52 pages 1 hour read

The Keeper of Stories

Fiction | Novel | Adult | Published in 2022

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Themes

Storytelling as a Means of Connection

Content Warning: This section of the guide includes discussion of death by suicide and death.

People use stories to connect. The deeper meaning, symbolism, and themes in stories teach valuable lessons, and character archetypes instruct audiences on human psychology and interaction. The Keeper of Stories rests on a foundational belief that stories connect people, and Janice’s experiences demonstrate lessons learned from these connections.

Even before Janice meets Mrs. B and Euan, she collects the stories of others. Her clients’ stories inform her relationships with them and allow Janice to know them more meaningfully. Her understanding of Geordie Bowman is an example: To most, he is a famous opera star, but to Janice, he is a self-made man who took on risk and adventure after being inspired by La Boheme as a young man. He is also a father and widower still grieving his wife. Knowing Geordie’s story affords Janice a close connection to him that transcends their client-cleaner relationship. Geordie providing Janice with a place to stay is proof of their connection.

Stories immediately connect Janice and Mrs. B. When Janice insists that her personal story is not worth telling, Mrs. B asks about her favorite novel and then is inspired by Janice’s choice of Vanity Fair to tell the Becky story. Janice and Mrs. B foster friendship through the retelling of Becky’s story, discussing Becky’s actions and decisions and using her tale as a springboard to discuss more personal topics. The end of Becky’s story launches the reveal of Janice’s traumatic family history, which cements Janice’s close connection with Mrs. B. This connection helps Janice overcome her self-imposed guilt regarding her mother’s fate.

Janice also learns important lessons from Euan’s stories. When Euan indicates that he himself has multiple stories—implying that his identity was shaped by several different “plots” and conflicts, some of which he rejects—Janice is shocked. She always envisioned that a person’s story “reads” as one single through-line of action. However, Euan shows her that one’s life can be a series of stories, some that prove formative and others that go unacknowledged in the interest of health, happiness, and fulfillment. Most of all, he shows Janice that new stories are always possible. Through her clients, Mrs. B, and Euan, Janice comes to appreciate how these various stories intertwine in the fabric of one’s self-identity.

The Complexities of Self-Worth

This character-driven novel includes a varied cast of characters with disparate personalities and self-perceptions. Mrs. B is strong and poised, Tiberius is self-important and pompous, and Euan is modest in his service-oriented jobs. Janice’s self-perception is juxtaposed against those of these characters in that her self-worth changes throughout the story. Initially, Janice’s view of herself is dictated by the way others perceive her, but she grows more vocal about appreciating her traits, desires, and goals as the story progresses. As Janice’s arc demonstrates, self-worth is influenced by others but ultimately controlled by oneself.

Early in the novel, Janice is neutral on the topic of self-worth. Her quiet life and stoic mannerisms echo the words of Tiberius and his wife, Mrs. YeahYeahYeah, who arrogantly dismiss her as “just” a cleaner. While she appreciates that friendly clients like Geordie and Fiona respect her work ethic, she passively endures this dismissive treatment. Her nonreactions show that Janice does not question and is not bothered by her poor self-esteem in the early chapters. She is comfortable in her statis quo.

In contrast, Janice’s husband, Mike, has an inflated sense of self-worth. He has a long history of losing jobs because he constantly criticizes everyone but himself. When his overconfidence in a newly hatched scheme threatens the loss of Janice’s clients, her impatience with Mike’s self-importance skyrockets, sparking her internal rebellion. Without the distraction of Mike’s stifling arrogance and incompetence, Janice is free to reconsider how she feels about herself.

Janice’s self-worth grows after telling her story to Mrs. B and helping Fiona stay calm through Adam’s running away. She lays in bed at Fiona’s house, reassessing her roles and worth and realizing that she is a good friend and mother. Later, after Mrs. B reveals her story to Euan, Janice also realizes that her guilt and self-recrimination are unnecessary and that she must reconcile these feelings to achieve self-actualization. These friends and personal revelations push Janice from being a passive observer to an active participant in her own life, one who acknowledges her shortcomings, appreciates her strengths, pursues her goals, and understands her worth.

The Paralyzing Effects of Guilt

In The Keeper of Stories, guilt is a paralyzing force that traps characters like Fiona and Janice in cycles of self-recrimination and regret. In contrast, Euan’s story demonstrates how one can learn to live with grief without being consumed by guilt. Through their stories, the text warns against the paralyzing, isolating effects of guilt and demonstrates how honesty, acceptance, and self-forgiveness can help one interrogate and reconcile guilt to avoid being consumed it.

Fiona’s guilt stems from her inability to support her husband, who died by suicide, and her son, Adam, as he grieves his father’s death. Her decision to leave accounting to work as an undertaker shows how grief and guilt have crept into every corner of her life, illustrating her inability to process John’s death and perhaps suggesting a desire to atone for some perceived failure to save him. As a mother, Fiona believes that it is her duty to guide Adam through his pain, but she does not know how to support him and struggles to find the right words and actions. Her own unresolved grief leaves her feeling withdrawn, paralyzed, and powerless to bridge the emotional distance between them. It is only after Adam runs away that Fiona is spurred into action, taking small but significant steps toward healing and reconnecting with her son. Her story illustrates how guilt can create a cycle of inaction and self-doubt that exacerbates emotional wounds.

Janice’s guilt is multifaceted and deeply ingrained, stemming from both her relationship with her mother and her decisions as a parent. Her guilt over allowing Mike to send Simon to boarding school is pronounced. This perceived failure makes Janice think that she could have been a better mother until an open, honest conversation with Simon reveals that he valued the experience and the opportunities it provided. Despite this, Janice remains haunted by the fate of her mother, who spiraled until she died, broken and destitute—though Janice was only a child at the time. Her role as a surrogate parent to her sister, Joy, compounds this guilt, as Janice questions whether she could have been a better caregiver. Her guilt is a heavy burden that keeps Janice from moving forward, showing how easily guilt can distort reality and prevent healing. It is not until Janice engages in an open conversation with Euan that she acknowledges her role as a child in her family’s tragedy and releases some of the guilt that has weighed her down.

Euan demonstrates a healthier way of coping with grief and guilt. Though his mother’s death by suicide was a profound loss, he does not blame himself for her struggles. Instead, Euan discusses her life with honesty and acceptance, acknowledging her pain and his own without letting either define him. Euan’s frank discussion of his mother initially unsettles Janice, who is unprepared to confront her own unresolved feelings. However, Euan’s ability to separate grief from guilt helps her release her misplaced responsibility. Euan’s example underscores the importance of being honest and open with oneself and with others, recognizing the limits of one’s control, and finding ways to coexist with loss without becoming its prisoner.

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