraculously shifts Mindy’s leg back into place and wraps it. An hour later, everyone is home, and Mr. Moby invites Hercules inside for grilled cheese and tomato soup.
In his reflection, Hercules notes that the Cretan Bull was only wild and mean when it was not with the mythical hero. He concludes that this is the case with people too; they may seem angry, but, sometimes, they are not. This leads him to wonder what the drunk driver who killed his parents is like when he is not drunk. Lieutenant Colonel Hupfer praises his observations, and Hercules earns an “A-.”
By mid-January, Achilles decides that the Nursery will sell firewood, so Hercules and Ty are tasked with splitting an endless supply, which causes not only exhaustion but also terrible blisters. At night, the Ugly Cat Pack finds the wood pile, peeing and pooping everywhere. Hercules begins watching the cats from his bedroom window. Without fail, they arrive every night and prey on small animals, whose shrieks are horrible. After they make their kill, the cats lick blood off their paws and trudge away. When Achilles asks about the screaming, Hercules shares his observations. That day, they find the bloody remains of something furry. Seeing this, Hercules knows that his eighth labor has arrived because it is eerily like when the mythical hero had to capture the people-eating horses of Diomedes.
Achilles and Hercules plot how to dispose of the ugly cats, but all options seem inhumane. The screaming continues until one night it is different: There is one horrid shriek, and in the morning, they discover cat footprints and blood everywhere. One night Hercules spies the ugly cats, and as they cautiously creep in single file, a shadowy something snatches and kills one while the rest scatter. Hercules knows this is nature but is shaken, nonetheless.
In the mornings, Achilles regularly accompanies Hercules to the Dune, while at night the screams continue. Mr. Moby tells Hercules that it is coyotes and that he has set traps to catch them. Hercules waits, hidden behind a stone wall, until he hears the cages close and panicked barking begin. Then, Mr. Moby comes down with a shotgun and instructs the boy to shoot, but Hercules cannot do it. In the morning, animal control agrees to set them free in Maine, where they will be happy.
Hercules reflects that it is harder to be compassionate toward something that shows you no love. However, remembering the coyotes’ being happier in Maine, Hercules ponders the joy of others. Lieutenant Colonel Hupfer tells Hercules that his parents would be proud of him. The boy earns an “A.”
One morning, Hercules stops by Mrs. Savage’s house as she ties ribbons around the statues. They talk about the hippo, Ira, which represents Mrs. Savage’s late husband of the same name. Hercules helps her tie ribbons around the remaining statues. However, a few days later, she reveals that she must sell her sculptures. In school, when Lieutenant Colonel Hupfer checks in, Hercules shares Mrs. Savage’s story. Even the Lieutenant Colonel knows about Ira the hippo. The man asks what Hercules is going to do.
Meanwhile, Mrs. Savage buys trees for her yard, and when Hercules helps plant them, he expresses regret about her sculptures. Mrs. Savage confesses that some things are inevitable, especially when money is tight. She invites the boy to attend the art auction with her. The night of the gala, Mrs. Savage admits that she is not ready to say goodbye to Ira. Then, Hercules reveals his plan to bid on the hippo. When Mrs. Savage is whisked away, Hercules admires Ira. A man approaches and talks with the boy about the statue, correctly deducing Hercules’s plan. He smiles at Hercules, admires the statue, and adds that he hopes the boy wins Ira. This causes Hercules to recount the mythical labor to get Hippolyta’s belt, and he marvels at the hero’s mistake. Getting the belt was easy, but Hippolyta’s Amazons were incited to fight by Hera. Instead of giving the belt back, the mythical Hercules killed Hippolyta and her warriors.
After dinner, the man, who is the auctioneer, gives Hercules a paddle to bid. The boy has $76. The auction begins with bids for Eleanor, the baboon, and Hercules is horrified when it sells for over $11,000 to Mrs. Kinnamon, the same woman to whom his parents were delivering flowers on the day they died. Mrs. Kinnamon buys many statues, and he feels anger toward her. The final auction item is the hippo, and the man asks Hercules to start the bidding. The boy holds up his paddle and bids $76. When people laugh, the man reveals Hercules’s plan to return the statue to Mrs. Savage. Everyone goes silent. They nod when the man remarks that this generous act would be a fitting end to the evening. Mrs. Kinnamon tries to bid, but the man ignores her and sells Ira to Hercules. Mrs. Savage is ecstatic. When Hercules unties the ribbons from Ira’s neck, Mrs. Savage puts them on her belt.
