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Content Warning: This section of the guide includes discussion of death by suicide.
The motif of stories within stories runs throughout the novel. The narrative is peppered with individual personal histories of clients, acquaintances, and those Janice meets in passing. Clients appreciate that she is a good listener, and before long, they open up to her about their backgrounds. Janice is uncertain of when she consciously began collecting the stories, but as the story opens, it is part of her daily routine: “[N]ow the stories are reaching out, and she gathers them to her. She knows she is a receptive vessel” (2).
Initially, recalling and reflecting on others’ stories appears to be a calming hobby that Janice carries on, partly because it assuages her unhappy marriage but also because it suits her introspective personality. Foreshadowing clues, however, lead to the revelation of Janice’s sad, traumatic childhood; in actuality, Janice collects stories to avoid confronting her own troubled narrative and to fill the empty spaces in the lonely life that she’s consigned herself to because of guilt.
The “story” of Janice and Euan’s relationship is also built on stories that they share about others, such as the Italian prisoner-of-war. These stories become conversation starters that help the two find common ground and connection. Mrs. B’s Becky story is another example of a story told within the novel; significantly, Becky’s story ultimately compels Janice to tell her own.
Finally, Janice’s story to Mrs. B is so painful that she uses a story within a story (within the novel) frame to get through it, referring to herself as “the girl” and adopting the style of a dark fairy tale. Janice’s story forges permanent connections between Mrs. B and herself and shows Janice both a path toward healing and new ways to reflect on others’ stories. As seen through these examples, the motif of stories within stories supports the theme of Storytelling as a Means of Connection.
Mrs. B’s home and its symbolic representation of her story support the theme of The Complexities of Self-Worth. The house reflects her wisdom, experiences, and power. Its many treasured possessions, including the books and wine collection, are strongly meaningful to her; they represent her fulfilling relationship with her husband, Augustus, and their adventurous, important life together in the world of espionage and later travels. Her books, stored in this home, represent Mrs. B’s knowledge of academic matters as well as human nature. Her financial arrangement with the college regarding the home and her intent to live there despite Tiberius’s desire to move her out point to Mrs. B’s power, influence, self-assurance, and iron will.
Ironically, Mrs. B moves willingly (if strategically) from her home by the novel’s end. Through a clever trick arranged with Mycroft, however, she maintains control over how the college uses the space, representing the extent of her shrewdness, confidence, and authority.
Fiona has a large dollhouse that she works on as a hobby. She keeps it in a loft area of her home where a model train used to be. This dollhouse and Fiona’s attention to its care and improvements symbolize her need for control in the aftermath of her husband’s death by suicide. She adds tiny pieces that would make life more relaxed for those living in the dollhouse, and she outfits the rooms with real, working electricity for their comfort. This action represents her desire to provide love and support to Adam in the wake of his loss. The dollhouse also represents a diversion from the pain of healing from her grief.
Changes to the dollhouse indicate changes to Fiona’s character arc. Initially, the house belongs to Jedidiah Jury, Undertaker, a business that this pretend resident runs out of the home. Later, Fiona changes the home business to a bakery run by a woman owner. This change demonstrates that Fiona is ready to work through the trauma of loss and the stress that come with a grieving child. As such, the dollhouse supports the theme of The Paralyzing Effects of Guilt in that Fiona must heal herself before she can help Adam.
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