35 pages • 1 hour read
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Given that the novel is centered on Young-sup’s aspirations to participate in the kite fights, kites are the most significant symbol in the story. Fundamentally, kites are a symbol of Honor and Tradition, with kite fights a significant cultural element of 15th-century Korea. As a centuries-long ritual, the kite fights show the importance of maintaining cultural identity while also emphasizing the rigid codes of behavior neo-Confucian society enforced. Making and flying kites provides the Lee brothers with a chance to test the boundaries of these codes and imagine a future that is less strict.
For Young-sup, “kite magic” is a source of wonder, escape, and freedom: “The kite was like a part of him—the part that could fly” (13). Confined by the societal expectations of being “second son,” flying kites is when Young-sup feels most capable. For the first time, Young-sup has something he excels at, and has an opportunity to gain his own recognition and represent the Lee family, which is unheard of for a second son.
Young-sup is so passionate about kites that his emotions are directly affected by flying, and the movements of the kite in the sky even mirror Young-sup’s own internal emotional landscape: “[The kite] took a great swooping dive and seemed as surprised as he was” (78), when Young-sup finds out about Kee-sup’s request. When Lee Young-sup is distraught about his argument with Lee Kee-sup, despite the kites being a source of tension between the brothers, flying immediately makes him feel better: “[T]he pain eased as he flew, like a swelling going down” (77).
To become the best young fighter, Young-sup must practice tirelessly on his maneuvers and technique—in this way, the kites teach Young-sup about dedication and hard work. As a child who is naturally impatient with most things, kite flying, especially learning how to “read” the wind, is one activity for which he has endless patience. Most importantly, the Lee brothers learn important lessons about Family and Brotherhood through kite-flying. The entire process, including constructing and flying, requires both of their skill sets and collaboration. Just like the tiger kites that Kee-sup decorates, the brothers learn to celebrate their similarities and differences, and learn that to win the competition, they must learn to trust each other.
Inspired by a real king of Korea named Seongjong who ruled from 1469-1494, the young boy King character is a symbol of power and authority. Because of his young age, he does not yet rule the country, but nevertheless serves as its figurehead. The unquestioning respect and loyalty that everyone demonstrates toward him shows just how ingrained the class structure is in this neo-Confucian society.
However, despite being an active participant in upholding this rigid system, the young King is also a conduit for change. Because he holds so much power, it is unlikely that anyone of lesser status would be able to affect departures from tradition. The King is eager to form interpersonal, authentic relationships with his peers, as seen with the Lee brothers, which is a radical departure from a monarch remaining untouchable and inaccessible by their subjects. His commitment to be treated as their equal when they play together reminds readers (and the Lee brothers) that he is still just a child looking to make friends, and that the King is a person trying to navigate their rigid system just like them. The changes the King makes to the kite fight rituals are initially met with surprise, but his wish to acknowledge the kite makers and to inspire the crowd with the lantern kites symbolize his desire and capability to make changes for a more inclusive society.
The motif of skills and hard work appears as a critical value in 15th-century Korean society, and the ways in which characters engage with this value reveal much about their motivations. In neo-Confucian Korea, a person’s purpose is decided for them by social codes, and that does not always coincide with an individual’s passions. Park also alludes to the inherent sexism of this social structure in referencing the role of women. Women’s labor goes especially unnoticed, and despite the demanding work of managing households, they are not even allowed to leave the home. With the sole expectation of running a family and remaining obedient to their husbands, women hardly had any opportunity to explore their interests.
The Lee brothers each have their inherent, natural abilities, but because of their birth order, neither can pursue what they are truly passionate about. Kee-sup studies hard in hopes of becoming a court scholar, while Young-sup begrudgingly prepares himself to one day take over his father’s business—working hard for jobs neither of them actually wants.
The Lee family is of a lower class, but Rice Merchant Lee has worked hard to make a reputable business and provide a comfortable lifestyle for his family. His reputation among his colleagues and prioritizing of Kee-sup’s education reveal that he is a hard worker and cares about his children, intent on creating the best future possible for his family. As someone who believes in the rigidity of the class system, he is disappointed in his sons’ dismissal of the norms. However, in their own way, Kee-sup and Young-sup prove to their father that their hard work and skills were worth the break with tradition, gaining recognition for the Lee name not just from the King but everyone in Seoul.
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By Linda Sue Park
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