Upon reflection, Hercules notes that he wanted to make sure Mrs. Savage got what is rightfully hers, which is what the original hero should have done with Hippolyta’s belt. He notes that when something is fixable, a person should do something about it. In his feedback, Lieutenant Colonel Hupfer shares that bad things happen that people are stuck with, which suggests that he himself has endured tragedy. Hercules earns a “B-.”
These labors develop the theme of The Benefits of a Shifted Perspective as Hercules’s perspective on people he has previously disliked shifts. Mr. Moby is usually mean, but when he sees Mindy’s injury, he drives his bus in treacherous conditions to the animal hospital. Hercules reflects on the man’s actions in his assignment: “You see someone every so often and they seem to be a jerkface, rampaging around. But then you’re with that person, and it turns out he’s totally different. Maybe you could even imagine being friends” (215). The boy acknowledges that appearances may be deceiving, so much so that someone once considered a foe could be a friend. This shifted perspective leads Hercules to consider his parents’ deaths: “I sometimes wonder what the guy who killed my parents was like when he wasn’t drunk. Maybe he wasn’t what I think he was. What was he like in the between times?” (215). This question shows that, despite his anger and grief, Hercules realizes that the villain in his parents’ deaths is a complex person too. Changing how he thinks about the man is helping Hercules process his grief; although still in pain, he is letting go of his anger. In his feedback to the boy about his reflection on the Cretan Bull, Lieutenant Colonel Hupfer notes that “anger, corrosive as it is, could have prevented you from ever coming to your concluding observation—but as you point out, even the Cretan Bull could, at least for a time, stop raging” (216). This compliment stems from the man’s earlier advice not to act out of anger. Hercules’s reflection demonstrates not only that he sees past Mr. Moby’s crankiness but also that the boy himself is not as angry because he is able to view his parents’ killer with empathy. This new perspective is a manifestation of increasing maturity.
Similarly, the boy Hercules’s perspective on the mythical Hercules as a hero is shifting. As he encounters his own labors, he reflects on the mistakes his namesake made to help him understand himself and the world better. For example, instead of killing the coyotes, Hercules sees animals that are afraid, and he takes them to animal control instead. He chooses happiness for the animals instead of killing them. This mindset indicates a shift from his self-centered grief and anger to a more empathetic focus on the happiness of others. He even poses this question in his reflection: “Who would not want to give someone else happiness beyond belief?” (240). Before the start of the school year, Hercules thinks only of his own happiness—or lack of it. Therefore, this question encapsulates how much he has grown throughout this assignment because he now considers others first. Ultimately, shifting his perspective allows Hercules to connect with others, build empathy, and learn lessons.
Hercules’s increasing maturity fuels another theme: Community Impact on Individual Healing. After getting support from the community in the wake of his parents’ deaths, in these labors, Hercules returns the favor by helping Mrs. Savage through a difficult time. When she is forced to sell her statues for much-needed income for home repairs, she tells Hercules that she is “not ready [to say] goodbye” (254). The goodbye she refers to is selling Ira, the hippo statue that she sculpted as a reminder of her husband of the same name. Hearing this and learning from the mythical hero’s labors, Hercules recognizes that a final goodbye to someone who is gone is not needed because they will always be a part of one’s life. As a result, Hercules concocts a plan to return the statue to Mrs. Savage. When he succeeds, he goes “over to Ira and untie[s] two of the six green ribbons from around his neck. [He] [gives] one of them to Mrs. Savage, who tie[s] it around her waist like a belt” (264). The following day, he ties “the other green ribbon beside Mindy’s collar” (264). This action symbolizes the idea that a person does not have to say goodbye to a loved one but rather that their memory can return to help comfort and heal. The ribbon on Mrs. Savage’s belt is comforting because it helps her remember her husband, while the green sash on Mindy’s collar is a reminder of Hercules’s parents. Together, the woman and boy are helping each other heal and bear the loss of loved ones.
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By Gary D. Schmidt